Authors in Court: Scenes from the Theater of Copyright
by Mark Rose
Harvard University Press, 2016 Cloth: 978-0-674-04804-1 | Paper: 978-0-674-98413-4 | eISBN: 978-0-674-96992-6 Library of Congress Classification K1420.5.R67 2016 Dewey Decimal Classification 346.420482
ABOUT THIS BOOK | REVIEWS | TOC
ABOUT THIS BOOK
Through a series of vivid case studies, Authors in Court charts the 300-year-long dance between authorship and copyright that has shaped each institution’s response to changing social norms of identity, privacy, and celebrity.
“A literary historian by training, Rose is completely at home in the world of law, as well as the history of photography and art. This is the work of an interdisciplinary scholar at the height of his powers. The arguments are sophisticated and the elegant text is a work of real craftsmanship. It is superb.” —Lionel Bently, University of Cambridge
“Authors in Court is well-written, erudite, informative, and engaging throughout. As the chapters go along, we see the way that personalities inflect the supposedly impartial law; we see the role of gender in authorial self-fashioning; we see some of the fault lines which produce litigation; and we get a nice history of the evolution of the fair use doctrine. This is a book that should at least be on reserve for any IP–related course. Going forward, no one writing about any of the cases Rose discusses can afford to ignore his contribution.” —Lewis Hyde, Kenyon College
REVIEWS
A literary historian by training, Rose is completely at home in the world of law, as well as the history of photography and art. This is the work of an interdisciplinary scholar at the height of his powers. The arguments are sophisticated and the elegant text is a work of real craftsmanship. It is superb.
-- Lionel Bently, University of Cambridge
Authors in Court is well-written, erudite, informative, and engaging throughout. As the chapters go along, we see the way that personalities inflect the supposedly impartial law; we see the role of gender in authorial self-fashioning; we see some of the fault lines which produce litigation; and we get a nice history of the evolution of the fair use doctrine. This is a book that should at least be on reserve for any IP–related course. Going forward, no one writing about any of the cases Rose discusses can afford to ignore his contribution.
-- Lewis Hyde, Kenyon College
TABLE OF CONTENTS
Cover
Title
Copyright
Dedication
Contents
Preface
Chapter 1. Defoe in the Pillory
Chapter 2. Genteel Wrath: Pope v. Curll (1741)
Chapter 3. Emancipation and Translation: Stowe v. Thomas (1853)
Chapter 4. Creating Oscar Wilde: Burrow-Giles v. Sarony (1884)
Chapter 5. Hollywood Story: Nichols v. Universal (1930)
Chapter 6. Prohibited Paraphrase: Salinger v. Random House (1987)
Chapter 7. Purloined Puppies: Rogers v. Koons (1992)
Authors in Court: Scenes from the Theater of Copyright
by Mark Rose
Harvard University Press, 2016 Cloth: 978-0-674-04804-1 Paper: 978-0-674-98413-4 eISBN: 978-0-674-96992-6
Through a series of vivid case studies, Authors in Court charts the 300-year-long dance between authorship and copyright that has shaped each institution’s response to changing social norms of identity, privacy, and celebrity.
“A literary historian by training, Rose is completely at home in the world of law, as well as the history of photography and art. This is the work of an interdisciplinary scholar at the height of his powers. The arguments are sophisticated and the elegant text is a work of real craftsmanship. It is superb.” —Lionel Bently, University of Cambridge
“Authors in Court is well-written, erudite, informative, and engaging throughout. As the chapters go along, we see the way that personalities inflect the supposedly impartial law; we see the role of gender in authorial self-fashioning; we see some of the fault lines which produce litigation; and we get a nice history of the evolution of the fair use doctrine. This is a book that should at least be on reserve for any IP–related course. Going forward, no one writing about any of the cases Rose discusses can afford to ignore his contribution.” —Lewis Hyde, Kenyon College
REVIEWS
A literary historian by training, Rose is completely at home in the world of law, as well as the history of photography and art. This is the work of an interdisciplinary scholar at the height of his powers. The arguments are sophisticated and the elegant text is a work of real craftsmanship. It is superb.
-- Lionel Bently, University of Cambridge
Authors in Court is well-written, erudite, informative, and engaging throughout. As the chapters go along, we see the way that personalities inflect the supposedly impartial law; we see the role of gender in authorial self-fashioning; we see some of the fault lines which produce litigation; and we get a nice history of the evolution of the fair use doctrine. This is a book that should at least be on reserve for any IP–related course. Going forward, no one writing about any of the cases Rose discusses can afford to ignore his contribution.
-- Lewis Hyde, Kenyon College
TABLE OF CONTENTS
Cover
Title
Copyright
Dedication
Contents
Preface
Chapter 1. Defoe in the Pillory
Chapter 2. Genteel Wrath: Pope v. Curll (1741)
Chapter 3. Emancipation and Translation: Stowe v. Thomas (1853)
Chapter 4. Creating Oscar Wilde: Burrow-Giles v. Sarony (1884)
Chapter 5. Hollywood Story: Nichols v. Universal (1930)
Chapter 6. Prohibited Paraphrase: Salinger v. Random House (1987)
Chapter 7. Purloined Puppies: Rogers v. Koons (1992)