The Gendering of Men, 1600–1750: Volume 2, Queer Articulations
by Thomas A. King
University of Wisconsin Press, 2008 Cloth: 978-0-299-22620-6 Library of Congress Classification PR428.M37K56 2004 Dewey Decimal Classification 820.93521
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
The queer man’s mode of embodiment—his gestural and vocal style, his posture and gait, his occupation of space—remembers a political history. To gesture with the elbow held close to the body, to affect a courtly lisp, or to set an arm akimbo with the hand turned back on the hip is to cite a history in which the sovereign body became the effeminate and sodomitical and, finally, the homosexual body. In Queer Articulations, Thomas A. King argues that the Anglo-American queer body publicizes a history of resistance to the gendered terms whereby liberal subjectivities were secured in early modern England.
Arguing that queer agency preceded and enabled the formulation of queer subjectivities, Queer Articulations investigates theatricality and sodomy as performance practices foreclosed in the formation of gendered privacy and consequently available for resistant uses by male-bodied persons who have been positioned, or who have located themselves, outside the universalized public sphere of citizen-subjects. By defining queerness as the lack or failure of private pleasures, rather than an alternative pleasure or substance in its own right, eighteenth-century discourses reconfigured publicness as the mark of difference from the naturalized, private bodies of liberal subjects.
Inviting a performance-centered, interdisciplinary approach to queer/male identities, King develops a model of queerness as processual activity, situated in time and place but irreducible to the individual subject's identifications, desires, and motivations.
AUTHOR BIOGRAPHY
Thomas A. King is associate professor of English at Brandeis University, where he teaches early modern and eighteenth-century studies, gender and queer studies, and performance studies. Prior to his teaching career, King worked as an A.E.A. stage manager in Chicago. He is the author of The Gendering of Men, 1600–1750: Volume 1, The English Phallus, also published by the University of Wisconsin Press.
REVIEWS
“In inspired scholarship, King shows how the queer subject is articulated discursively not only through primary written works but through theatrical imagery as well. Queer Articulations is sure to become the standard work on perceptions of eighteenth-century sexuality and masculinity.”—Hans Turley, University of Connecticut
“King proposes that the eighteenth-century sodomite, or molly, identified himself with an older aristocratic culture and was thereby excluded from the new public sphere inhabited by men who organized their sexual lives around domestic privacy. Speech and gesture from the past are very hard to document: this book opens new doors.”—Randolph Trumbach, Baruch College and the Graduate Center, City University of New York
“Provocative and eloquent, Queer Articulations confirms that Thomas A. King is a leading scholarly voice on the historical complexities of Enlightenment sexuality and gender. King’s sophisticated performance analysis produces a rich genealogy of queer practices rather than a history of queer subjectivities, offering the challenging point that queerness is at the heart of what modernity’s social and political agenda silently disavows.”—Raymond Stephanson, University of Saskatchewan
TABLE OF CONTENTS
Contents
Figures 000
Acknowledgments 000
Note on Original Texts Quotes 000
Part 1: Publicity
Introduction to Part 1: History before the Phallus? 000
1. Positioning Men 000
2. A Politics of Effeminacy 000
3. Residual Pederasty and the National Body 000
Part 2: Privacy
Introduction to Part 2: History before the Look? 000
4. Private Men, Public Spectacles 000
5. The English Phallus 000
6. Embodying Mr. Spectator 000
7. "There's difference in men": The Fop and the Politics of Pleasure 000
Conclusion: The Promise of Gender 000
Notes 000
Index 000
Library of Congress Subject Headings for this publication: English literature Early modern, 1500-1700 History and criticism, Masculinity in literature, English literature 18th century History and criticism, English literature Male authors History and criticism, Homosexuality and literature England History, Masculinity England History, Sexual orientation in literature, Group identity in literature, Body, Human, in literature, Men England History, Sex role in literature, Penis in literature, Men in literature
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
The Gendering of Men, 1600–1750: Volume 2, Queer Articulations
by Thomas A. King
University of Wisconsin Press, 2008 Cloth: 978-0-299-22620-6
The queer man’s mode of embodiment—his gestural and vocal style, his posture and gait, his occupation of space—remembers a political history. To gesture with the elbow held close to the body, to affect a courtly lisp, or to set an arm akimbo with the hand turned back on the hip is to cite a history in which the sovereign body became the effeminate and sodomitical and, finally, the homosexual body. In Queer Articulations, Thomas A. King argues that the Anglo-American queer body publicizes a history of resistance to the gendered terms whereby liberal subjectivities were secured in early modern England.
Arguing that queer agency preceded and enabled the formulation of queer subjectivities, Queer Articulations investigates theatricality and sodomy as performance practices foreclosed in the formation of gendered privacy and consequently available for resistant uses by male-bodied persons who have been positioned, or who have located themselves, outside the universalized public sphere of citizen-subjects. By defining queerness as the lack or failure of private pleasures, rather than an alternative pleasure or substance in its own right, eighteenth-century discourses reconfigured publicness as the mark of difference from the naturalized, private bodies of liberal subjects.
Inviting a performance-centered, interdisciplinary approach to queer/male identities, King develops a model of queerness as processual activity, situated in time and place but irreducible to the individual subject's identifications, desires, and motivations.
AUTHOR BIOGRAPHY
Thomas A. King is associate professor of English at Brandeis University, where he teaches early modern and eighteenth-century studies, gender and queer studies, and performance studies. Prior to his teaching career, King worked as an A.E.A. stage manager in Chicago. He is the author of The Gendering of Men, 1600–1750: Volume 1, The English Phallus, also published by the University of Wisconsin Press.
REVIEWS
“In inspired scholarship, King shows how the queer subject is articulated discursively not only through primary written works but through theatrical imagery as well. Queer Articulations is sure to become the standard work on perceptions of eighteenth-century sexuality and masculinity.”—Hans Turley, University of Connecticut
“King proposes that the eighteenth-century sodomite, or molly, identified himself with an older aristocratic culture and was thereby excluded from the new public sphere inhabited by men who organized their sexual lives around domestic privacy. Speech and gesture from the past are very hard to document: this book opens new doors.”—Randolph Trumbach, Baruch College and the Graduate Center, City University of New York
“Provocative and eloquent, Queer Articulations confirms that Thomas A. King is a leading scholarly voice on the historical complexities of Enlightenment sexuality and gender. King’s sophisticated performance analysis produces a rich genealogy of queer practices rather than a history of queer subjectivities, offering the challenging point that queerness is at the heart of what modernity’s social and political agenda silently disavows.”—Raymond Stephanson, University of Saskatchewan
TABLE OF CONTENTS
Contents
Figures 000
Acknowledgments 000
Note on Original Texts Quotes 000
Part 1: Publicity
Introduction to Part 1: History before the Phallus? 000
1. Positioning Men 000
2. A Politics of Effeminacy 000
3. Residual Pederasty and the National Body 000
Part 2: Privacy
Introduction to Part 2: History before the Look? 000
4. Private Men, Public Spectacles 000
5. The English Phallus 000
6. Embodying Mr. Spectator 000
7. "There's difference in men": The Fop and the Politics of Pleasure 000
Conclusion: The Promise of Gender 000
Notes 000
Index 000
Library of Congress Subject Headings for this publication: English literature Early modern, 1500-1700 History and criticism, Masculinity in literature, English literature 18th century History and criticism, English literature Male authors History and criticism, Homosexuality and literature England History, Masculinity England History, Sexual orientation in literature, Group identity in literature, Body, Human, in literature, Men England History, Sex role in literature, Penis in literature, Men in literature
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE