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The Word We Used For It
University of Wisconsin Press, 2017 Paper: 978-0-299-31434-7 Library of Congress Classification PS3557.A7162W67 2017 Dewey Decimal Classification 811.54
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Winner of the Brittingham Prize in Poetry, selected by Robert Wrigley In these poems Max Garland confesses, even revels in, the fabricated nature of memory. He links personal and localized patterns (fingerprints, plowed fields) to the motions animating the insides of atoms and the unfurling of remote galaxies. Back on earth, the poems honor the decidedly homespun quality of grit—how creatures both animal and human bear up in the face of mounting odds against them. Garland suggests that imagination itself requires grit, to be called upon when the more spectacular angels are otherwise occupied. |
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Nearby on shelf for American literature / Individual authors / 1961-2000:
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The Word We Used For It
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
University of Wisconsin Press, 2017
Paper: 978-0-299-31434-7
Paper: 978-0-299-31434-7
Winner of the Brittingham Prize in Poetry, selected by Robert Wrigley
In these poems Max Garland confesses, even revels in, the fabricated nature of memory. He links personal and localized patterns (fingerprints, plowed fields) to the motions animating the insides of atoms and the unfurling of remote galaxies. Back on earth, the poems honor the decidedly homespun quality of grit—how creatures both animal and human bear up in the face of mounting odds against them. Garland suggests that imagination itself requires grit, to be called upon when the more spectacular angels are otherwise occupied.
In these poems Max Garland confesses, even revels in, the fabricated nature of memory. He links personal and localized patterns (fingerprints, plowed fields) to the motions animating the insides of atoms and the unfurling of remote galaxies. Back on earth, the poems honor the decidedly homespun quality of grit—how creatures both animal and human bear up in the face of mounting odds against them. Garland suggests that imagination itself requires grit, to be called upon when the more spectacular angels are otherwise occupied.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
