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Barrio-Logos: Space and Place in Urban Chicano Literature and Culture
University of Texas Press, 2000 Cloth: 978-0-292-78741-4 | eISBN: 978-0-292-77384-4 | Paper: 978-0-292-78742-1 Library of Congress Classification PS153.M4V55 2000 Dewey Decimal Classification 810.986872
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
Struggles over space and resistance to geographic displacement gave birth to much of Chicano history and culture. In this pathfinding book, Raúl Villa explores how California Chicano/a activists, journalists, writers, artists, and musicians have used expressive culture to oppose the community-destroying forces of urban renewal programs and massive freeway development and to create and defend a sense of Chicano place-identity. Villa opens with a historical overview that shows how Chicano communities and culture have grown in response to conflicts over space ever since the United States' annexation of Mexican territory in the 1840s. Then, turning to the work of contemporary members of the Chicano intelligentsia such as Helena Maria Viramontes, Ron Arias, and Lorna Dee Cervantes, Villa demonstrates how their expressive practices re-imagine and re-create the dominant urban space as a community enabling place. In doing so, he illuminates the endless interplay in which cultural texts and practices are shaped by and act upon their social and political contexts. See other books on: City and town life in literature | Mexican American authors | Mexican Americans in literature | Place | Space See other titles from University of Texas Press |
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Barrio-Logos: Space and Place in Urban Chicano Literature and Culture
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
University of Texas Press, 2000
Cloth: 978-0-292-78741-4
eISBN: 978-0-292-77384-4
Paper: 978-0-292-78742-1
Cloth: 978-0-292-78741-4
eISBN: 978-0-292-77384-4
Paper: 978-0-292-78742-1
Struggles over space and resistance to geographic displacement gave birth to much of Chicano history and culture. In this pathfinding book, Raúl Villa explores how California Chicano/a activists, journalists, writers, artists, and musicians have used expressive culture to oppose the community-destroying forces of urban renewal programs and massive freeway development and to create and defend a sense of Chicano place-identity.
Villa opens with a historical overview that shows how Chicano communities and culture have grown in response to conflicts over space ever since the United States' annexation of Mexican territory in the 1840s. Then, turning to the work of contemporary members of the Chicano intelligentsia such as Helena Maria Viramontes, Ron Arias, and Lorna Dee Cervantes, Villa demonstrates how their expressive practices re-imagine and re-create the dominant urban space as a community enabling place. In doing so, he illuminates the endless interplay in which cultural texts and practices are shaped by and act upon their social and political contexts.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
