University of Michigan Press, 1983 Paper: 978-0-472-06344-4 Library of Congress Classification PS3573.R5358A6 1983 Dewey Decimal Classification 809
ABOUT THIS BOOK | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
A collection of Wright's essays on the language of poetry
REVIEWS
“…there can’t be good poetry without a good criticism. I [do] not mean that there has to be a great body of formal criticism in print. I [mean] that a person who is writing and reading is going to be able to write better and more truly if he tries to think about language, if he tries to imagine what his own writing is going to look like and smell like and sound like to an intelligent person of good will.” –James Wright
— -
TABLE OF CONTENTS
Contents
Introduction
I.
ESSAYS
The Delicacy of Walt Whitman
Far from the Madding Crowd: An Afterword
The Absorbing Eye of Dickens
The Madmen in Barnaby Rudge
The Mystery of Edwin Drood: An Afterword
Meditations on René Char
Theodor Storm: Foreword
A Note on Trakl
A Note on Cesar Vallejo
Translator's Note on Herman Hesse
Frost: “Stopping by Woods on a Snowy Evening”
A Master of Silence
The Work of Gary Snyder
II.
SOME NOTES ON CHINESE POETRY, A SERMON, AND FOUR INTERVIEWS
Some Notes on Chinese Poetry
Of Things Invisible
An Interview with Michael André
Something to Be Said for the Light: A Conversation with William Heyen and Jerome Mazzaro
Poetry Must Think: An Interview with Bruce Henricksen
The Pure Clear Word: An Interview with Dave Smith
III.
REVIEWS
The Stiff Smile of Mr. Warren
The Terrible Threshold
Hardy's Poetry: A Study and a Selection
A Shelf of New Poets
The Few Poets of England and America
Gravity and Incantation
A Plain Brave Music
James Wright on Roger Hecht
“I Come to Speak for Your Dead Mouths”
Secrets of the Inner Landscape
IV.
MEMOIRS
On the Occasion of a Poem: Richard Hugo
On the Occasion of a Poem: Bill Knott
The Infidel
Childhood Sketch
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University of Michigan Press, 1983 Paper: 978-0-472-06344-4
A collection of Wright's essays on the language of poetry
REVIEWS
“…there can’t be good poetry without a good criticism. I [do] not mean that there has to be a great body of formal criticism in print. I [mean] that a person who is writing and reading is going to be able to write better and more truly if he tries to think about language, if he tries to imagine what his own writing is going to look like and smell like and sound like to an intelligent person of good will.” –James Wright
— -
TABLE OF CONTENTS
Contents
Introduction
I.
ESSAYS
The Delicacy of Walt Whitman
Far from the Madding Crowd: An Afterword
The Absorbing Eye of Dickens
The Madmen in Barnaby Rudge
The Mystery of Edwin Drood: An Afterword
Meditations on René Char
Theodor Storm: Foreword
A Note on Trakl
A Note on Cesar Vallejo
Translator's Note on Herman Hesse
Frost: “Stopping by Woods on a Snowy Evening”
A Master of Silence
The Work of Gary Snyder
II.
SOME NOTES ON CHINESE POETRY, A SERMON, AND FOUR INTERVIEWS
Some Notes on Chinese Poetry
Of Things Invisible
An Interview with Michael André
Something to Be Said for the Light: A Conversation with William Heyen and Jerome Mazzaro
Poetry Must Think: An Interview with Bruce Henricksen
The Pure Clear Word: An Interview with Dave Smith
III.
REVIEWS
The Stiff Smile of Mr. Warren
The Terrible Threshold
Hardy's Poetry: A Study and a Selection
A Shelf of New Poets
The Few Poets of England and America
Gravity and Incantation
A Plain Brave Music
James Wright on Roger Hecht
“I Come to Speak for Your Dead Mouths”
Secrets of the Inner Landscape
IV.
MEMOIRS
On the Occasion of a Poem: Richard Hugo
On the Occasion of a Poem: Bill Knott
The Infidel
Childhood Sketch
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | REVIEWS | TOC | REQUEST ACCESSIBLE FILE