University of Michigan Press, 2012 Cloth: 978-0-472-11736-9 | Paper: 978-0-472-03515-1 | eISBN: 978-0-472-02794-1 Library of Congress Classification PQ2601.R677Z685 2010 Dewey Decimal Classification 848.91209
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Artaud and His Doubles is a radical re-thinking of one of the most influential theater figures of the twentieth century. Placing Artaud's writing within the specific context of European political, theatrical, and intellectual history, the book reveals Artaud's affinities with a disturbing array of anti-intellectual and reactionary writers and artists whose ranks swelled catastrophically between the wars in Western Europe.
Kimberly Jannarone shows that Artaud's work reveals two sets of doubles: one, a body of peculiarly persistent received interpretations from the American experimental theater and French post-structuralist readings of the 1960s; and, two, a darker set of doubles---those of Artaud's contemporaries who, in the tumultuous, alienated, and pessimistic atmosphere enveloping much of Europe after World War I, denounced the degradation of civilization, yearned for cosmic purification, and called for an ecstatic loss of the self. Artaud and His Doubles will generate provocative new discussions about Artaud and fundamentally challenge the way we look at his work and ideas.
AUTHOR BIOGRAPHY
Kimberly Jannarone is Associate Professor in the Department of Theater Arts at the University of California, Santa Cruz.
REVIEWS
"Jannarone has written a remarkable book about Artaud and the Theatre of Cruelty.. This fascinating study should shake the foundations of Artaudian scholarship."
-- S. W. Cole, Bridgewater College, CHOICE - Highly Recommended
— -
"...a daring and rigorous historical reinterpretation that defies critical consensus on Artaud." - Lara Cox, University of Exeter, French Studies
— -
"[Jannarone] argues in her enlightening and engaging book that "Artaud" was invented in the 1960s in widespread misreadings of The Theatre and Its Double." - Iris Smith Fischer, University of Kansas, Journal of Dramatic Theory and Criticism
— -
"Kimberly Jannarone's recent monograph Artaud and His Doubles is truly one of the most profoundly original and thought-provoking works of literary criticism dedicated to Antonin Artaud to date."
—Keith Moser, Dalhousie French Studies 97
— Dalhousie Frebch Studies 97
"...a daring and rigorous historical reinterpretation that defies critical consensus on Artaud."
—Lara Cox, University of Exeter, French Studies
— Lara Cox, French Studies
"[Jannarone] argues in her enlightening and engaging book that "Artaud" was invented in the 1960s in widespread misreadings of The Theatre and Its Double."
—Iris Smith Fischer, University of Kansas, Journal of Dramatic Theory and Criticism
— Iris Smith Fischer, Journal of Dramatic Theory and Criticism
"I hope Jannarone's book will be read seriously and its implications traced with care and thoughtfulness."
—Mike Sell, TDR: The Drama Review
— TDR: The Drama Review
TABLE OF CONTENTS
Contents
A Note on the Texts and Translations Used
Introduction : The Uses and Abuses of Antonin Artaud
Section I : The Fight against Civilization; or, The Rebirth of Tragedy
Chapter 1 : Invocation of the Plague
Chapter 2 : Reactionary Modern
Section II : Audience, Mass, Crowd
Chapter 3 : The Avant-Garde and the Audience
Chapter 4 : Theaters for the Masses
Chapter 5 : Crowds and Cruelty
Chapter 6 : The Artist of the Theater
Chapter 7 : Controlling Forces
Conclusion : Longing for Nothingness
Notes
Selected Bibliography
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
University of Michigan Press, 2012 Cloth: 978-0-472-11736-9 Paper: 978-0-472-03515-1 eISBN: 978-0-472-02794-1
Artaud and His Doubles is a radical re-thinking of one of the most influential theater figures of the twentieth century. Placing Artaud's writing within the specific context of European political, theatrical, and intellectual history, the book reveals Artaud's affinities with a disturbing array of anti-intellectual and reactionary writers and artists whose ranks swelled catastrophically between the wars in Western Europe.
Kimberly Jannarone shows that Artaud's work reveals two sets of doubles: one, a body of peculiarly persistent received interpretations from the American experimental theater and French post-structuralist readings of the 1960s; and, two, a darker set of doubles---those of Artaud's contemporaries who, in the tumultuous, alienated, and pessimistic atmosphere enveloping much of Europe after World War I, denounced the degradation of civilization, yearned for cosmic purification, and called for an ecstatic loss of the self. Artaud and His Doubles will generate provocative new discussions about Artaud and fundamentally challenge the way we look at his work and ideas.
AUTHOR BIOGRAPHY
Kimberly Jannarone is Associate Professor in the Department of Theater Arts at the University of California, Santa Cruz.
REVIEWS
"Jannarone has written a remarkable book about Artaud and the Theatre of Cruelty.. This fascinating study should shake the foundations of Artaudian scholarship."
-- S. W. Cole, Bridgewater College, CHOICE - Highly Recommended
— -
"...a daring and rigorous historical reinterpretation that defies critical consensus on Artaud." - Lara Cox, University of Exeter, French Studies
— -
"[Jannarone] argues in her enlightening and engaging book that "Artaud" was invented in the 1960s in widespread misreadings of The Theatre and Its Double." - Iris Smith Fischer, University of Kansas, Journal of Dramatic Theory and Criticism
— -
"Kimberly Jannarone's recent monograph Artaud and His Doubles is truly one of the most profoundly original and thought-provoking works of literary criticism dedicated to Antonin Artaud to date."
—Keith Moser, Dalhousie French Studies 97
— Dalhousie Frebch Studies 97
"...a daring and rigorous historical reinterpretation that defies critical consensus on Artaud."
—Lara Cox, University of Exeter, French Studies
— Lara Cox, French Studies
"[Jannarone] argues in her enlightening and engaging book that "Artaud" was invented in the 1960s in widespread misreadings of The Theatre and Its Double."
—Iris Smith Fischer, University of Kansas, Journal of Dramatic Theory and Criticism
— Iris Smith Fischer, Journal of Dramatic Theory and Criticism
"I hope Jannarone's book will be read seriously and its implications traced with care and thoughtfulness."
—Mike Sell, TDR: The Drama Review
— TDR: The Drama Review
TABLE OF CONTENTS
Contents
A Note on the Texts and Translations Used
Introduction : The Uses and Abuses of Antonin Artaud
Section I : The Fight against Civilization; or, The Rebirth of Tragedy
Chapter 1 : Invocation of the Plague
Chapter 2 : Reactionary Modern
Section II : Audience, Mass, Crowd
Chapter 3 : The Avant-Garde and the Audience
Chapter 4 : Theaters for the Masses
Chapter 5 : Crowds and Cruelty
Chapter 6 : The Artist of the Theater
Chapter 7 : Controlling Forces
Conclusion : Longing for Nothingness
Notes
Selected Bibliography
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE