Ancient Latin Poetry Books: Materiality and Context
by Gabriel Nocchi Macedo
University of Michigan Press, 2021 Cloth: 978-0-472-13239-3 Library of Congress Classification PA6047.N63 2021 Dewey Decimal Classification 871.0109
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Before the invention of printing, all forms of writing were done by hand. For a literary text to circulate among readers, and to be transmitted from one period in time to another, it had to be copied by scribes. As a result, two copies of an ancient book were different from one another, and each individual book or manuscript has its own history. The oldest of these books, those that are the closest to the time in which the texts were composed, are few, usually damaged, and have been often neglected in the scholarship. Ancient Latin Poetry Books presents a detailed study of the oldest manuscripts still extant that contain texts by Latin poets, such as Virgil, Terence, and Ovid. Analyzing their physical characteristics, their script, and the historical contexts in which they were produced and used, this volume shows how manuscripts can help us gain a better understanding of the history of texts, as well as of reading habits over the centuries. Since the manuscripts originated in various places of the Latin-speaking world, Ancient Latin Poetry Books investigates the readership and reception of Latin poetry in many different contexts, such schools in the Egyptian desert, aristocratic circles in southern Italy, and the Christian élite in late antique Rome. The research also contributes to our knowledge about the use of writing and the importance of the written text in antiquity. This is an innovative approach to the study of ancient literature, one that takes the materiality of texts into consideration.
AUTHOR BIOGRAPHY
Gabriel Nocchi Macedo is Postdoctoral Fellow at Fonds National de la Recherche Scientifique, Belgium.
REVIEWS
“This book will be of interest to university students following courses in Latin literature and Latin philology. Scholars will profit as well from having all this material collected, judiciously arranged, and wisely digested, with all the relevant and most up-to-date bibliography carefully scrutinized and assessed.”
—Sergio Casali, University of Rome “Tor Vergata”
— Sergio Casali, University of Rome “Tor Vergata”
“For the first time, all the documents concerning the materiality of the Latin poetry book have been taken into account in order to thoroughly study their specific characteristics. The author not only applied a new method that produced excellent and innovative results, but also, whenever possible, read and studied the originals of the papyri and codices. In this way he draws on new elements which are very useful for the research on Latin poetry.”
—Tiziano Dorandi, Centre National de la Recherche Scientifique
— Tiziano Dorandi, Centre National de la Recherche Scientifique
"In bearing witness to these surviving fragments, and accounting in such great detail for their material formats and the way in which they registered rhythm and meter, Nocchi Macedo’s book is certainly a valuable contribution to knowledge in the field."
—Bryn Mawr Classical Review
— Bryn Mawr Classical Review
“This book will be of interest to university students following courses in Latin literature and Latin philology. Scholars will profit as well from having all this material collected, judiciously arranged, and wisely digested, with all the relevant and most up-to-date bibliography carefully scrutinized and assessed.”
—Sergio Casali, University of Rome “Tor Vergata”
— Sergio Casali, University of Rome “Tor Vergata”
"The perception that interpretation changes over time received somewhat greater acceptance as what had been called the classical tradition evolved into reception studies, but the material turn that became more pronounced in postclassical studies did not seem to offer much promise for a period in which most texts survive only in books and manuscripts from later centuries. Ancient Latin Poetry Books shows that far more can be done here than has generally been imagined."
—The Classical Review
— The Classical Review
“For the first time, all the documents concerning the materiality of the Latin poetry book have been taken into account in order to thoroughly study their specific characteristics. The author not only applied a new method that produced excellent and innovative results, but also, whenever possible, read and studied the originals of the papyri and codices. In this way he draws on new elements which are very useful for the research on Latin poetry.”
—Tiziano Dorandi, Centre National de la Recherche Scientifique
— Tiziano Dorandi, Centre National de la Recherche Scientifique
TABLE OF CONTENTS
Contents
List of Tables
Introduction
1. Beyond Meter? Ancient Definitions of Poetry
2. Written Meter: Writing Poetry in Greece and Rome
3. Objectives and Research Methods
4. The Manuscripts
5. Limits of the Research
6. A Note on Paleographical Dating
7. Sigla and Conventions
8. Images
1. Authors and Texts
2. Codicology
3. Paleography
1. Authors and Texts
2. Codicology
3. Paleography
1. Authors and Texts
2. Codicology
3. Paleography
Chapter 4 Book Typology and Contexts of Reception
1. Latin Poetry Books in Context
2. The Poets and the Books
Conclusion
1. Manuscript Details
2. Codicology
3. Paleography
5. Signs
Appendixes
Appendix 1
Appendix 2
Bibliography
General Index
Index of Papyri and Manuscripts
Plates
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
Ancient Latin Poetry Books: Materiality and Context
by Gabriel Nocchi Macedo
University of Michigan Press, 2021 Cloth: 978-0-472-13239-3
Before the invention of printing, all forms of writing were done by hand. For a literary text to circulate among readers, and to be transmitted from one period in time to another, it had to be copied by scribes. As a result, two copies of an ancient book were different from one another, and each individual book or manuscript has its own history. The oldest of these books, those that are the closest to the time in which the texts were composed, are few, usually damaged, and have been often neglected in the scholarship. Ancient Latin Poetry Books presents a detailed study of the oldest manuscripts still extant that contain texts by Latin poets, such as Virgil, Terence, and Ovid. Analyzing their physical characteristics, their script, and the historical contexts in which they were produced and used, this volume shows how manuscripts can help us gain a better understanding of the history of texts, as well as of reading habits over the centuries. Since the manuscripts originated in various places of the Latin-speaking world, Ancient Latin Poetry Books investigates the readership and reception of Latin poetry in many different contexts, such schools in the Egyptian desert, aristocratic circles in southern Italy, and the Christian élite in late antique Rome. The research also contributes to our knowledge about the use of writing and the importance of the written text in antiquity. This is an innovative approach to the study of ancient literature, one that takes the materiality of texts into consideration.
AUTHOR BIOGRAPHY
Gabriel Nocchi Macedo is Postdoctoral Fellow at Fonds National de la Recherche Scientifique, Belgium.
REVIEWS
“This book will be of interest to university students following courses in Latin literature and Latin philology. Scholars will profit as well from having all this material collected, judiciously arranged, and wisely digested, with all the relevant and most up-to-date bibliography carefully scrutinized and assessed.”
—Sergio Casali, University of Rome “Tor Vergata”
— Sergio Casali, University of Rome “Tor Vergata”
“For the first time, all the documents concerning the materiality of the Latin poetry book have been taken into account in order to thoroughly study their specific characteristics. The author not only applied a new method that produced excellent and innovative results, but also, whenever possible, read and studied the originals of the papyri and codices. In this way he draws on new elements which are very useful for the research on Latin poetry.”
—Tiziano Dorandi, Centre National de la Recherche Scientifique
— Tiziano Dorandi, Centre National de la Recherche Scientifique
"In bearing witness to these surviving fragments, and accounting in such great detail for their material formats and the way in which they registered rhythm and meter, Nocchi Macedo’s book is certainly a valuable contribution to knowledge in the field."
—Bryn Mawr Classical Review
— Bryn Mawr Classical Review
“This book will be of interest to university students following courses in Latin literature and Latin philology. Scholars will profit as well from having all this material collected, judiciously arranged, and wisely digested, with all the relevant and most up-to-date bibliography carefully scrutinized and assessed.”
—Sergio Casali, University of Rome “Tor Vergata”
— Sergio Casali, University of Rome “Tor Vergata”
"The perception that interpretation changes over time received somewhat greater acceptance as what had been called the classical tradition evolved into reception studies, but the material turn that became more pronounced in postclassical studies did not seem to offer much promise for a period in which most texts survive only in books and manuscripts from later centuries. Ancient Latin Poetry Books shows that far more can be done here than has generally been imagined."
—The Classical Review
— The Classical Review
“For the first time, all the documents concerning the materiality of the Latin poetry book have been taken into account in order to thoroughly study their specific characteristics. The author not only applied a new method that produced excellent and innovative results, but also, whenever possible, read and studied the originals of the papyri and codices. In this way he draws on new elements which are very useful for the research on Latin poetry.”
—Tiziano Dorandi, Centre National de la Recherche Scientifique
— Tiziano Dorandi, Centre National de la Recherche Scientifique
TABLE OF CONTENTS
Contents
List of Tables
Introduction
1. Beyond Meter? Ancient Definitions of Poetry
2. Written Meter: Writing Poetry in Greece and Rome
3. Objectives and Research Methods
4. The Manuscripts
5. Limits of the Research
6. A Note on Paleographical Dating
7. Sigla and Conventions
8. Images
1. Authors and Texts
2. Codicology
3. Paleography
1. Authors and Texts
2. Codicology
3. Paleography
1. Authors and Texts
2. Codicology
3. Paleography
Chapter 4 Book Typology and Contexts of Reception
1. Latin Poetry Books in Context
2. The Poets and the Books
Conclusion
1. Manuscript Details
2. Codicology
3. Paleography
5. Signs
Appendixes
Appendix 1
Appendix 2
Bibliography
General Index
Index of Papyri and Manuscripts
Plates
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE