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A New Literary History of America
edited by Greil Marcus and Werner Sollors
Harvard University Press, 2012 eISBN: 978-0-674-05421-9 | Paper: 978-0-674-06410-2 | Cloth: 978-0-674-03594-2 Library of Congress Classification PS92.N39 2009 Dewey Decimal Classification 810.9
ABOUT THIS BOOK | REVIEWS | TOC
ABOUT THIS BOOK
America is a nation making itself up as it goes along—a story of discovery and invention unfolding in speeches and images, letters and poetry, unprecedented feats of scholarship and imagination. In these myriad, multiform, endlessly changing expressions of the American experience, the authors and editors of this volume find a new American history. REVIEWS
In snapshots of a few thousand words each, the entries in A New Literary History put on display the exploring, tinkering, and risk-taking that have contributed to the invention of America… A New Literary History of America gives us what amounts to a fractal geometry of American culture. You can focus on any one spot and get a sense of the whole or pull back and watch the larger patterns appear. What you see isn’t the past so much as the present.
-- Wes Davis Wall Street Journal A New Literary History of America is not your typical Harvard University Press anthology...[It] roams far beyond any standard definition of literature. Aside from compositions that contain the written word, its subjects include war memorials, jazz, museums, comic strips, film, radio, musicals, skyscrapers, cybernetics and photography.
-- Patricia Cohen New York Times This magnificent volume is a vast, inquisitive, richly surprising and consistently enlightening wallow in our national history and culture...Neither reference nor criticism, neither history nor treatise, but a genre-defying, transcendent fusion of them all. It sounds impossible, but the result seems both inevitable and necessary and profoundly welcome, too...This book is not so much a history of our literature as it is a literary version of our history, told through the culture we've created to recount our past and conjure our future...In the age of Wikipedia, a reference book like this needs more than just the facts; it needs to tell us what the facts mean, and A New Literary History does just that.
-- Laura Miller Salon Ambitious, thought-provoking, and comprehensive, A New Literary History of America edited by Greil Marcus and Werner Sollors, features more than 200 essays on poems, letters, novels, memoirs, speeches, movies, and theater, by writers ranging from Bharati Mukherjee to John Edgar Wideman, reinterpreting the American experience form the 1500s forward.
-- Elle The huge, welcoming, exciting, just-published volume A New Literary History of America is a book with which to spend entire days and the rest of your life...Where else are you going to read Camille Paglia on Tennessee Williams, Mary Gaitskill on Norman Mailer, and Walter Mosley on the hardboiled detective novel? Don't you want to do that right now?...Talk about an all-American value: You could read this 1,000-plus-page book forever and never use up its revelations and its pleasures.
-- Ken Tucker Entertainment Weekly online [This] represents a rethinking of the awkward genre of literary history, which can fall disappointingly between the cracks of straight criticism and narrative history, devolving into a dull recitation of author bios and conventional literary wisdom. With the help of an editorial board, Marcus and Sollors settled on 216 artworks (film and painting as well as texts), authors, movements, and cultural artifacts that help answer the question, "What is America?" Emerson, Melville, Dickinson, and Faulkner are in there, to be sure, but so are the Winchester rifle, "Steamboat Willie," Chuck Berry's "Roll Over Beethoven," Alcoholics Anonymous, and Linda Lovelace (the star of the pornographic film "Deep Throat," who later said she'd been raped during its filming)...It will be a welcome change if a "literary history," for once, stirs up a little dust.
-- Christopher Shea Boston Globe Brainiac blog [An] essential, eclectic doorstop anthology.
-- New York Magazine The full national-literary character of the United States is on display in this mighty history and reference work for our time. Written by a distinguished team, under the sure-handed editorship of musicologist and historian Marcus and Sollors...this volume begins with America's first appearance on a map and concludes with the election of President Obama. Among the more than 200 contributors are Bharati Mukherjee (on The Scarlet Letter), Camille Paglia (on Tennessee Williams) and Ishmael Reed (on The Adventures of Huckleberry Finn)...This is an astounding achievement in multiculturalism and American studies, which in the age of Google and the Internet lights the way toward serious interpretive reference publishing. (Starred Review)
-- Publishers Weekly Of course it's hefty; it's a "broadly cultural history" of America with a literary bent, an avid and provocative collaboration that tracks the American story not only through works of American literature, classic and forgotten, but also via music, art, pop culture, speeches, letters, religious tracts, photographs, and Supreme Court decisions. Versatile social critic and historian Marcus, Harvard University professor of English and African American studies Sollors, and their illustrious board of editors assembled more than 200 commissioned essays, which meander chronologically from 1507 and the first appearance on a map of the name "America" to Barack Obama's election. In between is a dazzling array of inquiries into Gone with the Wind and Invisible Man, The Wizard of Oz and the blues, hard-boiled detective stories and Mickey Mouse, "Howl" and Miles Davis, nature writing and Zora Neale Hurston. With such contributors as Elizabeth Alexander, Mary Gaitskill, Bharati Mukherjee, Richard Powers, Ishmael Reed, David Thomson, David Treuer, and John Edgar Wideman, this is an adventurous, jazzily choral, and kaleidoscopic book of interpretations, illuminations, and revitalized history.
-- Donna Seaman Booklist Marcus and Sollors trace through literature the dynamism of American society and culture spanning 500 years, from the first time the name America appears on a map (1507) to the election of Barack Obama as president...No single volume can fully capture the range of a nation's literary history, but this book succeeds in highlighting new ideas and providing a starting point for further investigation. Above all, it is a pleasure to read.
-- Mark Alan Williams Library Journal Reading this gorgeous compendium on the written word in America should be required for gaining or maintaining U.S. citizenship. And even at more than 1,000 pages, it's a fun way to learn what we're all about...The list of contributors is a rich, varied array of our best contemporary writers and cultural mavens...The editors were aiming for "a reexamination of the American experience as seen through a literary glass." Marcus and Sollors have succeeded: This book is a literary history in every sense of the phrase.
-- Ron Antonucci Cleveland Plain Dealer Hundreds of essayists write short, but think expansively on just about everything that makes us who we are--from Elvis to Obama.
-- Entertainment Weekly It's natural to have high expectations of a book with the lofty title A New Literary History of America. What isn't natural is for the book to not just live up to, but far exceed those expectations...Edgar Allen Poe's invention of the detective story hobnobs with the Lincoln-Douglas debates. Hank Williams' country music is only a few pages from Zora Neale Hurston. It's as glorious a melting pot as America itself...If you've found yourself envying Britain her Shakespeare, Dickens, and Austen, this book will bring you back to America and make you fall in love with her confidence, her innovation, her sheer pluck, all over again... A treasure for American history AND literature lovers.
-- Michelle Kerns Boston Examiner You could get a hernia lifting A New Literary History of America, a 1,095-page tome edited by Greil Marcus and Werner Sollors. But you could also get a thorough, original, and occasionally startling education. Some 200 essays on our literary past by writers as disparate as critic/provocateur Camille Paglia (on the sexually electric Broadway opening of A Streetcar Named Desire) and sportswriter Michael MacCambridge (on football fiction) make for a book as richly varied as the nation itself.
-- Fortune The book is not your usual bookish chronicle made up of fearless men churning out classics for the edification of the nation...[It's an] eclectic, opinionated vision of the story of American letters.
-- Bill Marx Arts Fuse A wildly informative, hugely entertaining and sometimes even revelatory book.
-- Jeff Simon Buffalo News Tailor-made for fruitful and fun browsing...This is a reference book for anyone with a curiosity about the sweep and scope of not just American literature but the culture itself in art, film, sermon and song.
-- Robert Pincus San Diego Union-Tribune The feel of the whole is epic...By the time I had made my way through about a third of this book I began to feel an emotion that comes but rarely to a reviewer: pride. Not pride in America's politics or policies necessarily, but pride in our speech...In my opinion perhaps the single most impressive achievement in the book is the editors' and writers' ability to pinpoint linkages between one kind of fact and another...All the major writers, whether in poetry or prose, draw thoughtful essays.
-- Larry McMurtry New York Review of Books The editors of this rich exercise in cultural history have taken up Pound's challenge [to "make it new"], producing an eloquent patchwork volume that gathers up more than 200 essays, chronologically arranged by subject, into a beguiling symphony that expresses the bewildering, often intimidating varieties of what we presume to call the American experience...This splendiferous tribute to the best that so many of us have thought and said and made embraces classic and watershed literary works and their authors, political acts and events and issues, statements of purpose and conscience, achievements in both the fine arts (music, painting, sculpture, et al) and the raucous venues of popular culture (yes, Virginia, we do get a crash course in the autobiographical writings of 1970s porn queen Linda Lovelace), and major figures ranging from the makers of the Constitution of the United States to contemporary film and television personalities and the giants and giantesses of pop, jazz and rock music...Defiantly unconventional...Surely one of the best books published in this country in a very long time.
-- Bruce Allen Washington Times The mammoth New Literary History of America [is] an extraordinary anthology of literary culture brought to you by a seat-of-the-pants polyglot of a country.
-- Chris Vognar Dallas Morning News This new-breed reference book--featuring freshly penned and eccentrically focused essays by a heterogeneous who's who of academics, journalists and authors--ventures to remap the expanse of American history through five centuries of literary and cultural landmarks...Although it shares with its history-book forebears unimpeachable intellect and seriousness of intent, this is not the Oxford Companion to American Literature. For one thing, it's a lot more fun.
-- John McAlley npr.org This hefty yet invigorating anthology of 225 new essays about American culture and history is perfect for the hard-to-please smarty-pants.
-- Time Out New York A New Literary History of America is about what's Made in America, and America, made. It's about what the writers who are its subjects have made of America, and, equally, what the contributors, writing about these writers, make of America, too. There's a certain amount of trading on literary celebrity, to be sure. But the claims on our attention, and it is a serious claim, lies within the republic of these writers' imaginations.
-- Jill Lepore Times Literary Supplement In the monumental, absorbing A New Literary History of America, editors Greil Marcus and Werner Sollors have assembled a fascinating collection of writings on a range of subject matters: everything from maps, diaries and Supreme Court decisions to religious tracts, public debates, comic strips and rock and roll...In 1,000-odd pages, Marcus and Sollors have compiled a remarkable history of America. Their expanded definition of literary encompasses "not only what is written but also what is voiced, what is expressed, what is invented, in whatever form." Most of all, A New Literary History of America is a reminder of just how vibrant and diverse United States history--and culture--really is.
-- Lacey Galbraith BookPage This brick of a book is a browser's delight. Ranging over many high points and exploring interesting crannies of the American experience from 1507 to 2008, A New Literary History offers those interested in culture, history, and politics much to savor and more than a little with which to match wits. Among those entries bringing fresh insight to seemingly exhausted subjects are Ted Widmer on Roger Williams and Abraham Lincoln, Greil Marcus on Moby-Dick, Anita Patterson on T.S. Eliot and D.H. Lawrence, Camille Paglia on Tennessee Williams, and Charles Taylor juxtaposing with great verve JFK's inaugural with Catch-22. There are virtuoso explanations: Anthony Grafton on Edmund Wilson's The American Earthquake, Dave Hickey on Hank Williams's transformation of the American song in country music, and Monica Miller on the transcendental meaning of Zora Neale Thurston's denunciation of Brown v. The Board of Education. Mary Gaitskill on Norman Mailer is a stylistic tour de force...This ambitious anthology succeeds beyond reasonable expectations in satisfying what Lionel Trilling...said was "the moral obligation to be intelligent."
-- Peter Kadzis Boston Phoenix [The editors] tell an equally fascinating and moving history of the country, as we have never heard it before--and a story like which, say the editors, would not be possible in any other country...Instead of blending into the background of different shades of gray of a historical order, each of the events here radiates with seemingly contemporary luminosity.
-- Jörg Häntzschel Süddeutsche Zeitung A DIY college course unto itself.
-- Anneli Rufus East Bay Express An impressive achievement.
-- Jim Kiest San Antonio Express-News [An] original new history of literature...A New Literary History of America recounts the history of the mind of a continent, and each single subject is approached with stylistic verve and thus knighted as literature by its authors, many of whom are themselves writers...Even though an idiosyncratic sprint across half a millennium of cultural history cannot avoid certain abbreviations, this amusing-to-read anthology teaches us that what appears to get more and more lost in this age of Wikipedia: well-researched, reflective, subjective and stylistically brilliant approaches that transform facts and figures into knowledge that can be passed on.
-- Andrea Köhler Neue Zürcher Zeitung This may be called a literary history but it is more broadly a cultural history, a history of language in its many forms--novels, essays, plays, public speeches and private letters, sermons and on and on...The choices made by the editors are smart, and the writers of the essays engage ideas with great passion.
-- Elizabeth Taylor Chicago Tribune [This] may be the most unique attempt yet to tell the story of the United States...It's a feast for anyone who cares about history and national identity, not to mention a showcase for virtuoso writing.
-- avclub.com Brings together a series of disconnected, personal (and often very opinionated) essays that not only offer new angles on the big names of U.S. literature but also consider Alcoholics Anonymous, the Book-of-the-Month Club, Citizen Kane, Dr. Seuss, skyscrapers, and Superman.
-- Matthew Reisz Times Higher Education It's hard to imagine anyone right up to full professor failing to get excitement from this charged grid of event and interpretation...Hats off, though, to the editors above all, for constructing a volume where each element reinforces every other, often by contradicting it, so that the whole vast book is more exciting than even its most impressive part.
-- Adam Mars-Jones The Observer Who would want to go into this particular new year, with all its uncertainties, without a copy of A New Literary History of America? Many hands delight and inform, and "literary history" is time stuffed full of "cultural creations" like this perfect bedside book. The selections are short, written with both precision and passion, and not infrequently deliver insights.
-- Tom D'Evelyn Providence Journal One way to reinvigorate our opinions about the nation's literary life is to encounter new ways to think about it. A New Literary History of America edited by Greil Marcus and Werner Sollors does just that with a wide-ranging collection of essays.
-- Bob Hoover Pittsburgh Post-Gazette It's weirdly inclusive (Is the Winchester Rifle really part of literary history?), but the big book has so many lively entries, on everything from hard-boiled fiction to New Journalism, that you can overlook its faults and enjoy its sweep.
-- Robert L. Pincus San Diego Union-Tribune Never fails to engross and edify.
-- Rodney Clapp Christian Century A New Literary History of America...avoids the temptation to rein in its subject too neatly or ease the strangeness out of American history. Not only does it stretch, appropriately, to America's earliest pre-history--the first essay, by Toby Lester, examines the first appearance of "America" on a map--this enormous anthology stretches the definition of literary...A New Literary History of America challenges not only its own structure, but also our traditional view of history's structure in order to emphasize the transmission, conscious or collectively unconscious, of ideas...But the pleasure of the volume, of course, is the massive collection of voices it brings together, subjects and authors both.
-- Robert Loss popmatters.com A collection of great minds writing on other great minds, art and literature, social movements, feats of scholarship and everything in between.
-- San Francisco Chronicle This book came out only last year and has already proved itself indispensable. If I'm writing about anything that has to do with American literature, I look it up here first. The format is a little unwieldy--the book is organized chronologically around idiosyncratically chosen dates--but its capsule essays build into a surprising, inventive narrative of American culture: Ishamel Reed on "Mark Twain's hairball", Luc Sante on the blues, David Thomson on Chaplin, Ruth Wisse on Saul Bellow, Gish Jen on Catcher in the Rye, Mary Gaitskill on Norman Mailer....I could quibble with the omissions, or I could just shut up and be grateful that this book exists in any form.
-- Ruth Franklin National Book Critics Circle Board of Directors blog In the monumental, absorbing A New Literary History of America, editors Greil Marcus and Werner Sollors have assembled a fascinating collection of writings on a range of subject matters: everything from maps, diaries and Supreme Court decisions to religious tracts, public debates, comic strips and rock and roll...In 1,000-odd pages, Marcus and Sollors have compiled a remarkable history of America...Most of all, A New Literary History of America is a reminder of just how vibrant and diverse United States history--and culture--really is.
-- Lacey Galbraith Book Page TABLE OF CONTENTS
Cover
Title Page
Copyright
Contents
Introduction
1507 The name “America” appears on a map
1521, August 13 Mexico in America
1536, July 24 Alvar Núñez Cabeza de Vaca
1585 “Counterfeited according to the truth”
1607 Fear and love in the Virginia colony
1630 A city upon a hill
1643 A nearer neighbor to the Indians
1666, July 10 Anne Bradstreet
1670 The American jeremiad
1670 The stamp of God’s image
1673 The Jesuit relations
1683 Francis Daniel Pastorius
1692 The Salem witchcraft trials
1693–1694, March 4 Edward Taylor
1700 Samuel Sewall, The Selling of Joseph
1722 Benjamin Franklin, The Silence Dogood Letters
1740 The Great Awakening
Late 1740s; 1814, September 13–14 Two national anthems
1765, December 23 Michel-Guillaume Jean de Crèvecoeur
1773, September Phillis Wheatley
1776 The Declaration of Independence
1784, June Charles Willson Peale
1787 James Madison, Notes of the Debates in the Federal Convention
1787–1790 John Adams, Discourses on Davila
1791 Philip Freneau and The National Gazette
1796 Washington’s farewell address
1798 Mary Rowlandson and the Alien and Sedition Acts
1798 American gothic
1801, March 4 Jefferson’s first inaugural address
1804, January The matter of Haiti
1809 Cupola of the world
1819, February The Missouri crisis
1820, November 27 Landscape with birds
1821 Sequoyah, the Cherokee syllabary
1821, June 30 Junius Brutus Booth
1822 Henry Rowe Schoolcraft, the Ojibwe firefly, and Longfellow’s Hiawatha
1825, November Thomas Cole and the Hudson River school
1826, July 4 Songs of the republic
1826 Cooper’s Leatherstocking tales
1826; 1927 Transnational poetry
1827 Joseph Smith and the Book of Mormon
1828 David Walker, Appeal, in Four Articles
1830, May 21 Jump Jim Crow
1831, March 5 The Cherokee Nation decision
1832, July 10 President Jackson’s bank veto
1835, January Democracy in America
1835 William Gilmore Simms, The Yemassee
1835 The Sacred Harp
1836, February 23–March 6 The Alamo and Texas border writing
1836, February 28 Richard Henry Dana, Jr.
1837, August 15 Ralph Waldo Emerson, “The American Scholar”
1838, July 15 “The Divinity School Address”
1838, September 3 The slave narrative
1841 “The Murders in the Rue Morgue”
1846, June James Russell Lowell’s Biglow Papers
1846, late July Henry David Thoreau
1850 The Scarlet Letter
1850, July 19 Margaret Fuller and the Transcendentalist Movement
1850, August 5 Nathaniel Hawthorne and Herman Melville
1851 Moby-Dick
1851 Uncle Tom’s Cabin
1852 Hawthorne’s Blithedale Romance and utopian communities
1852, July 5 Frederick Douglass, “What to the slave is the Fourth of July?”
1854 Maria Cummins and sentimental fiction
1855 Walt Whitman, Leaves of Grass
1858 The Lincoln-Douglas debates
1859 The science of the Indian
1861 Emily Dickinson
1862, December 13 The journeys of Little Women
1865, March 4 Lincoln’s second inaugural address
1865 “Conditions of repose”
1869, March 4 Carl Schurz
1872, November 5 All men and women are created equal
1875 The Winchester Rifle
1876, January 6 Melville in the dark
1876, March 10 The art of telephony
1878 “How to Make Our Ideas Clear”
1879 John Muir and nature writing
1881, January 24 Henry James, Portrait of a Lady
1884 Mark Twain’s hairball
1884, July The Linotype machine
1884, November The Southwest imagined
1885 The problem of error
1885, July Limits to violence
1885, October Writing New Orleans
1888 The introduction of motion pictures
1889, August 28 A Connecticut Yankee in King Arthur’s Court
1893 Chief Simon Pokagon and Native American literature
1895 Ida B. Wells, A Red Record
1896 Paul Laurence Dunbar, Lyrics of Lowly Life
1896, September 6 Queen Lili‘uokalani
1897, Memorial Day The Robert Gould Shaw and 54th Regiment Monument
1898, June 22 Literature and imperialism
1899; 1924 McTeague and Greed
1900 Henry Adams
1900 The Wizard of Oz
1900; 1905 Sister Carrie and The House of Mirth
1901 Charles W. Chesnutt, The Marrow of Tradition
1901; 1903 The problem of the color line
1903, May 5 “The real American has not yet arrived”
1903 The invention of the blues
1903 One sees what one sees
1904, August 30 Henry James in America
1905, October 15 Little Nemo in Slumberland
1906, April 9 The Azusa Street revival
1906, April 18, 5:14 a.m. The San Francisco Earthquake
1911 “Alexander’s Ragtime Band”
1912, April 15 Lifeboats cut adrift
1912 The lure of impossible things
1912 Tarzan begins his reign
1913 A modernist moment
1915 D. W. Griffith, The Birth of a Nation
1915 Robert Frost
1917 The philosopher and the millionaire
1920, August 10 Mamie Smith’s “Crazy Blues”
1921 Jean Toomer
1922 T. S. Eliot and D. H. Lawrence
1923, October Chaplinesque
1924 F. O. Matthiessen meets Russell Cheney
1924, May 26 The Johnson-Reed Act and ethnic literature
1925 The Great Gatsby
1925, June Sinclair Lewis
1925, July The Scopes trial
1925, August 16 Dorothy Parker
1926 Fire!!
1926 Hardboiled
1926 The Book-of-the-Month Club
1927 Carl Sandburg and The American Songbag
1927, May 16 “Free to develop their faculties”
1928, April 8, Easter Sunday Dilsey Gibson goes to church
1928, Summer John Dos Passos
1928, November 18 The mouse that whistled
1930 “You’re swell!”
1930, March The Silent Enemy
1930, October Grant Wood’s American Gothic
1931, March 19 Nevada legalizes gambling
1932 Edmund Wilson, The American Jitters
1932 Arthur Miller
1932, April or May The River Rouge plant and industrial beauty
1932, Christmas Ned Cobb
1933 Baby Face is censored
1933, March FDR’s first Fireside Chat
1934, September Robert Penn Warren
1935 The Popular Front
1935 The skyscraper
1935, June 10 Alcoholics Anonymous
1935, October 10 Porgy and Bess
1936 Gone with the Wind and Absalom, Absalom!
1936, July 5 Two days in Harlem
1936, November 23 Life begins
1938 Superman
1938, May Jelly Roll Morton speaks
1939 Billie Holiday, “Strange Fruit”
1939; 1981 Up from invisibility
1940 “No way like the American way”
1940–1944 Preston Sturges
1941 An insolent style
1941 Citizen Kane
1941 The word “multicultural”
1943 Hemingway’s paradise, Hemingway’s prose
1944 The second Bill of Rights
1945, February Bebop
1945, April 11 Thomas Pynchon and modern war
1945, August 6, 10:45 a.m. The atom bomb
1946, December 5 Integrating the military
1947, December 3 Tennessee Williams
1948 Norbert Wiener, Cybernetics
1948 Saul Bellow
1949–1950 “The Birth of the Cool”
1950, November 28 “Damned busy painting”
1951 A poet among painters
1951 The Catcher in the Rye
1951 James Jones, From Here to Eternity
1951 A soft voice
1952, April 12 Elia Kazan and the blacklist in Hollywood
1952, June 10 C. L. R. James
1953, January 1 The song in country music
1954 Wallace Stevens, Collected Poems
1955, August 11 “The self-respect of my people”
1955, September 21 A. J. Liebling and the Marciano-Moore fight
1955, October 7 A generation in miniature
1955, December Nabokov’s Lolita
1956, April 16 “Roll Over Beethoven”
1957 Dr. Seuss
1959 “Nobody’s perfect”
1960 Psycho
1960, January More than a game
1961, January 20 JFK’s inaugural address and Catch-22
1961, July 2 The author as advertisement
1962 Bob Dylan writes “Song to Woody”
1962 “White Elephant Art vs. Termite Art”
1963, April “Letter from Birmingham Jail”
1964 Robert Lowell, “For the Union Dead”
1964, October 27 “The last stand on Earth”
1965, September 11 The Council on Interracial Books for Children
1965, October The Autobiography of Malcolm X
1968 Norman Mailer
1968, March The illusory babels of language
1968, August 28 The plight of conservative literature
1969 Elizabeth Bishop, Complete Poems
1969, January 11 The first Asian Americans
1969, November 12 The eye of Vietnam
1970 Maya Angelou, Toni Morrison, Alice Walker
1970; 1972 Linda Lovelace
1973 Loisaida literature
1973 Adrienne Rich, Diving into the Wreck
1975 Gayl Jones
1981, March 31 Toni Morrison
1982 Edmund White, A Boy’s Own Story
1982 Wild Style
1982 Maya Lin’s wall
1982, November 8 Harriet Wilson
1985, April 24 Henry Roth
1987 Maxine Hong Kingston, Tripmaster Monkey
1995 Philip Roth
2001 Twenty-first-century free verse
2003 Richard Powers, The Time of Our Singing
2005, August 29 Hurricane Katrina
2008, November 4 Barack Obama
Contributors
Index
See other books on: Books & Reading | Encyclopedias | Marcus, Greil | New Literary History | Sollors, Werner See other titles from Harvard University Press |
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A New Literary History of America
Harvard University Press, 2012 eISBN: 978-0-674-05421-9 | Paper: 978-0-674-06410-2 | Cloth: 978-0-674-03594-2 Library of Congress Classification PS92.N39 2009 Dewey Decimal Classification 810.9
ABOUT THIS BOOK | REVIEWS | TOC
ABOUT THIS BOOK
America is a nation making itself up as it goes along—a story of discovery and invention unfolding in speeches and images, letters and poetry, unprecedented feats of scholarship and imagination. In these myriad, multiform, endlessly changing expressions of the American experience, the authors and editors of this volume find a new American history. See other books on: Books & Reading | Encyclopedias | Marcus, Greil | New Literary History | Sollors, Werner See other titles from Harvard University Press |
Nearby on shelf for American literature:
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