Immaterial Archives: An African Diaspora Poetics of Loss
by Jenny Sharpe
Northwestern University Press, 2020 Paper: 978-0-8101-4157-5 | Cloth: 978-0-8101-4158-2 | eISBN: 978-0-8101-4159-9 Library of Congress Classification PR9210.5.S473 2020 Dewey Decimal Classification 810.99729
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
In this innovative study, Jenny Sharpe moves beyond the idea of art and literature as an alternative archive to the historical records of slavery and its aftermath. Immaterial Archives explores instead the intangible phenomena of affects, spirits, and dreams that Caribbean artists and writers introduce into existing archives. Through the works of Frantz Zéphirin, Edouard Duval-Carrié, M. NourbeSe Philip, Erna Brodber, and Kamau Brathwaite, Immaterial Archives examines silences as black female spaces, Afro-Creole sacred worlds as diasporic cartographies, and the imaginative conjoining of spirits with industrial technologies as disruptions of enlightened modernity.
AUTHOR BIOGRAPHY
JENNY SHARPE is a professor of English, comparative literature, and gender studies at the University of California, Los Angeles. She is the author of Ghosts of Slavery: A Literary Archeology of Black Women’s Lives and Allegories of Empire: The Figure of Woman in the Colonial Text.
REVIEWS
“Jenny Sharpe’s Immaterial Archives pushes us to resist the archival impulse to connect fragments and close silences. Instead, she counsels us to follow the lead of the Caribbean literary and visual artists she reads. Through literature and art, we discover new ways of engaging with our collective pasts—and to appreciate the aesthetic imagination of enslaved human beings who invented their own futures beyond the epistemological frame of their European oppressors. As relevant for reading the social past as for producing the social and political today.” —Angela Y. Davis, author of Freedom Is a Constant Struggle: Ferguson, Palestine, and the Foundations of a Movement
— -
“Immaterial Archives offers a brilliantly informed examination of how a number of Afro-Caribbean writers and visual artists 'disrupt, bend, and break categories of archival knowledge.' Sharpe astutely explores these works to celebrate their creative use of dreams, spirits, visions, silences, and music to form 'a disquieting re-creation of immaterial Caribbean archives.' This volume is a fascinating and important addition to the critical literature.” —Henry Louis Gates, Jr., author of And Still I Rise: Black America Since MLK
“The question underlying Immaterial Archives is: how do Caribbean writers and artists attempt to give shape and form to immateriality, to what appears to be missing from the physical archives? The book’s implicit thesis is that their attempts to do so have provided some of the most compelling contributions to Caribbean literature and art over the last quarter century or so, a thesis Jenny Sharpe goes on to prove through a series of meticulous readings, often stunning in their originality.” —Peter Hulme, author of The Dinner at Gonfarone's: Salomón de la Selva and His Pan-American Project in Nueva York, 1915–1919— -
TABLE OF CONTENTS
Introduction: The Shape of Immateriality
1. Silence: The Archive and Affective Memory
2. The Invisible: Haitian Art and a Vodou Archive of Slavery
3. Word Holes: Spirit Voices in the Recording Machine
4. DreamStories: The Virtuality of Archival Recovery
Notes
Bibliography
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
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Please have the accessibility coordinator at your school fill out this form.
Immaterial Archives: An African Diaspora Poetics of Loss
by Jenny Sharpe
Northwestern University Press, 2020 Paper: 978-0-8101-4157-5 Cloth: 978-0-8101-4158-2 eISBN: 978-0-8101-4159-9
In this innovative study, Jenny Sharpe moves beyond the idea of art and literature as an alternative archive to the historical records of slavery and its aftermath. Immaterial Archives explores instead the intangible phenomena of affects, spirits, and dreams that Caribbean artists and writers introduce into existing archives. Through the works of Frantz Zéphirin, Edouard Duval-Carrié, M. NourbeSe Philip, Erna Brodber, and Kamau Brathwaite, Immaterial Archives examines silences as black female spaces, Afro-Creole sacred worlds as diasporic cartographies, and the imaginative conjoining of spirits with industrial technologies as disruptions of enlightened modernity.
AUTHOR BIOGRAPHY
JENNY SHARPE is a professor of English, comparative literature, and gender studies at the University of California, Los Angeles. She is the author of Ghosts of Slavery: A Literary Archeology of Black Women’s Lives and Allegories of Empire: The Figure of Woman in the Colonial Text.
REVIEWS
“Jenny Sharpe’s Immaterial Archives pushes us to resist the archival impulse to connect fragments and close silences. Instead, she counsels us to follow the lead of the Caribbean literary and visual artists she reads. Through literature and art, we discover new ways of engaging with our collective pasts—and to appreciate the aesthetic imagination of enslaved human beings who invented their own futures beyond the epistemological frame of their European oppressors. As relevant for reading the social past as for producing the social and political today.” —Angela Y. Davis, author of Freedom Is a Constant Struggle: Ferguson, Palestine, and the Foundations of a Movement
— -
“Immaterial Archives offers a brilliantly informed examination of how a number of Afro-Caribbean writers and visual artists 'disrupt, bend, and break categories of archival knowledge.' Sharpe astutely explores these works to celebrate their creative use of dreams, spirits, visions, silences, and music to form 'a disquieting re-creation of immaterial Caribbean archives.' This volume is a fascinating and important addition to the critical literature.” —Henry Louis Gates, Jr., author of And Still I Rise: Black America Since MLK
“The question underlying Immaterial Archives is: how do Caribbean writers and artists attempt to give shape and form to immateriality, to what appears to be missing from the physical archives? The book’s implicit thesis is that their attempts to do so have provided some of the most compelling contributions to Caribbean literature and art over the last quarter century or so, a thesis Jenny Sharpe goes on to prove through a series of meticulous readings, often stunning in their originality.” —Peter Hulme, author of The Dinner at Gonfarone's: Salomón de la Selva and His Pan-American Project in Nueva York, 1915–1919— -
TABLE OF CONTENTS
Introduction: The Shape of Immateriality
1. Silence: The Archive and Affective Memory
2. The Invisible: Haitian Art and a Vodou Archive of Slavery
3. Word Holes: Spirit Voices in the Recording Machine
4. DreamStories: The Virtuality of Archival Recovery
Notes
Bibliography
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE