Lexikon of the Hispanic Baroque: Transatlantic Exchange and Transformation
edited by Evonne Levy and Kenneth Mills
University of Texas Press, 2014 eISBN: 978-0-292-75310-5 | Cloth: 978-0-292-75309-9 Library of Congress Classification CB226.L49 2013 Dewey Decimal Classification 909.0468073
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC
ABOUT THIS BOOK
Over the course of some two centuries following the conquests and consolidations of Spanish rule in the Americas during the late fifteenth and early sixteenth centuries—the period designated as the Baroque—new cultural forms sprang from the cross-fertilization of Spanish, Amerindian, and African traditions. This dynamism of motion, relocation, and mutation changed things not only in Spanish America, but also in Spain, creating a transatlantic Hispanic world with new understandings of personhood, place, foodstuffs, music, animals, ownership, money and objects of value, beauty, human nature, divinity and the sacred, cultural proclivities—a whole lexikon of things in motion, variation, and relation to one another.
Featuring the most creative thinking by the foremost scholars across a number of disciplines, the Lexikon of the Hispanic Baroque is a uniquely wide-ranging and sustained exploration of the profound cultural transfers and transformations that define the transatlantic Spanish world in the Baroque era. Pairs of authors—one treating the peninsular Spanish kingdoms, the other those of the Americas—provocatively investigate over forty key concepts, ranging from material objects to metaphysical notions. Illuminating difference as much as complementarity, departure as much as continuity, the book captures a dynamic universe of meanings in the various midst of its own re-creations. The Lexikon of the Hispanic Baroque joins leading work in a number of intersecting fields and will fire new research—it is the indispensible starting point for all serious scholars of the early modern Spanish world.
AUTHOR BIOGRAPHY
Evonne Levy, Associate Professor of Art History at the University of Toronto, is concerned with the art, architecture and historiography of the Baroque worldwide. She is author of Propaganda and the Jesuit Baroque (California, 2004) and co-editor with Maarten Delbeke and Steven F. Ostrow of Bernini’s Biographies: Critical Essays (Penn State, 2006).
Kenneth Mills, Professor of History at the University of Toronto, is an anthropological historian of religious and cultural transformation and re-creation in the early modern Spanish world. His works include Idolatry and Its Enemies (Princeton, 1997 and 2012 in paper), An Evil Lost to View (1994, Liverpool), and, with William B. Taylor and Sandra Lauderdale Graham, Colonial Latin America: A Documentary History (2002, Rowman & Littlefield).
TABLE OF CONTENTS
List of Illustrations
Acknowledgments
Introduction: Technologies of Transatlantic Exchange and Transformation—Evonne Levy and Kenneth Mills
Afterlife (Spain)—Carlos M. N. Eire
Afterlife (Spanish America)—Ramón Mujica Pinilla
Animal (Spain)—Marcy Norton
Animal (Spanish America)—Marcy Norton
Cartography (Spain)—Ricardo Padrón
Cartography (Spanish America)—Alessandra Russo
Center (Spain)—Carlos M. N. Eire
Center (Spanish America)—Stephanie Merrim
Church: Interior (Spain)—Evonne Levy
Church: Interior (Spanish America)—Jaime Lara
Church: Place (Spain)—Jesús Escobar
Church: Place (Spanish America)—Michael Schreffler
City (Spain)—Jesús Escobar
City (Spanish America)—Richard L. Kagan
Clergy (Spain)—Gretchen Starr-LeBeau
Clergy (Spanish America)—Karen Melvin
Comedy (Spain)—Juan Luis Suárez
Comedy (Spanish America)—Frederick Luciani
Confession (Spain)—Sara T. Nalle
Confession (Spanish America)—Bruce Mannheim
Convent (Spain)—Elizabeth Lehfeldt
Convent (Spanish America)—Asunción Lavrin
Dream (Spain)—Enrique Fernández-Rivera
Dream (Spanish America)—Beatriz de Alba-Koch
Dress (Spain)—Amanda J. Wunder
Dress (Spanish America)—Gridley McKim-Smith
Engraving (Spain)—Ralph Dekoninck
Engraving (Spanish America)—Clara Bargellini
Epic (Spain)—Elizabeth B. Davis
Epic (Spanish America)—Paul Firbas
Food (Spain)—James Amelang
Food (Spanish America)—Felipe Fernández-Armesto
Governance (Spain)—Antonio Feros
Governance (Spanish America)—Alejandro Cañeque
History (Spain)—Richard L. Kagan
History (Spanish America)—Kathleen Myers and Pablo García Loaeza
Honor (Spain)—Scott K. Taylor
Honor (Spanish America)—Peter Gose
Inquisition (Spain)—Stefania Pastore
Inquisition (Spanish America)—Martin Nesvig
Knowledge (Spain)—Fernando Bouza
Knowledge (Spanish America)—Martin Oliver Carrión
Labor (Spain)—Ruth MacKay
Labor (Spanish America)—Kris E. Lane
Language (Spain)—Manuel Peña Díaz
Language (Spanish America)—Alan Durston
Library (Spain)—Jonathan E. Carlyon
Library (Spanish America)—Pedro Guibovich Pérez
Living Image (Spain)—Victor I. Stoichita
Living Image (Spanish America)—Thomas B. F. Cummins
Lexikon of the Hispanic Baroque: Transatlantic Exchange and Transformation
edited by Evonne Levy and Kenneth Mills
University of Texas Press, 2014 eISBN: 978-0-292-75310-5 Cloth: 978-0-292-75309-9
Over the course of some two centuries following the conquests and consolidations of Spanish rule in the Americas during the late fifteenth and early sixteenth centuries—the period designated as the Baroque—new cultural forms sprang from the cross-fertilization of Spanish, Amerindian, and African traditions. This dynamism of motion, relocation, and mutation changed things not only in Spanish America, but also in Spain, creating a transatlantic Hispanic world with new understandings of personhood, place, foodstuffs, music, animals, ownership, money and objects of value, beauty, human nature, divinity and the sacred, cultural proclivities—a whole lexikon of things in motion, variation, and relation to one another.
Featuring the most creative thinking by the foremost scholars across a number of disciplines, the Lexikon of the Hispanic Baroque is a uniquely wide-ranging and sustained exploration of the profound cultural transfers and transformations that define the transatlantic Spanish world in the Baroque era. Pairs of authors—one treating the peninsular Spanish kingdoms, the other those of the Americas—provocatively investigate over forty key concepts, ranging from material objects to metaphysical notions. Illuminating difference as much as complementarity, departure as much as continuity, the book captures a dynamic universe of meanings in the various midst of its own re-creations. The Lexikon of the Hispanic Baroque joins leading work in a number of intersecting fields and will fire new research—it is the indispensible starting point for all serious scholars of the early modern Spanish world.
AUTHOR BIOGRAPHY
Evonne Levy, Associate Professor of Art History at the University of Toronto, is concerned with the art, architecture and historiography of the Baroque worldwide. She is author of Propaganda and the Jesuit Baroque (California, 2004) and co-editor with Maarten Delbeke and Steven F. Ostrow of Bernini’s Biographies: Critical Essays (Penn State, 2006).
Kenneth Mills, Professor of History at the University of Toronto, is an anthropological historian of religious and cultural transformation and re-creation in the early modern Spanish world. His works include Idolatry and Its Enemies (Princeton, 1997 and 2012 in paper), An Evil Lost to View (1994, Liverpool), and, with William B. Taylor and Sandra Lauderdale Graham, Colonial Latin America: A Documentary History (2002, Rowman & Littlefield).
TABLE OF CONTENTS
List of Illustrations
Acknowledgments
Introduction: Technologies of Transatlantic Exchange and Transformation—Evonne Levy and Kenneth Mills
Afterlife (Spain)—Carlos M. N. Eire
Afterlife (Spanish America)—Ramón Mujica Pinilla
Animal (Spain)—Marcy Norton
Animal (Spanish America)—Marcy Norton
Cartography (Spain)—Ricardo Padrón
Cartography (Spanish America)—Alessandra Russo
Center (Spain)—Carlos M. N. Eire
Center (Spanish America)—Stephanie Merrim
Church: Interior (Spain)—Evonne Levy
Church: Interior (Spanish America)—Jaime Lara
Church: Place (Spain)—Jesús Escobar
Church: Place (Spanish America)—Michael Schreffler
City (Spain)—Jesús Escobar
City (Spanish America)—Richard L. Kagan
Clergy (Spain)—Gretchen Starr-LeBeau
Clergy (Spanish America)—Karen Melvin
Comedy (Spain)—Juan Luis Suárez
Comedy (Spanish America)—Frederick Luciani
Confession (Spain)—Sara T. Nalle
Confession (Spanish America)—Bruce Mannheim
Convent (Spain)—Elizabeth Lehfeldt
Convent (Spanish America)—Asunción Lavrin
Dream (Spain)—Enrique Fernández-Rivera
Dream (Spanish America)—Beatriz de Alba-Koch
Dress (Spain)—Amanda J. Wunder
Dress (Spanish America)—Gridley McKim-Smith
Engraving (Spain)—Ralph Dekoninck
Engraving (Spanish America)—Clara Bargellini
Epic (Spain)—Elizabeth B. Davis
Epic (Spanish America)—Paul Firbas
Food (Spain)—James Amelang
Food (Spanish America)—Felipe Fernández-Armesto
Governance (Spain)—Antonio Feros
Governance (Spanish America)—Alejandro Cañeque
History (Spain)—Richard L. Kagan
History (Spanish America)—Kathleen Myers and Pablo García Loaeza
Honor (Spain)—Scott K. Taylor
Honor (Spanish America)—Peter Gose
Inquisition (Spain)—Stefania Pastore
Inquisition (Spanish America)—Martin Nesvig
Knowledge (Spain)—Fernando Bouza
Knowledge (Spanish America)—Martin Oliver Carrión
Labor (Spain)—Ruth MacKay
Labor (Spanish America)—Kris E. Lane
Language (Spain)—Manuel Peña Díaz
Language (Spanish America)—Alan Durston
Library (Spain)—Jonathan E. Carlyon
Library (Spanish America)—Pedro Guibovich Pérez
Living Image (Spain)—Victor I. Stoichita
Living Image (Spanish America)—Thomas B. F. Cummins