University of Wisconsin Press, 2018 eISBN: 978-0-299-30873-5 | Paper: 978-0-299-30874-2 | Cloth: 978-0-299-30870-4 Library of Congress Classification GV1624.7.A85C66 2016 Dewey Decimal Classification 792.8
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
The definition of Asian American dance is as contested as the definition of "Asian American." The contributors to this volume address such topics as the role of the 1960s Asian American movement in creating Japanese American taiko groups, and the experience of internment during World War II influencing butoh dance in Canada. Essays about artists such as Jay Hirabayashi, Alvin Tolentino, Shen Wei, Kun-Yang Lin, Yasuko Yokoshi, Eiko & Koma, Sam Kim, Roko Kawai, and Denise Uyehara look closely at the politics of how Asian aesthetics are set into motion and marketed. The volume includes first-person narratives, interviews, ethnography, cultural studies, performance studies, and comparative ethnic studies.
AUTHOR BIOGRAPHY
Yutian Wong is an associate professor in the School of Theatre and Dance at San Francisco State University. She is the author of Choreographing Asian America.
REVIEWS
"A methodologically diverse and eclectic approach to Asian American dance studies, where dance is both method and content. These essays illuminate the ways that dance shapes, troubles, and pushes against the contours of what counts as Asian American cultural production."—Priya Srinivasan, author of Sweating Saris
"Confirms the vibrant and diverse presence of contemporary Asian American dance on the stage and in the world. This fresh new scholarship inspires us all to consider the strategies and achievements of generations of artists and researchers working at the intersection of Asian American studies and dance studies. An absolute must for anyone concerned with the future of dance scholarship."—Thomas F. DeFrantz, editor of Dancing Many Drums
"A methodologically diverse and eclectic approach to Asian American dance studies, where dance is both method and content. These essays illuminate the ways that dance shapes, troubles, and pushes against the contours of what counts as Asian American cultural production." —Priya Srinivasan, author of Sweating Saris
TABLE OF CONTENTS
Preface and Acknowledgments
Introduction
Yutian Wong
Part I: Dancing Citizenship
1. A New Taiko Folk Dance: San Jose Taiko and Asian American Movements
Angela K. Ahlgren
2. We Should Bring Our Muzukashii
Roko Kawai
3. Asian Canadian Dance: Cross-Cultural Currents in Vancouver's Kokoro Dance and Co.ERASGA Dance
Eury Colin Chang
4. "Started in the Streets . . .": Reality TV, Neoliberalism and the Performance of Asian American Entrepreneurship on America's Best Dance Crew, Season 1
Brian Su-Jen Chung
Part II: Choreographing Aesthetics
5. Mediated Meditations: Choreographies of Shen Wei and Kun-Yang Lin
Ellen V. P. Gerdes
6. An Asian American Land: Eiko & Koma Choreograph Cultural Politics
Rosemary Candelario
7. Ambivalent Selves: The Asian Female Body in Contemporary American Dance
Maura Nguyen Donohue
Afterword
Yutian Wong and Denise Uyehara
Bibliography
Contributors
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
University of Wisconsin Press, 2018 eISBN: 978-0-299-30873-5 Paper: 978-0-299-30874-2 Cloth: 978-0-299-30870-4
The definition of Asian American dance is as contested as the definition of "Asian American." The contributors to this volume address such topics as the role of the 1960s Asian American movement in creating Japanese American taiko groups, and the experience of internment during World War II influencing butoh dance in Canada. Essays about artists such as Jay Hirabayashi, Alvin Tolentino, Shen Wei, Kun-Yang Lin, Yasuko Yokoshi, Eiko & Koma, Sam Kim, Roko Kawai, and Denise Uyehara look closely at the politics of how Asian aesthetics are set into motion and marketed. The volume includes first-person narratives, interviews, ethnography, cultural studies, performance studies, and comparative ethnic studies.
AUTHOR BIOGRAPHY
Yutian Wong is an associate professor in the School of Theatre and Dance at San Francisco State University. She is the author of Choreographing Asian America.
REVIEWS
"A methodologically diverse and eclectic approach to Asian American dance studies, where dance is both method and content. These essays illuminate the ways that dance shapes, troubles, and pushes against the contours of what counts as Asian American cultural production."—Priya Srinivasan, author of Sweating Saris
"Confirms the vibrant and diverse presence of contemporary Asian American dance on the stage and in the world. This fresh new scholarship inspires us all to consider the strategies and achievements of generations of artists and researchers working at the intersection of Asian American studies and dance studies. An absolute must for anyone concerned with the future of dance scholarship."—Thomas F. DeFrantz, editor of Dancing Many Drums
"A methodologically diverse and eclectic approach to Asian American dance studies, where dance is both method and content. These essays illuminate the ways that dance shapes, troubles, and pushes against the contours of what counts as Asian American cultural production." —Priya Srinivasan, author of Sweating Saris
TABLE OF CONTENTS
Preface and Acknowledgments
Introduction
Yutian Wong
Part I: Dancing Citizenship
1. A New Taiko Folk Dance: San Jose Taiko and Asian American Movements
Angela K. Ahlgren
2. We Should Bring Our Muzukashii
Roko Kawai
3. Asian Canadian Dance: Cross-Cultural Currents in Vancouver's Kokoro Dance and Co.ERASGA Dance
Eury Colin Chang
4. "Started in the Streets . . .": Reality TV, Neoliberalism and the Performance of Asian American Entrepreneurship on America's Best Dance Crew, Season 1
Brian Su-Jen Chung
Part II: Choreographing Aesthetics
5. Mediated Meditations: Choreographies of Shen Wei and Kun-Yang Lin
Ellen V. P. Gerdes
6. An Asian American Land: Eiko & Koma Choreograph Cultural Politics
Rosemary Candelario
7. Ambivalent Selves: The Asian Female Body in Contemporary American Dance
Maura Nguyen Donohue
Afterword
Yutian Wong and Denise Uyehara
Bibliography
Contributors
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE