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Jazz Journeys to Japan: The Heart Within
University of Michigan Press, 2004 Cloth: 978-0-472-11345-3 Library of Congress Classification ML3509.J3M46 2004 Dewey Decimal Classification 781.650952
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Part music history, part cultural meditation, part travel narrative, Jazz Journeys to Japan is the first book to address the experiences of individual players -- Japanese jazz greats such as Toshiko Akiyoshi, Masahiko Satoh, Makoto Ozone, and Yosuke Yamashita. William Minor navigates the converging streams of Western music and Eastern tradition, revealing through interviews with musicians, critics, and producers the unique synthesis that results from this convergence. And, turning conventional wisdom on its ear, he disproves the widely held notion that Japanese jazz artists don't "swing." Along the way, we experience Minor's growing appreciation of Japanese culture, which mirrors his subjects' discovery of American jazz. William Minor's previous books include Unzipped Souls: A Jazz Journey through the Soviet Union, and Monterey Jazz Festival: Forty Legendary Years. He has written for Downbeat, Jazz Times, Jazz Notes, Coda, and Swing Journal. See other books on: Ethnic Studies | Japan | Jazz | Music | Popular Culture See other titles from University of Michigan Press |
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Nearby on shelf for Literature on music / History and criticism / Popular music:
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![](https://www.bibliovault.org/thumbs/978-0-472-11881-6-thumb.jpg "Jazz and Machine-Age Imperialism: Music, "Race," and Intellectuals in France, 1918-1945")
Jazz Journeys to Japan: The Heart Within
Part music history, part cultural meditation, part travel narrative, Jazz Journeys to Japan is the first book to address the experiences of individual players -- Japanese jazz greats such as Toshiko Akiyoshi, Masahiko Satoh, Makoto Ozone, and Yosuke Yamashita.
William Minor navigates the converging streams of Western music and Eastern tradition, revealing through interviews with musicians, critics, and producers the unique synthesis that results from this convergence. And, turning conventional wisdom on its ear, he disproves the widely held notion that Japanese jazz artists don't "swing." Along the way, we experience Minor's growing appreciation of Japanese culture, which mirrors his subjects' discovery of American jazz.
William Minor's previous books include Unzipped Souls: A Jazz Journey through the Soviet Union, and Monterey Jazz Festival: Forty Legendary Years. He has written for Downbeat, Jazz Times, Jazz Notes, Coda, and Swing Journal.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC | REQUEST ACCESSIBLE FILE
University of Michigan Press, 2004
Cloth: 978-0-472-11345-3
Cloth: 978-0-472-11345-3
Part music history, part cultural meditation, part travel narrative, Jazz Journeys to Japan is the first book to address the experiences of individual players -- Japanese jazz greats such as Toshiko Akiyoshi, Masahiko Satoh, Makoto Ozone, and Yosuke Yamashita.
William Minor navigates the converging streams of Western music and Eastern tradition, revealing through interviews with musicians, critics, and producers the unique synthesis that results from this convergence. And, turning conventional wisdom on its ear, he disproves the widely held notion that Japanese jazz artists don't "swing." Along the way, we experience Minor's growing appreciation of Japanese culture, which mirrors his subjects' discovery of American jazz.
William Minor's previous books include Unzipped Souls: A Jazz Journey through the Soviet Union, and Monterey Jazz Festival: Forty Legendary Years. He has written for Downbeat, Jazz Times, Jazz Notes, Coda, and Swing Journal.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC | REQUEST ACCESSIBLE FILE
