The Body Eclectic: Evolving Practices in Dance Training
by Melanie Bales contributions by Rebecca Nettl-Fiol, David Dorfman, Ralph Lemon, Bebe Miller, Tere O'Connor, Shelley Washington, Melanie Bales, Glenna Batson, Wendell Beavers, Veronica Dittman, Natalie Gilbert, Joshua Monten and Martha Myers edited by Rebecca Nettl-Fiol
University of Illinois Press, 2007 Cloth: 978-0-252-03262-2 | Paper: 978-0-252-07489-9 Library of Congress Classification GV1589.B635 2008 Dewey Decimal Classification 792.807
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
This rich collection of essays and interviews explores modern-dance technique training from the last fifty years. Focusing on the culture of dance, editors Melanie Bales and Rebecca Nettl-Fiol examine choreographic process and style, dancer agency and participation in the creative process, and changes in the role and purpose of training. Bringing recent writings on dance into dialogue with dance practice, The Body Eclectic: Evolving Practices in Dance Training asks readers to consider the relationship between training practices and choreographic style and content. The contributors explore how technique training both guides and reflects the art of dance.
Contributors include Melanie Bales, Glenna Batson, Wendell Beavers, Veronica Dittman, Natalie Gilbert, Joshua Monten, Martha Myers, and Rebecca Nettl-Fiol.
Dance professionals interviewed include David Dorfman, Ralph Lemon, Bebe Miller, Tere O’Connor, and Shelley Washington.
AUTHOR BIOGRAPHY
Melanie Bales is an associate professor of dance at Ohio State University. An expert in Laban Movement Analysis, she is also a performer and choreographer. Rebecca Nettl-Fiol is an associate professor of dance at the University of Illinois, Urbana-Champaign, a choreographer, and an Alexander Technique specialist.
REVIEWS
"Invaluable. . . . A rich resource for personal investigation that not only encourages but also offers a generative framework for developing ones personal agency and artistry during challenging times."--Dance Research Journal
"Rich with anecdotes and a treasure trove of citations and references, this book will give dance teachers, scholars, graduate students, and dancers a fascinating read."--Dance Magazine
"Recommended."--Choice
“A fascinating, timely portrait of a dance landscape that looks dramatically different from the one that existed when modern dance was in the earliest stages of professionalization.”--Dance Chronicle
"The book makes a welcome contribution to the field of dance studies and dance education, and it will be a valuable resource for Technique teachers in general, especially those working with dancers."--AMSAT News
TABLE OF CONTENTS
part i: bricolage
1. A Dancing Dialectic to
Melanie Bales
2. A New York Dancer 22
Veronica Dittman
3. Training as the Medium Through Which 28
Melanie Bales
4. A Dance-Musician's Perspective:
An Interview with Natalie Gilbert 43
Melanie Bales
5. Something Old, Something New,
Something Borrowed 52
Joshua Monten
6. Ballet for the Post-Judson Dancer 68
Melanie Bales
part ii: deconstruction
7. Somatics: An Interview with
Martha Myers 89
Rebecca Nettl-Fiol
8. First It Was Dancing 101o
Rebecca Nettl-Fiol
9. Re-Locating Technique 126
Wendell Beavers
o10. Teaching Alignment 134
Glenna Batson
11. Falling, Releasing, and
Post-Judson Dance 153
Melanie Bales
part iii: training stories
12. Training Stories
Chris Aiken 170 Stephen Koester 215
David Dorfman 176 Ralph Lemon 219
Kathleen Fisher 184 Bebe Miller 224
Karen Graham 188 Tere O'Connor 229
Mark Haim 193 Cynthia Oliver 231
Angie Hauser 197 Janet Panetta 236
Sara Hook 205 Kraig Patterson 240
Irene Hultman 210 Shelley Washington 245
The Body Eclectic: Evolving Practices in Dance Training
by Melanie Bales contributions by Rebecca Nettl-Fiol, David Dorfman, Ralph Lemon, Bebe Miller, Tere O'Connor, Shelley Washington, Melanie Bales, Glenna Batson, Wendell Beavers, Veronica Dittman, Natalie Gilbert, Joshua Monten and Martha Myers edited by Rebecca Nettl-Fiol
University of Illinois Press, 2007 Cloth: 978-0-252-03262-2 Paper: 978-0-252-07489-9
This rich collection of essays and interviews explores modern-dance technique training from the last fifty years. Focusing on the culture of dance, editors Melanie Bales and Rebecca Nettl-Fiol examine choreographic process and style, dancer agency and participation in the creative process, and changes in the role and purpose of training. Bringing recent writings on dance into dialogue with dance practice, The Body Eclectic: Evolving Practices in Dance Training asks readers to consider the relationship between training practices and choreographic style and content. The contributors explore how technique training both guides and reflects the art of dance.
Contributors include Melanie Bales, Glenna Batson, Wendell Beavers, Veronica Dittman, Natalie Gilbert, Joshua Monten, Martha Myers, and Rebecca Nettl-Fiol.
Dance professionals interviewed include David Dorfman, Ralph Lemon, Bebe Miller, Tere O’Connor, and Shelley Washington.
AUTHOR BIOGRAPHY
Melanie Bales is an associate professor of dance at Ohio State University. An expert in Laban Movement Analysis, she is also a performer and choreographer. Rebecca Nettl-Fiol is an associate professor of dance at the University of Illinois, Urbana-Champaign, a choreographer, and an Alexander Technique specialist.
REVIEWS
"Invaluable. . . . A rich resource for personal investigation that not only encourages but also offers a generative framework for developing ones personal agency and artistry during challenging times."--Dance Research Journal
"Rich with anecdotes and a treasure trove of citations and references, this book will give dance teachers, scholars, graduate students, and dancers a fascinating read."--Dance Magazine
"Recommended."--Choice
“A fascinating, timely portrait of a dance landscape that looks dramatically different from the one that existed when modern dance was in the earliest stages of professionalization.”--Dance Chronicle
"The book makes a welcome contribution to the field of dance studies and dance education, and it will be a valuable resource for Technique teachers in general, especially those working with dancers."--AMSAT News
TABLE OF CONTENTS
part i: bricolage
1. A Dancing Dialectic to
Melanie Bales
2. A New York Dancer 22
Veronica Dittman
3. Training as the Medium Through Which 28
Melanie Bales
4. A Dance-Musician's Perspective:
An Interview with Natalie Gilbert 43
Melanie Bales
5. Something Old, Something New,
Something Borrowed 52
Joshua Monten
6. Ballet for the Post-Judson Dancer 68
Melanie Bales
part ii: deconstruction
7. Somatics: An Interview with
Martha Myers 89
Rebecca Nettl-Fiol
8. First It Was Dancing 101o
Rebecca Nettl-Fiol
9. Re-Locating Technique 126
Wendell Beavers
o10. Teaching Alignment 134
Glenna Batson
11. Falling, Releasing, and
Post-Judson Dance 153
Melanie Bales
part iii: training stories
12. Training Stories
Chris Aiken 170 Stephen Koester 215
David Dorfman 176 Ralph Lemon 219
Kathleen Fisher 184 Bebe Miller 224
Karen Graham 188 Tere O'Connor 229
Mark Haim 193 Cynthia Oliver 231
Angie Hauser 197 Janet Panetta 236
Sara Hook 205 Kraig Patterson 240
Irene Hultman 210 Shelley Washington 245
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC