Plotting History: The Russian Historical Novel in the Imperial Age
by Dan Ungurianu
University of Wisconsin Press, 2007 Cloth: 978-0-299-22500-1 | eISBN: 978-0-299-22503-2 Library of Congress Classification PG3098.H5U54 2007 Dewey Decimal Classification 891.73081
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Balanced precariously between fact and fiction, the historical novel is often viewed with suspicion. Some have attacked it as a mongrel form, a “bastard son” born of “history’s flagrant adultery with imagination.” Yet it includes some of the most celebrated achievements of Russian literature, with Alexander Pushkin, Nikolai Gogol, Leo Tolstoy, and scores of other writers contributing to this tradition.
Dan Ungurianu’s Plotting History traces the development of the Russian historical novel from its inception in the romantic era to the emergence of Modernism on the eve of the Revolution. Organized historically and thematically, the study is focused on the cultural paradigms that shaped the evolution of the genre and are reflected in masterpieces such as The Captain’s Daughter and War and Peace. Ungurianu examines the variety of approaches by which Russian writers combined fact with fiction and explores the range of subjects that inspired the Russian historical imagination.
Outstanding Academic Title, Choice Magazine
“Ungurianu has produced a most valuable work for literary scholars.”—Andrew M. Drozd, Slavic and East European Journal
“[Ungurianu’s] overwhelming knowledge, impeccable documentation, erudite notes, and valuable addenda make for a treasure house of information and keen analysis. . . . Essential.”—Choice
AUTHOR BIOGRAPHY
Dan Ungurianu is associate professor of Russian studies at Vassar College.
REVIEWS
“This is a book of the first importance. The spade work that Ungurianu has done on hundreds of Russian historical novels allows him to describe trends and developments of the genre with unprecedented authority.”—Vladimir E. Alexandrov, Yale University
“A thorough and well-researched history of the historical novel in Russia up to the Revolution, Plotting History is a necessary addition to every college and university library where Russian literature and culture are studied.”—Donna Orwin, University of Toronto
“Plotting History is an outstanding achievement that deserves to find a wide audience both within and beyond Russian Studies.”—Susan Layton, Slavic Review
TABLE OF CONTENTS
Contents
List of Illustrations 000
Preface 000
Introduction: Fact, Fiction, and the Anxiety of Genre 000
1. An Overview of the Romantic Era 000
2. Fact and Fiction in the Romantic Novel 000
3. The Changing and the Unchanged 000
4. Masterpieces in Context: Taras Bulba and The Captain's Daughter 000
5. Tolstoy's "Book" and a New Kind of Historical Novel 000
6. The Age of Positivism: "Historiographie Romancée" 000
7. The End of Progress: Facets of the Modernist Paradigm 000
In Lieu of a Conclusion: A Tale of Three Cities, or Reincarnations of St. Petersburg in the Russian Historical Novel 000
Appendix A: Chronological and Thematic Distribution 000
Appendix B: Annotated List of Authors 000
Notes 000
Works Cited 000
Index 000
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
Plotting History: The Russian Historical Novel in the Imperial Age
by Dan Ungurianu
University of Wisconsin Press, 2007 Cloth: 978-0-299-22500-1 eISBN: 978-0-299-22503-2
Balanced precariously between fact and fiction, the historical novel is often viewed with suspicion. Some have attacked it as a mongrel form, a “bastard son” born of “history’s flagrant adultery with imagination.” Yet it includes some of the most celebrated achievements of Russian literature, with Alexander Pushkin, Nikolai Gogol, Leo Tolstoy, and scores of other writers contributing to this tradition.
Dan Ungurianu’s Plotting History traces the development of the Russian historical novel from its inception in the romantic era to the emergence of Modernism on the eve of the Revolution. Organized historically and thematically, the study is focused on the cultural paradigms that shaped the evolution of the genre and are reflected in masterpieces such as The Captain’s Daughter and War and Peace. Ungurianu examines the variety of approaches by which Russian writers combined fact with fiction and explores the range of subjects that inspired the Russian historical imagination.
Outstanding Academic Title, Choice Magazine
“Ungurianu has produced a most valuable work for literary scholars.”—Andrew M. Drozd, Slavic and East European Journal
“[Ungurianu’s] overwhelming knowledge, impeccable documentation, erudite notes, and valuable addenda make for a treasure house of information and keen analysis. . . . Essential.”—Choice
AUTHOR BIOGRAPHY
Dan Ungurianu is associate professor of Russian studies at Vassar College.
REVIEWS
“This is a book of the first importance. The spade work that Ungurianu has done on hundreds of Russian historical novels allows him to describe trends and developments of the genre with unprecedented authority.”—Vladimir E. Alexandrov, Yale University
“A thorough and well-researched history of the historical novel in Russia up to the Revolution, Plotting History is a necessary addition to every college and university library where Russian literature and culture are studied.”—Donna Orwin, University of Toronto
“Plotting History is an outstanding achievement that deserves to find a wide audience both within and beyond Russian Studies.”—Susan Layton, Slavic Review
TABLE OF CONTENTS
Contents
List of Illustrations 000
Preface 000
Introduction: Fact, Fiction, and the Anxiety of Genre 000
1. An Overview of the Romantic Era 000
2. Fact and Fiction in the Romantic Novel 000
3. The Changing and the Unchanged 000
4. Masterpieces in Context: Taras Bulba and The Captain's Daughter 000
5. Tolstoy's "Book" and a New Kind of Historical Novel 000
6. The Age of Positivism: "Historiographie Romancée" 000
7. The End of Progress: Facets of the Modernist Paradigm 000
In Lieu of a Conclusion: A Tale of Three Cities, or Reincarnations of St. Petersburg in the Russian Historical Novel 000
Appendix A: Chronological and Thematic Distribution 000
Appendix B: Annotated List of Authors 000
Notes 000
Works Cited 000
Index 000
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE