Northwestern University Press, 1994 Cloth: 978-0-8101-1009-0 | eISBN: 978-0-8101-6594-6 | Paper: 978-0-8101-1191-2 Library of Congress Classification PG3335.Z8E84 1992 Dewey Decimal Classification 891.78309
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
These fourteen essays reflect the increasingly interdisciplinary character of Russian literature research in general and of the study of Gogol in particular, focusing on specific works, Gogol's own character, and the various approaches to aesthetic, religious, and philosophical issues raised by his writing.
AUTHOR BIOGRAPHY
SUSANNE FUSSO is a professor in the Department of Russian Language and Literature at Wesleyan University. She is the author of Designing Dead Souls: An Anatomy of Disorder in Gogol (Stanford, 1993). She is the translator and editor of A Russian Prince in the Soviet State: Hunting Stories, Letters from Exile, and Military Memoirs (2005) and coeditor of Essays on Karolina Pavlova (2001) and Essays on Gogol: Logos and the Russian Word (1994), all published by Northwestern University Press.
PRISCILLA MEYER is Professor of Russian at Wesleyan University.
REVIEWS
"A magnificent collection of fourteen papers which encompass all that was Gogol's world. Here we have a work of textural scholarship which will set the tone and the course for future Gogolian researchers." —New England Review of Books
— -
"A truly worthy collection of essays . . . succeeds in placing Gogol' in multiple literary and philosophical traditions, and it definitely indicates some new ways of reading one of Russia's most ambiguous writers." —Andrew Wachtel, Slavic Review
— -
TABLE OF CONTENTS
Acknowledgments
A Key to Titles of Gogol's Works
Introduction
1. The Face of Recent Gogol Scholarship
2. The Logos of Gogol
Works Cited in Introduction
Being Buried Alive; or Gogol in 1973 Andrei Bitov
Around "The Nose" Sergei Bocharov
The "Thing-in-Itself" in Gogol's Aesthetics: A Reading of the Dikanka Stories John Kopper
False Pretenders and the Spiritual City: "A May Night" and "The Overcoat" Priscilla Meyer
Gogol's Poetics of Petrification Iurii Mann
Khlestakov as Representative of Petersburg in The Inspector General Duffield White
Gogol's "The Portrait": The Simultaneity of Madness, Naturalism, and the Supernatural Robert Louis Jackson
The Landscape of Arabesques Susanne Fusso
The Bird Troika and the Chariot of the Soul: Plato and Gogol Mikhail Weiskopf
Artificiality and Nature in Gogol's Dead Souls Katherine Lahti
The Death of Gogolian Polyphony: Selected Comments on Selected Passages from Correspondence with Friends Frederick T. Griffiths and Stanley J. Rabinowitz
Rereading Gogol's Miswritten Book: Notes on Selected Passages from Correspondence with Friends
Alexander Zholkovsky
Distended Discourse: Gogol, Jean Paul, and the Poetics of Elaboration Cathy Popkin
Gogol's Parables of Explanation: Nonsense and Prosaics Gary Saul Morson
REQUEST ACCESSIBLE FILE
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Northwestern University Press, 1994 Cloth: 978-0-8101-1009-0 eISBN: 978-0-8101-6594-6 Paper: 978-0-8101-1191-2
These fourteen essays reflect the increasingly interdisciplinary character of Russian literature research in general and of the study of Gogol in particular, focusing on specific works, Gogol's own character, and the various approaches to aesthetic, religious, and philosophical issues raised by his writing.
AUTHOR BIOGRAPHY
SUSANNE FUSSO is a professor in the Department of Russian Language and Literature at Wesleyan University. She is the author of Designing Dead Souls: An Anatomy of Disorder in Gogol (Stanford, 1993). She is the translator and editor of A Russian Prince in the Soviet State: Hunting Stories, Letters from Exile, and Military Memoirs (2005) and coeditor of Essays on Karolina Pavlova (2001) and Essays on Gogol: Logos and the Russian Word (1994), all published by Northwestern University Press.
PRISCILLA MEYER is Professor of Russian at Wesleyan University.
REVIEWS
"A magnificent collection of fourteen papers which encompass all that was Gogol's world. Here we have a work of textural scholarship which will set the tone and the course for future Gogolian researchers." —New England Review of Books
— -
"A truly worthy collection of essays . . . succeeds in placing Gogol' in multiple literary and philosophical traditions, and it definitely indicates some new ways of reading one of Russia's most ambiguous writers." —Andrew Wachtel, Slavic Review
— -
TABLE OF CONTENTS
Acknowledgments
A Key to Titles of Gogol's Works
Introduction
1. The Face of Recent Gogol Scholarship
2. The Logos of Gogol
Works Cited in Introduction
Being Buried Alive; or Gogol in 1973 Andrei Bitov
Around "The Nose" Sergei Bocharov
The "Thing-in-Itself" in Gogol's Aesthetics: A Reading of the Dikanka Stories John Kopper
False Pretenders and the Spiritual City: "A May Night" and "The Overcoat" Priscilla Meyer
Gogol's Poetics of Petrification Iurii Mann
Khlestakov as Representative of Petersburg in The Inspector General Duffield White
Gogol's "The Portrait": The Simultaneity of Madness, Naturalism, and the Supernatural Robert Louis Jackson
The Landscape of Arabesques Susanne Fusso
The Bird Troika and the Chariot of the Soul: Plato and Gogol Mikhail Weiskopf
Artificiality and Nature in Gogol's Dead Souls Katherine Lahti
The Death of Gogolian Polyphony: Selected Comments on Selected Passages from Correspondence with Friends Frederick T. Griffiths and Stanley J. Rabinowitz
Rereading Gogol's Miswritten Book: Notes on Selected Passages from Correspondence with Friends
Alexander Zholkovsky
Distended Discourse: Gogol, Jean Paul, and the Poetics of Elaboration Cathy Popkin
Gogol's Parables of Explanation: Nonsense and Prosaics Gary Saul Morson
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE