Acts of Conspicuous Compassion: Performance Culture and American Charity Practices
by Sheila C. Moeschen
University of Michigan Press, 2016 Cloth: 978-0-472-11886-1 | Paper: 978-0-472-03655-4 | eISBN: 978-0-472-02927-3 Library of Congress Classification PN2226.M56 2013 Dewey Decimal Classification 792.0973
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Charity has been a pervasive and influential concept in American culture, and has also served an important ideological purpose, helping people articulate their sense of individual and national identity. But what, exactly, compels our benevolence? In a social moment when countless worthy causes and deserving groups clamor for attention, it is worth examining how our culture generates the exchange of sympathy commonly experienced as “charity.” Acts of Conspicuous Compassion investigates the historical and continuing relationship between performance culture and the cultivation of charitable sentiment, exploring the distinctive practices that have evolved to make the plea for charity legible and compelling. From the work of 19th-century melodramas to the televised drama of transformation and redemption in reality TV’s Extreme Makeover: Home Edition, the book charts the sophisticated strategies that various charity movements have employed to make organized benevolence seem attractive, exciting, and seemingly uncomplicated.
Sheila C. Moeschen sheds new light on the legacy and involvement of disabled people within charity—specifically, the articulation of performance culture as a vital theoretical framework for discussing issues of embodiment and identity, a framework that dislodges previously held notions of the disabled existing as passive “objects” of pity. This work gives rise to a more complicated and nuanced discussion of the participation of the disabled community in the charity industry, of the opportunities afforded by performance culture for disabled people to act as critical agents of charity, and of the new ethical and political issues that arise from employing performance methodology in a culture with increased appetites for voyeurism, display, and complex spectacle.
AUTHOR BIOGRAPHY
Sheila Moeschen holds an Interdisciplinary PhD in Theatre and Drama from Northwestern University. She is a Boston-based independent scholar and freelance writer. Her website is sheilamoeschen.com.
REVIEWS
“An example of how a critical disability lens can be applied to the investigation of mainstream cultural phenomena that structure society... an important step in the cross-disciplinary application of critical disability studies, notably in its use of performance scholarship as a methodological and theoretical approach to the study of disability as a politically significant identity.”
—Critical Disability Discourse
— -
“Genuinely interdisciplinary, fresh, original, and timely. This book offers a compelling trajectory through types of charity and their forms of display, offering cultural analysis and historical narrative in conjunction. It will appeal to readers in disability, performance, cultural, and gender studies as well as American studies more broadly. Both accessible and sophisticated, it would be ideal for undergraduate and graduate courses.”
—Sally Chivers, Trent University
— -
“An important, logical step forward in the growth of disability performance scholarship.”
—Michael Chemers, University of California, Santa Cruz
— -
"... the book is compelling, thought provoking, and well worth reading."
--CHOICE
— S.E. Walters, CHOICE
"Moeschen’s book is all at once a critical cultural analysis of how disability and white disabled people have been deployed in charity practices since the nineteenth century in America. It is also a complex historical narrative of how charitable sentiment develops as a base for ideals of American citizenship and civic moral virtues. Importantly, it is an example of how a critical disability lens can be applied to the investigation of mainstream cultural phenomena that structure society. It is an important step in the crossdisciplinary application of critical disability studies, notably in its use of performance scholarship as a methodological and theoretical approach to the study of disability as a politically significant identity."
--Critical Disability Discourse
"In the face of the ongoing assaults upon the infrastructures of social welfare that have made the lived experience of disability increasingly precarious, Moeschen's nuanced and deeply researched account of the crucial ways that charitable practices have shaped public sentiment toward bodily difference is an especially vital contribution."
--Disability Studies Quarterly
— Leon Hilton, Disability Studies Quarterly
"Acts of Conspicuous Compassion would make a useful addition to undergraduate and graduate courses in these disciplines, and may also serve as a primer for those working within the charity industry interested in developing a more nuanced understanding of disability and representation. "
--Journal of Literary Cultural Disability Studies
— Cynthia Barounis, Journal of Literary & Cultural Disability Studies
TABLE OF CONTENTS
Contents
Introduction
Chapter 1. Dramatizing Distress: Sentimental Culture, Melodrama, and Nineteenth-Century Reform for the Deaf/Dumb and Blind
Chapter 2. Spectacular Benevolence: Theatricalizing the War on Polio with the National Foundation for Infantile Paralysis (NFIP), 1934 - 1945
Chapter 3. Wheelchairs and One-Liners: Televising Need in the Charity Telethon
Chapter 4. Acts of Conspicuous Compassion: Charity in the Reality TV Era: "Extreme Makeover: Home Edition"
Conclusion
Notes
Bibliography
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
Acts of Conspicuous Compassion: Performance Culture and American Charity Practices
by Sheila C. Moeschen
University of Michigan Press, 2016 Cloth: 978-0-472-11886-1 Paper: 978-0-472-03655-4 eISBN: 978-0-472-02927-3
Charity has been a pervasive and influential concept in American culture, and has also served an important ideological purpose, helping people articulate their sense of individual and national identity. But what, exactly, compels our benevolence? In a social moment when countless worthy causes and deserving groups clamor for attention, it is worth examining how our culture generates the exchange of sympathy commonly experienced as “charity.” Acts of Conspicuous Compassion investigates the historical and continuing relationship between performance culture and the cultivation of charitable sentiment, exploring the distinctive practices that have evolved to make the plea for charity legible and compelling. From the work of 19th-century melodramas to the televised drama of transformation and redemption in reality TV’s Extreme Makeover: Home Edition, the book charts the sophisticated strategies that various charity movements have employed to make organized benevolence seem attractive, exciting, and seemingly uncomplicated.
Sheila C. Moeschen sheds new light on the legacy and involvement of disabled people within charity—specifically, the articulation of performance culture as a vital theoretical framework for discussing issues of embodiment and identity, a framework that dislodges previously held notions of the disabled existing as passive “objects” of pity. This work gives rise to a more complicated and nuanced discussion of the participation of the disabled community in the charity industry, of the opportunities afforded by performance culture for disabled people to act as critical agents of charity, and of the new ethical and political issues that arise from employing performance methodology in a culture with increased appetites for voyeurism, display, and complex spectacle.
AUTHOR BIOGRAPHY
Sheila Moeschen holds an Interdisciplinary PhD in Theatre and Drama from Northwestern University. She is a Boston-based independent scholar and freelance writer. Her website is sheilamoeschen.com.
REVIEWS
“An example of how a critical disability lens can be applied to the investigation of mainstream cultural phenomena that structure society... an important step in the cross-disciplinary application of critical disability studies, notably in its use of performance scholarship as a methodological and theoretical approach to the study of disability as a politically significant identity.”
—Critical Disability Discourse
— -
“Genuinely interdisciplinary, fresh, original, and timely. This book offers a compelling trajectory through types of charity and their forms of display, offering cultural analysis and historical narrative in conjunction. It will appeal to readers in disability, performance, cultural, and gender studies as well as American studies more broadly. Both accessible and sophisticated, it would be ideal for undergraduate and graduate courses.”
—Sally Chivers, Trent University
— -
“An important, logical step forward in the growth of disability performance scholarship.”
—Michael Chemers, University of California, Santa Cruz
— -
"... the book is compelling, thought provoking, and well worth reading."
--CHOICE
— S.E. Walters, CHOICE
"Moeschen’s book is all at once a critical cultural analysis of how disability and white disabled people have been deployed in charity practices since the nineteenth century in America. It is also a complex historical narrative of how charitable sentiment develops as a base for ideals of American citizenship and civic moral virtues. Importantly, it is an example of how a critical disability lens can be applied to the investigation of mainstream cultural phenomena that structure society. It is an important step in the crossdisciplinary application of critical disability studies, notably in its use of performance scholarship as a methodological and theoretical approach to the study of disability as a politically significant identity."
--Critical Disability Discourse
"In the face of the ongoing assaults upon the infrastructures of social welfare that have made the lived experience of disability increasingly precarious, Moeschen's nuanced and deeply researched account of the crucial ways that charitable practices have shaped public sentiment toward bodily difference is an especially vital contribution."
--Disability Studies Quarterly
— Leon Hilton, Disability Studies Quarterly
"Acts of Conspicuous Compassion would make a useful addition to undergraduate and graduate courses in these disciplines, and may also serve as a primer for those working within the charity industry interested in developing a more nuanced understanding of disability and representation. "
--Journal of Literary Cultural Disability Studies
— Cynthia Barounis, Journal of Literary & Cultural Disability Studies
TABLE OF CONTENTS
Contents
Introduction
Chapter 1. Dramatizing Distress: Sentimental Culture, Melodrama, and Nineteenth-Century Reform for the Deaf/Dumb and Blind
Chapter 2. Spectacular Benevolence: Theatricalizing the War on Polio with the National Foundation for Infantile Paralysis (NFIP), 1934 - 1945
Chapter 3. Wheelchairs and One-Liners: Televising Need in the Charity Telethon
Chapter 4. Acts of Conspicuous Compassion: Charity in the Reality TV Era: "Extreme Makeover: Home Edition"
Conclusion
Notes
Bibliography
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE