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This title is no longer available from this publisher at this time. To let the publisher know you are interested in the title, please email bv-help@uchicago.edu. |
Masterpieces of Metonymy: From Ancient Greek Times to Now
Harvard University Press, 2015 Paper: 978-0-674-08832-0 Library of Congress Classification PA3052.N34 2015 Dewey Decimal Classification 809.91
ABOUT THIS BOOK
ABOUT THIS BOOK
In Masterpieces of Metonymy, Gregory Nagy analyzes metonymy as a mental process that complements metaphor. If metaphor is a substitution of something unfamilar for something familiar, then metonymy can be seen as a connecting of something familiar with something else that is already familiar. Applying this formulation, Nagy offers close readings of over one hundred examples of metonymy as it comes to life in the verbal and the visual arts of Greek culture, as well as in the arts of other cultures. Though it is debatable whether all the selected examples really qualify as masterpieces, what they all have in common is their potential for artistic greatness. A close reading of the verbal and the visual evidence, Nagy argues, leads to a fuller appreciation of this greatness. See other books on: Figures of speech | Greek literature | Masterpieces | Nagy, Gregory | Now See other titles from Harvard University Press |
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Nearby on shelf for Greek literature / Literary history:
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This title is no longer available from this publisher at this time. To let the publisher know you are interested in the title, please email bv-help@uchicago.edu.
Masterpieces of Metonymy: From Ancient Greek Times to Now
ABOUT THIS BOOK
Harvard University Press, 2015
Paper: 978-0-674-08832-0
Paper: 978-0-674-08832-0
In Masterpieces of Metonymy, Gregory Nagy analyzes metonymy as a mental process that complements metaphor. If metaphor is a substitution of something unfamilar for something familiar, then metonymy can be seen as a connecting of something familiar with something else that is already familiar. Applying this formulation, Nagy offers close readings of over one hundred examples of metonymy as it comes to life in the verbal and the visual arts of Greek culture, as well as in the arts of other cultures. Though it is debatable whether all the selected examples really qualify as masterpieces, what they all have in common is their potential for artistic greatness. A close reading of the verbal and the visual evidence, Nagy argues, leads to a fuller appreciation of this greatness.
ABOUT THIS BOOK
