Ghost Light: An Introductory Handbook for Dramaturgy
by Michael Mark Chemers
Southern Illinois University Press, 2010 Paper: 978-0-8093-2952-6 | eISBN: 978-0-8093-8571-3 Library of Congress Classification PN2053.C415 2010 Dewey Decimal Classification 792.023
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
Ghost Light: An Introductory Handbook for Dramaturgy offers useful and entertaining answers to the confounding questions: “What, exactly, is dramaturgy, and what does a dramaturg do?” According to Michael Mark Chemers, dramaturgs are the scientists of the theater world—their primary responsibility is to query the creative possibilities in every step of the production process, from play selection to costume design, and then research the various options and find ways to transform that knowledge into useful ideas. To say that dramaturgs are well-rounded is an understatement: those who choose this profession must possess an acute aesthetic sensibility in combination with an extensive knowledge of theater history and practice, world history, and critical theory, and they must be able to collaborate with every member of the creative team and theater administration.
Ghost Light is divided into three sections. Part 1, “Philosophy,” describes what dramturgs do, presents a detailed history of dramaturgy, and summarizes many of the critical theories needed to analyze and understand dramatic texts. “Analysis” teaches the two essential skills of a dramaturg: reading and writing. It includes a “12-step program for script analysis” along with suggestions about how to approach various genres and play structures. “Practice,” the third part, delves into the relationships that dramaturgs forge and offers useful advice about collaborating with other artists. It also includes ideas for audience outreach initiatives such as marketing and publicity plans, educational programs, talkbacks, blogs, and program notes and lobby displays, all of which are often the responsibility of the dramaturg.
Ghost Light was written with undergraduate students in mind and is perfectly suited for the classroom (each chapter concludes with a series of practical exercises that can be used as course assignments). However, dramaturgy is a skill that is essential to all theater practitioners, not just professional or aspiring dramaturgs, making Ghost Light a valuable addition to all theater libraries.
AUTHOR BIOGRAPHY
Michael M. Chemers founded and directs the Bachelor of Fine Arts in Production Dramaturgy Program at Carnegie Mellon University’s School of Drama. He is the author of Staging Stigma: A Critical Examination of the American Freak Show.
REVIEWS
“This book documents the rigor, intellectual research, and collaborative skills required of a practicing dramaturg today. Students and professionals alike will find illumination of lasting value in Ghost Light.”
—Elizabeth Bradley, New York University
“Ghost Light offers students of dramaturgy a welcome introductory foothold. . . . Michael Chemers combines an academically rigorous overview of the field’s historical discourses with an entirely practical guide to everyday dramaturgical work.”
—Ken Cerniglia, Dramaturg and Literary Manager, Disney Theatrical Productions
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TABLE OF CONTENTS
Cover
Book Title
Copyright
Contents
Preface
Acknowledgments
Part One: Philosophy
1. What the #$%@ Is a Dramaturg?
2. Historicizing Dramaturgy
3. Power Plays
Part Two: Analysis
4. The Twelve-Step Program for Script Analysts
5. Form Follows Function
6. Why This Play Now?
Part Three: Practice
7. New Plays
8. The Company
9. Audiences
Appendix A: The Casebook
Appendix B: The Dramaturg’s Library
Appendix C: Societies of Interest to Dramaturgs
Appendix D: Journals, Periodicals, and Online Databases
Ghost Light: An Introductory Handbook for Dramaturgy
by Michael Mark Chemers
Southern Illinois University Press, 2010 Paper: 978-0-8093-2952-6 eISBN: 978-0-8093-8571-3
Ghost Light: An Introductory Handbook for Dramaturgy offers useful and entertaining answers to the confounding questions: “What, exactly, is dramaturgy, and what does a dramaturg do?” According to Michael Mark Chemers, dramaturgs are the scientists of the theater world—their primary responsibility is to query the creative possibilities in every step of the production process, from play selection to costume design, and then research the various options and find ways to transform that knowledge into useful ideas. To say that dramaturgs are well-rounded is an understatement: those who choose this profession must possess an acute aesthetic sensibility in combination with an extensive knowledge of theater history and practice, world history, and critical theory, and they must be able to collaborate with every member of the creative team and theater administration.
Ghost Light is divided into three sections. Part 1, “Philosophy,” describes what dramturgs do, presents a detailed history of dramaturgy, and summarizes many of the critical theories needed to analyze and understand dramatic texts. “Analysis” teaches the two essential skills of a dramaturg: reading and writing. It includes a “12-step program for script analysis” along with suggestions about how to approach various genres and play structures. “Practice,” the third part, delves into the relationships that dramaturgs forge and offers useful advice about collaborating with other artists. It also includes ideas for audience outreach initiatives such as marketing and publicity plans, educational programs, talkbacks, blogs, and program notes and lobby displays, all of which are often the responsibility of the dramaturg.
Ghost Light was written with undergraduate students in mind and is perfectly suited for the classroom (each chapter concludes with a series of practical exercises that can be used as course assignments). However, dramaturgy is a skill that is essential to all theater practitioners, not just professional or aspiring dramaturgs, making Ghost Light a valuable addition to all theater libraries.
AUTHOR BIOGRAPHY
Michael M. Chemers founded and directs the Bachelor of Fine Arts in Production Dramaturgy Program at Carnegie Mellon University’s School of Drama. He is the author of Staging Stigma: A Critical Examination of the American Freak Show.
REVIEWS
“This book documents the rigor, intellectual research, and collaborative skills required of a practicing dramaturg today. Students and professionals alike will find illumination of lasting value in Ghost Light.”
—Elizabeth Bradley, New York University
“Ghost Light offers students of dramaturgy a welcome introductory foothold. . . . Michael Chemers combines an academically rigorous overview of the field’s historical discourses with an entirely practical guide to everyday dramaturgical work.”
—Ken Cerniglia, Dramaturg and Literary Manager, Disney Theatrical Productions
— -
TABLE OF CONTENTS
Cover
Book Title
Copyright
Contents
Preface
Acknowledgments
Part One: Philosophy
1. What the #$%@ Is a Dramaturg?
2. Historicizing Dramaturgy
3. Power Plays
Part Two: Analysis
4. The Twelve-Step Program for Script Analysts
5. Form Follows Function
6. Why This Play Now?
Part Three: Practice
7. New Plays
8. The Company
9. Audiences
Appendix A: The Casebook
Appendix B: The Dramaturg’s Library
Appendix C: Societies of Interest to Dramaturgs
Appendix D: Journals, Periodicals, and Online Databases
Appendix E: Accessing Original Texts Online
Appendix F: Recommended Play Anthologies
Notes
Index
Author Bio
Series Statement
Series Titles
Back Cover
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC