University of Wisconsin Press, 1998 eISBN: 978-0-299-15933-7 | Cloth: 978-0-299-15930-6 | Paper: 978-0-299-15934-4 Library of Congress Classification GR358.S34 1998 Dewey Decimal Classification 808.5430968
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
What is the essence of story? How does the storyteller convey meaning? Leading scholar Harold Scheub tackles these questions and more, demonstrating that the power of story lies in emotion.
While others have focused on the importance of structure in the art of story, Scheub emphasizes emotion. He shows how an expert storyteller uses structural elements—image, rhythm, and narrative—to shape a story's fundamental emotional content. The storyteller uses traditional images, repetition, and linear narrative to move the audience past the story’s surface of morals and ideas, and make connections to their past, present, and future. To guide the audience on this emotional journey is the storyteller’s art.
The traditional stories from South African, Xhosa, and San cultures included in the book lend persuasive support to Scheub’s. These stories speak for themselves, demonstrating that a skilled performer can stir emotions despite the obstacles of space, time, and culture.
AUTHOR BIOGRAPHY
Harold E. Scheub is professor of African languages and literature at the University of Wisconsin–Madison. To record oral traditions he has walked more than 6000 miles through South Africa, Swaziland, Zimbabwe, and Lesotho. He is the author of The Tongue Is Fire and the editor of Nongenile Masithathu Zenani’s The World and the Word: Tales and Observations from Xhosa Oral Tradition, both published by the University of Wisconsin Press. He is also the author of The African Storyteller.
REVIEWS
“Story is as sound and original a piece of scholarship as we have been waiting for in the study of oral narrative performance. . . .written by one of the best scholars who have anything to say on the subject of storytelling.”—Isidore Okpewho, author of African Oral Literature
TABLE OF CONTENTS
Contents
Illustrations
Note
Introduction
Part One Emotions: First Principles
Introduction
Image
Narrative
Rhythm
Trope
Part Two Palimpsest: Three Storytellers
Introduction
||kabbo
Nongenile Masithathu Zenani
Pauline Smith
Conclusion
List of Stories
Notes
Bibliography
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
University of Wisconsin Press, 1998 eISBN: 978-0-299-15933-7 Cloth: 978-0-299-15930-6 Paper: 978-0-299-15934-4
What is the essence of story? How does the storyteller convey meaning? Leading scholar Harold Scheub tackles these questions and more, demonstrating that the power of story lies in emotion.
While others have focused on the importance of structure in the art of story, Scheub emphasizes emotion. He shows how an expert storyteller uses structural elements—image, rhythm, and narrative—to shape a story's fundamental emotional content. The storyteller uses traditional images, repetition, and linear narrative to move the audience past the story’s surface of morals and ideas, and make connections to their past, present, and future. To guide the audience on this emotional journey is the storyteller’s art.
The traditional stories from South African, Xhosa, and San cultures included in the book lend persuasive support to Scheub’s. These stories speak for themselves, demonstrating that a skilled performer can stir emotions despite the obstacles of space, time, and culture.
AUTHOR BIOGRAPHY
Harold E. Scheub is professor of African languages and literature at the University of Wisconsin–Madison. To record oral traditions he has walked more than 6000 miles through South Africa, Swaziland, Zimbabwe, and Lesotho. He is the author of The Tongue Is Fire and the editor of Nongenile Masithathu Zenani’s The World and the Word: Tales and Observations from Xhosa Oral Tradition, both published by the University of Wisconsin Press. He is also the author of The African Storyteller.
REVIEWS
“Story is as sound and original a piece of scholarship as we have been waiting for in the study of oral narrative performance. . . .written by one of the best scholars who have anything to say on the subject of storytelling.”—Isidore Okpewho, author of African Oral Literature
TABLE OF CONTENTS
Contents
Illustrations
Note
Introduction
Part One Emotions: First Principles
Introduction
Image
Narrative
Rhythm
Trope
Part Two Palimpsest: Three Storytellers
Introduction
||kabbo
Nongenile Masithathu Zenani
Pauline Smith
Conclusion
List of Stories
Notes
Bibliography
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE