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Black Fiction
Harvard University Press, 1974 Cloth: 978-0-674-07620-4 | Paper: 978-0-674-07622-8 Library of Congress Classification PS374.N4R6 Dewey Decimal Classification 813.009
ABOUT THIS BOOK | TOC
ABOUT THIS BOOK
In this illuminating book Roger Rosenblatt offers both sensitive analyses of individual works and a provocative and compelling thesis. He argues that black fiction has a unity deriving not from any chronological sequence, or simply from its black authorship, but from a particular cyclical conception of history on which practically every significant black American novel and short story is based. Marked for oppression by an external physical characteristic, black characters struggle constantly against and within a hostile world. See other books on: African American & Black | African American authors | African Americans in literature | American fiction | Rosenblatt, Roger See other titles from Harvard University Press |
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Nearby on shelf for American literature / Prose / Prose fiction:
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Black Fiction
ABOUT THIS BOOK | TOC
Harvard University Press, 1974
Cloth: 978-0-674-07620-4
Paper: 978-0-674-07622-8
Cloth: 978-0-674-07620-4
Paper: 978-0-674-07622-8
In this illuminating book Roger Rosenblatt offers both sensitive analyses of individual works and a provocative and compelling thesis. He argues that black fiction has a unity deriving not from any chronological sequence, or simply from its black authorship, but from a particular cyclical conception of history on which practically every significant black American novel and short story is based. Marked for oppression by an external physical characteristic, black characters struggle constantly against and within a hostile world.
Rosenblatt's analysis of the way black protagonists try to break historical patterns provides an integrated and sustained interpretation of motives and methods in black fiction. The black hero, after starting on a circular track, may try to change direction by means of his youth, love, education, or humor; or he may try to escape into his own elusive and vague history. But, as Rosenblatt demonstrates, these attempts all fail. And the black hero discovers in the failure of his attempts that the society which caused all this failure is not only unattainable but undesirable. Neither a sociological study nor a routine survey, this is distinctly a work of literary criticism which concentrates on black fiction as literature.
ABOUT THIS BOOK | TOC
