University of Wisconsin Press, 2006 Cloth: 978-0-299-21220-9 | Paper: 978-0-299-21224-7 | eISBN: 978-0-299-21223-0 Library of Congress Classification PR5496.R64 2006 Dewey Decimal Classification 828.809
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Robert Louis Stevenson: Writer of Boundaries reinstates Stevenson at the center of critical debate and demonstrates the sophistication of his writings and the present relevance of his kaleidoscopic achievements. While most young readers know Robert Louis Stevenson (1850–1894) as the author of Treasure Island, few people outside of academia are aware of the breadth of his literary output. The contributors to Robert Louis Stevenson: Writer of Boundaries look, with varied critical approaches, at the whole range of his literary production and unite to confer scholarly legitimacy on this enormously influential writer who has been neglected by critics.
As the editors point out in their Introduction, Stevenson reinvented the “personal essay” and the “walking tour essay,” in texts of ironic stylistic brilliance that broke completely with Victorian moralism. His first full-length work of fiction, Treasure Island, provocatively combined a popular genre (subverting its imperialist ideology) with a self-conscious literary approach.
Stevenson, one of Scotland’s most prolific writers, was very effectively excluded from the canon by his twentieth-century successors and rejected by Anglo-American Modernist writers and critics for his play with popular genres and for his non-serious metaliterary brilliance. While Stevenson’s critical recognition has been slowly increasing, there have been far fewer published single-volume studies of his works than those of his contemporaries, Henry James and Joseph Conrad.
AUTHOR BIOGRAPHY Richard Ambrosini is professor of English Literature at the Università di Roma Tre, and Richard Dury is professor of English at the Università di Bergamo.
REVIEWS
“Readers will find much that is fresh and much to admire in these studies devoted to the rehabilitation of an important and unjustly neglected writer.”—Dick Ringler, University of Wisconsin–Madison
“The pick of the papers delivered at an international conference on Robert Louis Stevenson.”—Dick Ringler, University of Wisconsin–Madison
TABLE OF CONTENTS
<table of contents, p. v/vii/ix>
Contents
Preface 000
Acknowledgements 000
Introduction 000
Abbreviations 000
I. THE PLEASURES OF READING, WRITING AND POPULAR CULTURE
Stevenson, Morris, and the Value of Idleness 000
Stephen Arata
Living in a Book: RLS as an Engaged Reader 000
R. L. Abrahamson
The Four Boundary-Crossings of R. L. Stevenson, Novelist and Anthropologist 000
Richard Ambrosini
Stevenson and the (Un)familiar: The Aesthetics of Late-Nineteenth Century Biography 000
Liz Farr
The Greenhouse vs. the Glasshouse: Stevenson's Stories as Textual Matrices 000
Nathalie Jaëck
Trading Texts: negotiations of the professional and the popular in the case of Treasure Island 000
Glenda Norquay
Stevenson and Popular Entertainment 000
Stephen Donovan
Tontines, Tontine Insurance, and Commercial Culture: Stevenson and Osbourne's The WrongBox 000
Gordon Hirsch
II. SCOTLAND AND THE SOUTH SEAS
The Master of Ballantrae, or The Writing of Frost and Stone 000
Jean-Pierre Naugrette
Quarrelling with the Father 000
Luisa Villa
Figures in a Landscape: Scott, Stevenson and Routes to the Past 000
Jenni Calder
Burking the Scottish Body: Robert Louis Stevenson and the Resurrection Men 000
Caroline McCracken-Flesher
Stevenson's Unfinished Autopsy of the 'Other' 000
Ilaria B. Sborgi
Voices of the Scottish Empire 000
Manfred Malzahn
Stevenson and the Property of Language: Narrative, Value, Modernity 000
Robbie B. H. Goh
Light, Darkness, and Shadow: Stevenson in the South Seas 000
Ann C. Colley
Violence In The South Seas: Stevenson, The Eye, And Desire 000
Ralph Parfect
Cruising With Robert Louis Stevenson: The South Seas From Journal To Fiction 000
Oliver S. Buckton
III. EVOLUTIONARY PSYCHOLOGY, MASCULINITY AND DR JEKYLL AND MR HYDE
Stevenson, Romance, and Evolutionary Psychology 000
Julia Reid
Robert Louis Stevenson and Nineteenth-Century Theories of Evolution: Crossing the Boundaries Between Ideas and Art 000
Olena M.Turnbull
Crossing the Bounds of Single Identity: Dr Jekyll and Mr Hyde and a Paper in a French Scientific Journal 000
Richard Dury
"City of Dreadful Night": Stevenson's Gothic London 000
Linda Dryden
Pious Works: Aesthetics, Ethics and the Modern Individual in Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde 000
Richard J. Walker
Dr Jekyll and Mr Hyde: A 'Men's Narrative' of Hysteria and Containment 000
Jane V. Rago
Consumerism and Stevenson's Misfit Masculinities 000
Dennis Denisoff
"Markheim" and the Shadow of the Other 000
Michela Vanon Alliata
IV. TEXTUAL AND CULTURAL CROSSINGS
Masters of the Hovering Life: Robert Musil and R. L. Stevenson 000
Alan Sandison
Whitman and Thoreau as Literary Stowaways in Stevenson's American Writings 000
Wendy R. Katz
The Pirate Chief in Salgari, Stevenson and Calvino 000
Ann Lawson Lucas
Murder by Suggestion: El sueño de los héroes and The Master of Ballantrae 000
Daniel Balderston
Contributors 000
Index 000
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
University of Wisconsin Press, 2006 Cloth: 978-0-299-21220-9 Paper: 978-0-299-21224-7 eISBN: 978-0-299-21223-0
Robert Louis Stevenson: Writer of Boundaries reinstates Stevenson at the center of critical debate and demonstrates the sophistication of his writings and the present relevance of his kaleidoscopic achievements. While most young readers know Robert Louis Stevenson (1850–1894) as the author of Treasure Island, few people outside of academia are aware of the breadth of his literary output. The contributors to Robert Louis Stevenson: Writer of Boundaries look, with varied critical approaches, at the whole range of his literary production and unite to confer scholarly legitimacy on this enormously influential writer who has been neglected by critics.
As the editors point out in their Introduction, Stevenson reinvented the “personal essay” and the “walking tour essay,” in texts of ironic stylistic brilliance that broke completely with Victorian moralism. His first full-length work of fiction, Treasure Island, provocatively combined a popular genre (subverting its imperialist ideology) with a self-conscious literary approach.
Stevenson, one of Scotland’s most prolific writers, was very effectively excluded from the canon by his twentieth-century successors and rejected by Anglo-American Modernist writers and critics for his play with popular genres and for his non-serious metaliterary brilliance. While Stevenson’s critical recognition has been slowly increasing, there have been far fewer published single-volume studies of his works than those of his contemporaries, Henry James and Joseph Conrad.
AUTHOR BIOGRAPHY Richard Ambrosini is professor of English Literature at the Università di Roma Tre, and Richard Dury is professor of English at the Università di Bergamo.
REVIEWS
“Readers will find much that is fresh and much to admire in these studies devoted to the rehabilitation of an important and unjustly neglected writer.”—Dick Ringler, University of Wisconsin–Madison
“The pick of the papers delivered at an international conference on Robert Louis Stevenson.”—Dick Ringler, University of Wisconsin–Madison
TABLE OF CONTENTS
<table of contents, p. v/vii/ix>
Contents
Preface 000
Acknowledgements 000
Introduction 000
Abbreviations 000
I. THE PLEASURES OF READING, WRITING AND POPULAR CULTURE
Stevenson, Morris, and the Value of Idleness 000
Stephen Arata
Living in a Book: RLS as an Engaged Reader 000
R. L. Abrahamson
The Four Boundary-Crossings of R. L. Stevenson, Novelist and Anthropologist 000
Richard Ambrosini
Stevenson and the (Un)familiar: The Aesthetics of Late-Nineteenth Century Biography 000
Liz Farr
The Greenhouse vs. the Glasshouse: Stevenson's Stories as Textual Matrices 000
Nathalie Jaëck
Trading Texts: negotiations of the professional and the popular in the case of Treasure Island 000
Glenda Norquay
Stevenson and Popular Entertainment 000
Stephen Donovan
Tontines, Tontine Insurance, and Commercial Culture: Stevenson and Osbourne's The WrongBox 000
Gordon Hirsch
II. SCOTLAND AND THE SOUTH SEAS
The Master of Ballantrae, or The Writing of Frost and Stone 000
Jean-Pierre Naugrette
Quarrelling with the Father 000
Luisa Villa
Figures in a Landscape: Scott, Stevenson and Routes to the Past 000
Jenni Calder
Burking the Scottish Body: Robert Louis Stevenson and the Resurrection Men 000
Caroline McCracken-Flesher
Stevenson's Unfinished Autopsy of the 'Other' 000
Ilaria B. Sborgi
Voices of the Scottish Empire 000
Manfred Malzahn
Stevenson and the Property of Language: Narrative, Value, Modernity 000
Robbie B. H. Goh
Light, Darkness, and Shadow: Stevenson in the South Seas 000
Ann C. Colley
Violence In The South Seas: Stevenson, The Eye, And Desire 000
Ralph Parfect
Cruising With Robert Louis Stevenson: The South Seas From Journal To Fiction 000
Oliver S. Buckton
III. EVOLUTIONARY PSYCHOLOGY, MASCULINITY AND DR JEKYLL AND MR HYDE
Stevenson, Romance, and Evolutionary Psychology 000
Julia Reid
Robert Louis Stevenson and Nineteenth-Century Theories of Evolution: Crossing the Boundaries Between Ideas and Art 000
Olena M.Turnbull
Crossing the Bounds of Single Identity: Dr Jekyll and Mr Hyde and a Paper in a French Scientific Journal 000
Richard Dury
"City of Dreadful Night": Stevenson's Gothic London 000
Linda Dryden
Pious Works: Aesthetics, Ethics and the Modern Individual in Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde 000
Richard J. Walker
Dr Jekyll and Mr Hyde: A 'Men's Narrative' of Hysteria and Containment 000
Jane V. Rago
Consumerism and Stevenson's Misfit Masculinities 000
Dennis Denisoff
"Markheim" and the Shadow of the Other 000
Michela Vanon Alliata
IV. TEXTUAL AND CULTURAL CROSSINGS
Masters of the Hovering Life: Robert Musil and R. L. Stevenson 000
Alan Sandison
Whitman and Thoreau as Literary Stowaways in Stevenson's American Writings 000
Wendy R. Katz
The Pirate Chief in Salgari, Stevenson and Calvino 000
Ann Lawson Lucas
Murder by Suggestion: El sueño de los héroes and The Master of Ballantrae 000
Daniel Balderston
Contributors 000
Index 000
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE