Time Slips: Queer Temporalities, Contemporary Performance, and the Hole of History
by Jaclyn Pryor
Northwestern University Press, 2017 Cloth: 978-0-8101-3531-4 | Paper: 978-0-8101-3530-7 | eISBN: 978-0-8101-3532-1 Library of Congress Classification PN1590.S6P79 2017 Dewey Decimal Classification 306.48480973
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
This bold book investigates how performance can transform the way people perceive trauma and memory, time and history. Jaclyn I. Pryor introduces the concept of "time slips," moments in which past, present, and future coincide, moments that challenge American narratives of racial and sexual citizenship.
Framing performance as a site of resistance, Pryor analyzes their own work and that of four other queer artists—Ann Carlson, Mary Ellen Strom, Peggy Shaw, and Lisa Kron—between 2001 and 2016. Pryor illuminates how each artist deploys performance as a tool to render history visible, trauma recognizable, and transformation possible by laying bare the histories and ongoing systems of violence woven deep into our society. Pryor also includes a case study that examines the challenges of teaching queer time and queer performance within the academy in what Pryor calls a post-9/11 “homeland” security state.
Masterfully synthesizing a wealth of research and experiences, Time Slips will interest scholars and readers in the fields of theater and performance studies, queer studies, and American studies.
AUTHOR BIOGRAPHY
JACLYN I. PRYOR is a visiting assistant professor in the Department of English at Haverford College.
REVIEWS
"For those well versed in performance studies—and its requisite conversations in historical memory and political redress, traumatic inscription and forced erasure—this book will read as queer kin." —The Drama Review
"Time Slips opens a new chapter in performance history. Paying careful attention to a range of live queer performances, Pryor narrates in gorgeous detail the temporal ruptures opened by queer performance. Rather than lead these ruptures to a moment of closure, Pryor lets it all hang out and asks their readers to also experience these large and small slips of time. The results are stunning.” —Jack Halberstam, author of In A Queer Time and Place: Transgender Bodies, Subcultural Lives and The Queer Art of Failure
"How can we perform trauma? How do we represent erasure? Time Slips explores elusive yet consequential problems of a disappearing history with great critical insight and feeling, showing us how performance functions as an indispensable site of transformation and redress." —David L. Eng, author of The Feeling of Kinship: Queer Liberalism and the Racialization of Intimacy
"Pryor writes as an artist, an intellectual, and an activist who refuses divisions between theory and practice, life and art. With breathtaking eloquence and power, Time Slips demonstrates how we see, imagine, and renew our faith in the possible." —Jill Dolan, author of Utopia in Performance: Finding Hope at the Theatre
TABLE OF CONTENTS
Table of Contents
Preface………………………………………………………………………..……………4
Introduction: Time Slips……………………………………………………..…………....9
No Rock Straight Time Rain or Shine: Carlson/Strom Remember The Geyserlands……………………………………………………………………………....67
When Elephants Are In Must: Peggy Shaw, Acts of Trans/fer, and the Present Future of Queer………………...…………………………………………………….……………..95
Following the Ghosts: Repetition, Return, and the Disordering of America in floodlines (2004-2010)……………………………………………………………………………..121
Teaching Time (a periplum)............................................................................................168
Holy Time / Sparks flying………...…………………………………………………….202
Notes……………………………………………………………………………………205
Bibliography……………………………………………………………………………221
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
Time Slips: Queer Temporalities, Contemporary Performance, and the Hole of History
by Jaclyn Pryor
Northwestern University Press, 2017 Cloth: 978-0-8101-3531-4 Paper: 978-0-8101-3530-7 eISBN: 978-0-8101-3532-1
This bold book investigates how performance can transform the way people perceive trauma and memory, time and history. Jaclyn I. Pryor introduces the concept of "time slips," moments in which past, present, and future coincide, moments that challenge American narratives of racial and sexual citizenship.
Framing performance as a site of resistance, Pryor analyzes their own work and that of four other queer artists—Ann Carlson, Mary Ellen Strom, Peggy Shaw, and Lisa Kron—between 2001 and 2016. Pryor illuminates how each artist deploys performance as a tool to render history visible, trauma recognizable, and transformation possible by laying bare the histories and ongoing systems of violence woven deep into our society. Pryor also includes a case study that examines the challenges of teaching queer time and queer performance within the academy in what Pryor calls a post-9/11 “homeland” security state.
Masterfully synthesizing a wealth of research and experiences, Time Slips will interest scholars and readers in the fields of theater and performance studies, queer studies, and American studies.
AUTHOR BIOGRAPHY
JACLYN I. PRYOR is a visiting assistant professor in the Department of English at Haverford College.
REVIEWS
"For those well versed in performance studies—and its requisite conversations in historical memory and political redress, traumatic inscription and forced erasure—this book will read as queer kin." —The Drama Review
"Time Slips opens a new chapter in performance history. Paying careful attention to a range of live queer performances, Pryor narrates in gorgeous detail the temporal ruptures opened by queer performance. Rather than lead these ruptures to a moment of closure, Pryor lets it all hang out and asks their readers to also experience these large and small slips of time. The results are stunning.” —Jack Halberstam, author of In A Queer Time and Place: Transgender Bodies, Subcultural Lives and The Queer Art of Failure
"How can we perform trauma? How do we represent erasure? Time Slips explores elusive yet consequential problems of a disappearing history with great critical insight and feeling, showing us how performance functions as an indispensable site of transformation and redress." —David L. Eng, author of The Feeling of Kinship: Queer Liberalism and the Racialization of Intimacy
"Pryor writes as an artist, an intellectual, and an activist who refuses divisions between theory and practice, life and art. With breathtaking eloquence and power, Time Slips demonstrates how we see, imagine, and renew our faith in the possible." —Jill Dolan, author of Utopia in Performance: Finding Hope at the Theatre
TABLE OF CONTENTS
Table of Contents
Preface………………………………………………………………………..……………4
Introduction: Time Slips……………………………………………………..…………....9
No Rock Straight Time Rain or Shine: Carlson/Strom Remember The Geyserlands……………………………………………………………………………....67
When Elephants Are In Must: Peggy Shaw, Acts of Trans/fer, and the Present Future of Queer………………...…………………………………………………….……………..95
Following the Ghosts: Repetition, Return, and the Disordering of America in floodlines (2004-2010)……………………………………………………………………………..121
Teaching Time (a periplum)............................................................................................168
Holy Time / Sparks flying………...…………………………………………………….202
Notes……………………………………………………………………………………205
Bibliography……………………………………………………………………………221
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE