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Bergson and Russian Modernism: 1900-1930
Northwestern University Press, 2012 Cloth: 978-0-8101-1610-8 | Paper: 978-0-8101-2855-2 Library of Congress Classification PG3020.5.M6F55 1999 Dewey Decimal Classification 891.709112
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Bergson and Russian Modernism provides a portrait of the early twentieth-century intersection of literature, philosophy, and art, showing how the Russian reception of Bergsonian philosophy helped to define Russian Modernism. By drawing on various works of Russian religious thought, Symbolism, Post-Symbolism, and the absurd, Fink examines Bergson's appeal to Russian modernists interested in breaking free of traditional concepts of time and space and in reclaiming the direct link with reality that had been broken by nineteenth-century rationalism and empiricism.
See other books on: 1900 - 1930 | Bergson, Henri | Modernism (Literature) | Russia (Federation) | Russian literature See other titles from Northwestern University Press |
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Bergson and Russian Modernism: 1900-1930
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC | REQUEST ACCESSIBLE FILE
Northwestern University Press, 2012
Cloth: 978-0-8101-1610-8
Paper: 978-0-8101-2855-2
Cloth: 978-0-8101-1610-8
Paper: 978-0-8101-2855-2
Bergson and Russian Modernism provides a portrait of the early twentieth-century intersection of literature, philosophy, and art, showing how the Russian reception of Bergsonian philosophy helped to define Russian Modernism. By drawing on various works of Russian religious thought, Symbolism, Post-Symbolism, and the absurd, Fink examines Bergson's appeal to Russian modernists interested in breaking free of traditional concepts of time and space and in reclaiming the direct link with reality that had been broken by nineteenth-century rationalism and empiricism.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC | REQUEST ACCESSIBLE FILE
