edited by Brian Dolinar contributions by Michael Flug, Arna Bontemps, JACK CONROY, Richard Wright, Margaret Walker, Katherine Dunham, Fenton Johnson, Frank Yerby and Richard Durham
University of Illinois Press, 2013 Paper: 978-0-252-08093-7 | eISBN: 978-0-252-09495-8 | Cloth: 978-0-252-03769-6 Library of Congress Classification E185.93.I2N44 2013 Dewey Decimal Classification 305.896073077311
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
The Negro in Illinois was produced by a special division of the Illinois Writers' Project, one of President Roosevelt's Works Progress Administration programs. Headed by Harlem Renaissance poet Arna Bontemps and white proletarian writer Jack Conroy, The Negro in Illinois employed Richard Wright, Margaret Walker, Katherine Dunham, Fenton Johnson, Frank Yerby, Richard Durham, and other major black writers living in Chicago.
The authors chronicled the African American experience in Illinois from the beginnings of slavery to the Great Migration. Individual chapters discuss various aspects of public and domestic life, recreation, politics, religion, literature, and performing arts. After the project's cancellation in 1942, most of the writings went unpublished for more than half a century--until now. Editor Brian Dolinar provides an informative introduction and epilogue which explain the origins of the project and place it in the context of the Black Chicago Renaissance.
AUTHOR BIOGRAPHY
Brian Dolinar teaches in the department of African American studies at the University of Illinois at Urbana-Champaign and is the author of The Black Cultural Front: Black Writers and Artists of the Depression Generation.
REVIEWS
"An exciting act of scholarly recovery. The Negro in Illinois papers, at long last available, are an invaluable guide to the role of American writers in crafting one of the first composite narratives of African American life. This dynamic volume shows us history from below in the making and being made."--Bill V. Mullen, coeditor of Afro Asia: Revolutionary Political and Cultural Connections between African Americans and Asian Americans
"An able and rich retelling of the story of African-American migration, literature, and culture before World War II."--Book News Inc.
"This landmark study provides a unique window onto the work of the Illinois unit of the Federal Writers' Project. A commendable work of historical recovery."--Richard Courage, coauthor of The Muse in Bronzeville: African American Creative Expression in Chicago, 1932-1950
"Chicago had a vibrant black community, perhaps equal to that of Harlem, which makes the Illinois volume both important and interesting. Highly recommended."--Choice
"A significant accomplishment. Not only does it bring to light a range of wonderful material on a variety of topics (the Underground Railroad, work, churches, professions, social life, and social uplift, literature, music, the theater, etc.), but the wonderful introduction and Dolinar's fine editing skills also make the book a significant contribution to scholarship."--The Annals of Iowa
"In bringing out the until now largely unknown The Negro in Illinois: The WPA Papers, African American literary and cultural studies scholar Brian Dolinar has done an invaluable service for those interested in Great Depression-period black culture. This work should be on the shelf of all who are interested in the study of African American literature, politics, economics, and culture. Dolinar's The Negro in Illinois is unquestionably indispensable."--Journal of Illinois History
edited by Brian Dolinar contributions by Michael Flug, Arna Bontemps, JACK CONROY, Richard Wright, Margaret Walker, Katherine Dunham, Fenton Johnson, Frank Yerby and Richard Durham
University of Illinois Press, 2013 Paper: 978-0-252-08093-7 eISBN: 978-0-252-09495-8 Cloth: 978-0-252-03769-6
The Negro in Illinois was produced by a special division of the Illinois Writers' Project, one of President Roosevelt's Works Progress Administration programs. Headed by Harlem Renaissance poet Arna Bontemps and white proletarian writer Jack Conroy, The Negro in Illinois employed Richard Wright, Margaret Walker, Katherine Dunham, Fenton Johnson, Frank Yerby, Richard Durham, and other major black writers living in Chicago.
The authors chronicled the African American experience in Illinois from the beginnings of slavery to the Great Migration. Individual chapters discuss various aspects of public and domestic life, recreation, politics, religion, literature, and performing arts. After the project's cancellation in 1942, most of the writings went unpublished for more than half a century--until now. Editor Brian Dolinar provides an informative introduction and epilogue which explain the origins of the project and place it in the context of the Black Chicago Renaissance.
AUTHOR BIOGRAPHY
Brian Dolinar teaches in the department of African American studies at the University of Illinois at Urbana-Champaign and is the author of The Black Cultural Front: Black Writers and Artists of the Depression Generation.
REVIEWS
"An exciting act of scholarly recovery. The Negro in Illinois papers, at long last available, are an invaluable guide to the role of American writers in crafting one of the first composite narratives of African American life. This dynamic volume shows us history from below in the making and being made."--Bill V. Mullen, coeditor of Afro Asia: Revolutionary Political and Cultural Connections between African Americans and Asian Americans
"An able and rich retelling of the story of African-American migration, literature, and culture before World War II."--Book News Inc.
"This landmark study provides a unique window onto the work of the Illinois unit of the Federal Writers' Project. A commendable work of historical recovery."--Richard Courage, coauthor of The Muse in Bronzeville: African American Creative Expression in Chicago, 1932-1950
"Chicago had a vibrant black community, perhaps equal to that of Harlem, which makes the Illinois volume both important and interesting. Highly recommended."--Choice
"A significant accomplishment. Not only does it bring to light a range of wonderful material on a variety of topics (the Underground Railroad, work, churches, professions, social life, and social uplift, literature, music, the theater, etc.), but the wonderful introduction and Dolinar's fine editing skills also make the book a significant contribution to scholarship."--The Annals of Iowa
"In bringing out the until now largely unknown The Negro in Illinois: The WPA Papers, African American literary and cultural studies scholar Brian Dolinar has done an invaluable service for those interested in Great Depression-period black culture. This work should be on the shelf of all who are interested in the study of African American literature, politics, economics, and culture. Dolinar's The Negro in Illinois is unquestionably indispensable."--Journal of Illinois History
TABLE OF CONTENTS
Cover
Title Page
Copyright
Contents
Acknowledgments
Editor’s Introduction
Editor’s Note
1. First, the French
2. Slavery
3. Abolition
4. The Underground Railroad
5. Lincoln and the Negro
6. John Brown’s Friend
7. Leave a Summer Land Behind
8. Rising
9. Churches
10. Soldiers
11. Business
12. Work
13. Iola
14. The Migrants Keep Coming
15. The Exodus Train
16. Slave Market
17. Professions
18. Health
19. Houses
20. Social Life and Social Uplift
21. Recreation and Sports
22. Defender
23. Politics
24. What is Africa To Me?
25. And Churches
26. Literature
27. Music
28. The Theater
29. Rhythm
Bibliography
Editor’s Afterword
Editor’s Notes
Editor’s Works Cited
Index
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC