Harvard University Press, 1998 Cloth: 978-0-674-57418-2 Library of Congress Classification PG3476.B78Z679 1998 Dewey Decimal Classification 891.784209
ABOUT THIS BOOK | REVIEWS
ABOUT THIS BOOK
One of the foremost Russian writers of the Soviet period, Mikhail Bulgakov (1891-1940) has attracted much critical attention. But Edythe Haber is the first to explore in depth his formative years, to probe the roots of his artistic vision. Her study yields a new picture of the novelist and playwright working in tumultuous times, and a fresh understanding of his ultimate masterpiece, The Master and Margarita.
Bulgakov as writer was born out of the chaos of the Russian revolution and civil war. Haber shows how he mines his civil war experience for literary purposes, and how he molds and remolds his protagonist, transforming the tormented intellectual of the earliest fiction into a complex solitary hero. In achieving in his fiction a version of the creative self, an autobiographical hero, Bulgakov redefines such traditional moral categories as courage and honor. Blending biography and literary analysis of motifs, story, and characterization, Haber tracks one writer's answer to the dislocations of revolution, civil war, and early Bolshevism. And from her examination of Bulgakov's satirical writings a vivid panorama emerges of the burgeoning Soviet society. These comic sketches and novellas, blending the fantastic and quotidian, evoke an intellectual's struggle with a hostile new world. In Haber's trenchant and broadly informed analysis we can see how the themes and characters of the early works receive their final permutation--and transcendence--in The Master and Margarita, surely the finest novel produced in Russia since the Revolution.
REVIEWS
Haber’s approach produces a series of thoughtful and enlightening essays on individual works, linked by a shaping idea that is never allowed to contort the analysis. The book is written in the best scholarly style: literary, fresh, fluent and always accessible. It is an indispensable source of up-to-date information and stimulating new ideas for undergraduates, postgraduates, teachers and scholars in the field.
-- Lesley Milne Slavonic Review [UK]
This pellucidly written study comprises six chapters of groundbreaking scholarship on Mikhail Bulgakov, one of the most extraordinary modern Russian writers… [The book] is a sensitive panorama of turbulent times peopled with engrossing characters, framed by Bulgakov’s vision and deliberations and especially by his persistent theme of revolution as a loss of home. Haber sensitively analyzes the stylistic and thematic links that run through each and all of Bulgakov’s works, convincingly pulling together seemingly disparate short stories… Haber’s original treatment of satirical novellas is splendid, as are her discussions of Bulgakov’s interweaving of divine and diabolical imagery. Her analysis is based on elegant scholarship and a deep sympathy with her subject. One hopes that Haber will write further on The Master and the Margarita, for her pioneering discoveries about the development of Bulgakov’s oeuvre deserves further development.
-- Sonia I. Ketchian Harvard Review
Harvard University Press, 1998 Cloth: 978-0-674-57418-2
One of the foremost Russian writers of the Soviet period, Mikhail Bulgakov (1891-1940) has attracted much critical attention. But Edythe Haber is the first to explore in depth his formative years, to probe the roots of his artistic vision. Her study yields a new picture of the novelist and playwright working in tumultuous times, and a fresh understanding of his ultimate masterpiece, The Master and Margarita.
Bulgakov as writer was born out of the chaos of the Russian revolution and civil war. Haber shows how he mines his civil war experience for literary purposes, and how he molds and remolds his protagonist, transforming the tormented intellectual of the earliest fiction into a complex solitary hero. In achieving in his fiction a version of the creative self, an autobiographical hero, Bulgakov redefines such traditional moral categories as courage and honor. Blending biography and literary analysis of motifs, story, and characterization, Haber tracks one writer's answer to the dislocations of revolution, civil war, and early Bolshevism. And from her examination of Bulgakov's satirical writings a vivid panorama emerges of the burgeoning Soviet society. These comic sketches and novellas, blending the fantastic and quotidian, evoke an intellectual's struggle with a hostile new world. In Haber's trenchant and broadly informed analysis we can see how the themes and characters of the early works receive their final permutation--and transcendence--in The Master and Margarita, surely the finest novel produced in Russia since the Revolution.
REVIEWS
Haber’s approach produces a series of thoughtful and enlightening essays on individual works, linked by a shaping idea that is never allowed to contort the analysis. The book is written in the best scholarly style: literary, fresh, fluent and always accessible. It is an indispensable source of up-to-date information and stimulating new ideas for undergraduates, postgraduates, teachers and scholars in the field.
-- Lesley Milne Slavonic Review [UK]
This pellucidly written study comprises six chapters of groundbreaking scholarship on Mikhail Bulgakov, one of the most extraordinary modern Russian writers… [The book] is a sensitive panorama of turbulent times peopled with engrossing characters, framed by Bulgakov’s vision and deliberations and especially by his persistent theme of revolution as a loss of home. Haber sensitively analyzes the stylistic and thematic links that run through each and all of Bulgakov’s works, convincingly pulling together seemingly disparate short stories… Haber’s original treatment of satirical novellas is splendid, as are her discussions of Bulgakov’s interweaving of divine and diabolical imagery. Her analysis is based on elegant scholarship and a deep sympathy with her subject. One hopes that Haber will write further on The Master and the Margarita, for her pioneering discoveries about the development of Bulgakov’s oeuvre deserves further development.
-- Sonia I. Ketchian Harvard Review