Provocative Eloquence: Theater, Violence, and Antislavery Speech in the Antebellum United States
by Laura L. Mielke
University of Michigan Press, 2019 Cloth: 978-0-472-13105-1 | eISBN: 978-0-472-12437-4 Library of Congress Classification PN2248.M54 2019 Dewey Decimal Classification 792.097309034
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
In the mid-19th century, rhetoric surrounding slavery was permeated by violence. Slavery’s defenders often used brute force to suppress opponents, and even those abolitionists dedicated to pacifism drew upon visions of widespread destruction. Provocative Eloquence recounts how the theater, long an arena for heightened eloquence and physical contest, proved terribly relevant in the lead up to the Civil War. As antislavery speech and open conflict intertwined, the nation became a stage. The book brings together notions of intertextuality and interperformativity to understand how the confluence of oratorical and theatrical practices in the antebellum period reflected the conflict over slavery and deeply influenced the language that barely contained that conflict. The book draws on a wide range of work in performance studies, theater history, black performance theory, oratorical studies, and literature and law to provide a new narrative of the interaction of oratorical, theatrical, and literary histories of the nineteenth-century U.S.
AUTHOR BIOGRAPHY
Laura L. Mielke is Associate Professor of English, University of Kansas.
REVIEWS
“A masterful grasp on performance, theatrical, and rhetorical histories, including the various critical camps. Laura Mielke’s argument is extremely readable, complex yet easy to follow. An excellent book, grounded in rhetorical styles and strategies, dramatic genealogies and debates, theatrical conventions, and performance theories, while actively contesting and reshaping these fields and conventions and how we view them. Her imbrications of 19th-century theater, oratory, and print culture in service to anti-slavery and pro-slavery positions are thoroughly convincing.”
—Marvin McAllister, Winthrop University
— -
“A historical excavation of all the inherited conflicts and inconsistencies that have come to define our present social moment . . . an indispensable accounting of how American culture performed its own divided loyalties, uncertainties, and unspoken internal contradictions about race, freedom, and national allegiances.”
—Peter Reed, University of Mississippi
— -
“Taking antislavery oratory as her focus, Mielke offers an absorbing account of the status of eloquence in the antebellum imagination and changing ideas about moral suasion in the struggle for emancipation.”
—American Literary History Reviews
— Tom Wright, American Literary History Reviews
"Mielke uncovers antebellum drama’s capacity both to absorb and to influence popular antislavery speech. This essential interdisciplinary study reorients theater as a centerpiece of nineteenth-century American thought."
—American Literature
— Michael D'Alessandro, American Literature
"... Provocative Eloquence offers a compelling study of the role of antebellum theatre as a repertoire that mediated public discourse on violence, slavery, and freedom... Through insightful readings of antebellum texts, Mielke offers a granular account of the complexity of antebellum performance culture. The book is a decidedly provocative text—one that warrants close attention from anyone interested in antebellum US American theatre, antislavery movements, the performativity of political speech, and the capacity of speech to perform violence." - Kellen Hoxworth, TDR
— Kellen Hoxworth, The Drama Review
Finalist: Theatre Library Association (TLA) 2019 George Freedley Memorial Award
— TLA George Freedley Memorial Award
Finalist: 2020 Vivian and the Frick Book Award
— Vivian and the Frick Book Award
TABLE OF CONTENTS
Contents
Introduction. Provocative Eloquence and the Antebellum Scene
1. Edwin Forrest and Heroic Oratory
2. William Wells Brown, Mary Webb, and the Emergence of Dramatic Suasion
3. Martyred Eloquence and Stagings of Dred
4. Portia’s Eloquence and the Law in Racial Melodrama
5. Staging John Brown in Eloquence and Action
Notes
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
Provocative Eloquence: Theater, Violence, and Antislavery Speech in the Antebellum United States
by Laura L. Mielke
University of Michigan Press, 2019 Cloth: 978-0-472-13105-1 eISBN: 978-0-472-12437-4
In the mid-19th century, rhetoric surrounding slavery was permeated by violence. Slavery’s defenders often used brute force to suppress opponents, and even those abolitionists dedicated to pacifism drew upon visions of widespread destruction. Provocative Eloquence recounts how the theater, long an arena for heightened eloquence and physical contest, proved terribly relevant in the lead up to the Civil War. As antislavery speech and open conflict intertwined, the nation became a stage. The book brings together notions of intertextuality and interperformativity to understand how the confluence of oratorical and theatrical practices in the antebellum period reflected the conflict over slavery and deeply influenced the language that barely contained that conflict. The book draws on a wide range of work in performance studies, theater history, black performance theory, oratorical studies, and literature and law to provide a new narrative of the interaction of oratorical, theatrical, and literary histories of the nineteenth-century U.S.
AUTHOR BIOGRAPHY
Laura L. Mielke is Associate Professor of English, University of Kansas.
REVIEWS
“A masterful grasp on performance, theatrical, and rhetorical histories, including the various critical camps. Laura Mielke’s argument is extremely readable, complex yet easy to follow. An excellent book, grounded in rhetorical styles and strategies, dramatic genealogies and debates, theatrical conventions, and performance theories, while actively contesting and reshaping these fields and conventions and how we view them. Her imbrications of 19th-century theater, oratory, and print culture in service to anti-slavery and pro-slavery positions are thoroughly convincing.”
—Marvin McAllister, Winthrop University
— -
“A historical excavation of all the inherited conflicts and inconsistencies that have come to define our present social moment . . . an indispensable accounting of how American culture performed its own divided loyalties, uncertainties, and unspoken internal contradictions about race, freedom, and national allegiances.”
—Peter Reed, University of Mississippi
— -
“Taking antislavery oratory as her focus, Mielke offers an absorbing account of the status of eloquence in the antebellum imagination and changing ideas about moral suasion in the struggle for emancipation.”
—American Literary History Reviews
— Tom Wright, American Literary History Reviews
"Mielke uncovers antebellum drama’s capacity both to absorb and to influence popular antislavery speech. This essential interdisciplinary study reorients theater as a centerpiece of nineteenth-century American thought."
—American Literature
— Michael D'Alessandro, American Literature
"... Provocative Eloquence offers a compelling study of the role of antebellum theatre as a repertoire that mediated public discourse on violence, slavery, and freedom... Through insightful readings of antebellum texts, Mielke offers a granular account of the complexity of antebellum performance culture. The book is a decidedly provocative text—one that warrants close attention from anyone interested in antebellum US American theatre, antislavery movements, the performativity of political speech, and the capacity of speech to perform violence." - Kellen Hoxworth, TDR
— Kellen Hoxworth, The Drama Review
Finalist: Theatre Library Association (TLA) 2019 George Freedley Memorial Award
— TLA George Freedley Memorial Award
Finalist: 2020 Vivian and the Frick Book Award
— Vivian and the Frick Book Award
TABLE OF CONTENTS
Contents
Introduction. Provocative Eloquence and the Antebellum Scene
1. Edwin Forrest and Heroic Oratory
2. William Wells Brown, Mary Webb, and the Emergence of Dramatic Suasion
3. Martyred Eloquence and Stagings of Dred
4. Portia’s Eloquence and the Law in Racial Melodrama
5. Staging John Brown in Eloquence and Action
Notes
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE