edited by Victoria Chang foreword by Marilyn Chin contributions by Timothy Liu, Adrienne Su, Sue Kwock Kim, Rick Barot, Brenda Shaughnessy and Mong-Lan
University of Illinois Press, 2004 Paper: 978-0-252-07174-4 | Cloth: 978-0-252-02905-9 Library of Congress Classification PS591.A76A83 2004 Dewey Decimal Classification 811.6080895
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
This book is the first in English to consider women's movements and feminist discourses in twentieth-century Taiwan. Doris T. Chang examines the way in which Taiwanese women in the twentieth century selectively appropriated Western feminist theories to meet their needs in a modernizing Confucian culture. She illustrates the rise and fall of women's movements against the historical backdrop of the island's contested national identities, first vis-à-vis imperial Japan (1895-1945) and later with postwar China (1945-2000).
In particular, during periods of soft authoritarianism in the Japanese colonial era and late twentieth century, autonomous women's movements emerged and operated within the political perimeters set by the authoritarian regimes. Women strove to replace the "Good Wife, Wise Mother" ideal with an individualist feminism that meshed social, political, and economic gender equity with the prevailing Confucian family ideology. However, during periods of hard authoritarianism from the 1930s to the 1960s, the autonomous movements collapsed.
The particular brand of Taiwanese feminism developed from numerous outside influences, including interactions among an East Asian sociopolitical milieu, various strands of Western feminism, and Marxist-Leninist women's liberation programs in Soviet Russia. Chinese communism appears not to have played a significant role, due to the Chinese Nationalists' restriction of communication with the mainland during their rule on post-World War II Taiwan.
Notably, this study compares the perspectives of Madame Chiang Kai-shek, whose husband led as the president of the Republic of China on Taiwan from 1949 to 1975, and Hsiu-lien Annette Lu, Taiwan's vice president from 2000 to 2008. Delving into period sources such as the highly influential feminist monthly magazine Awakening as well as interviews with feminist leaders, Chang provides a comprehensive historical and cross-cultural analysis of the struggle for gender equality in Taiwan.
AUTHOR BIOGRAPHY Victoria M. Chang is a published poet (Cream City Review, Crab Orchard Review, Florida Review, MacGuffin, Lullwater Review, Hawaitt Review) and the founder and editor of the Asian/Pacific American Women's Journal at the University of Michigan. Marilyn Chin is the author of Rhapsody in Plain Yellow, and Dwarf Bamboo.
REVIEWS
"Some of the freshest, most engaging work being written in the United States."--Pleiades
"The poems in this vibrant, varied collection address so many subjects in such a range of voices that it all but destroys monolithic notions of Asian American identity, culture, and issues."--Guiyou Huang, author of The Columbia Guide to Asian American Literature
"This is a fine selection that portends long literary life and prosperity."--Multicultural Review
TABLE OF CONTENTS
Contents
Foreword by Marilyn Chin
Introduction by Victoria M. Chang
Lisa Asagi
April 15
April 22
Soundtrack for Home Movie no. 3
Rick Barot
Reading Plato
Bird Notes
Bonnard's Garden
Occupations
At Point Reyes
Amy Quan Barry
dy 4x3 + x2 - 12
If __ = _______________, Then
dx 2x2 - 9
Asylum
Richard Nixon's 1972 Christmas Bombing Campaign as Gospel
"If I Don't Meet You in This Life, Let Me Feel the Lack"
Nick Carbô
American Adobo
The Bronze Dove
Ang Tunay Na Lalaki Stalks the Streets of New York
Ang Tunay Na Lalaki is Baffled by Cryptic Messages
Ang Tunay Na Lalaki Visits his Favorite Painting
Jennifer Chang
The Sign Reads:
Swindled, I Left Everything
I Remember her, a Bowl of Water
If There is No Memory, It did not Happen
What the Landscape Works for is What I have Left
I Am in Unction Now
Tina Chang
Origin & Ash
Invention
Fish Story
Versions
Curriculum
Journal of the Diabetic Father
Oliver De La Paz
Manong Jose, While Cleaning His Last Window Before Coffee,
Sees Fidelito and is Pleased Though Wary
When Fidelito is the New Boy at School
Grounding
Carpenter Ants
Nine Secrets the Recto Family Can't Tell the Boy
Marisa De Los Santos
Rite of Passage
October: One Year Later
First Light
Because I Love You,
Woman Reading
4
Brian Komei Demster
Measure
Exposure
The Pink House in Four Variations
The Burning
Linh Dinh
The Fox Hole
The Most Beautiful Word
Earth Cafeteria
Longitudes
Monica Ferrell
Persephone
Cameo: Nightwalking--In the Grips of a Sickness Transmitted
by Wolves
Cameo: Daywalking--In the Binary Alleys of the Lion's Virus
Despair: The Fire of Despair
Antonio Jocson
Lot's Wife
The Hen
Bamiyan
Early Morning Under Persimmon
Crèvecoeur
Vandana Khanna
Train to Agra
Spell
The India of Postcards
Two Women
Alignment
Sue Kwock Kim
The Couple Next Door
Hanji: Notes for a Paper-Maker
Monologue for an Onion
Montage with Neon, Bok Choi, Gasoline, Lovers & Strangers
Mông-Lan
Ravine
Field
Letters
Emerald World
Overhearing Water
Timothy Liu
Coup De Grâce
An Evening Train
The Assignation
Winter
Monologue With The Void
Warren Liu
Li Po Declines
El Niño
"Be You Ever So Lonesome"
Aimee Nezhukumatathil
Fishbone
A Date with a Cherry Farmer
Mouth Stories
What I Learned from the Incredible Hulk
5
Red Ghazal
Rick Noguchi
The Shirt His Father Wore That Day Was Wrinkled, Slightly
From Rooftops, Kenji Takezo Throws Himself
The Ocean Inside Him
With Her at All Times Ethel Nakano Carried a Sledgehammer
A Man Made Himself a Marionette
Cathy Park Hong
All the Aphrodisiacs
Assiduous Rant
During Bath
Not Henry Miller but Mother
Jon Pineda
Shelter
Birthmark
Translation
This Poetry
Losing A Memory
Srikanth Reddy
Burial Practice
Hotel Lullaby
But Waves & I Break
Circle (I)
Circle (VI)
Palinode
Paisley Rekdal
Stupid
Anniversary Song
25% Pressure
Death and the Maiden
Lee Ann Roripaugh
Transplanting
Hope
Dream Carp
Rise
Brenda Shaughnessy
Your One Good Dress
Postfeminism
Panopticon
Interior With Sudden Joy
Adrienne Su
The English Canon
Female Infanticide: A Guide for Mothers
Savannah Crabs
Wedding Gifts
Pimone Triplett
Bird of Paradise Aubade with Bangkok Etching over the Bed
Comings and Goings
To My Cousin in Bangkok, Age 16
Stillborn
Winter Swim
Monica Youn
25th & Dolores
Décor
6
Korean Martyrs
Venice, Unaccompanied
Flatlanders
C. Dale Young
The Philosopher in Florida
Broughtonia
Exile
Moonlight Cocktail
Invective
Acknowledgments
Contributors
Index of Titles
Library of Congress Subject Headings for this publication: American poetry Asian American authors, Asian Americans Poetry
edited by Victoria Chang foreword by Marilyn Chin contributions by Timothy Liu, Adrienne Su, Sue Kwock Kim, Rick Barot, Brenda Shaughnessy and Mong-Lan
University of Illinois Press, 2004 Paper: 978-0-252-07174-4 Cloth: 978-0-252-02905-9
This book is the first in English to consider women's movements and feminist discourses in twentieth-century Taiwan. Doris T. Chang examines the way in which Taiwanese women in the twentieth century selectively appropriated Western feminist theories to meet their needs in a modernizing Confucian culture. She illustrates the rise and fall of women's movements against the historical backdrop of the island's contested national identities, first vis-à-vis imperial Japan (1895-1945) and later with postwar China (1945-2000).
In particular, during periods of soft authoritarianism in the Japanese colonial era and late twentieth century, autonomous women's movements emerged and operated within the political perimeters set by the authoritarian regimes. Women strove to replace the "Good Wife, Wise Mother" ideal with an individualist feminism that meshed social, political, and economic gender equity with the prevailing Confucian family ideology. However, during periods of hard authoritarianism from the 1930s to the 1960s, the autonomous movements collapsed.
The particular brand of Taiwanese feminism developed from numerous outside influences, including interactions among an East Asian sociopolitical milieu, various strands of Western feminism, and Marxist-Leninist women's liberation programs in Soviet Russia. Chinese communism appears not to have played a significant role, due to the Chinese Nationalists' restriction of communication with the mainland during their rule on post-World War II Taiwan.
Notably, this study compares the perspectives of Madame Chiang Kai-shek, whose husband led as the president of the Republic of China on Taiwan from 1949 to 1975, and Hsiu-lien Annette Lu, Taiwan's vice president from 2000 to 2008. Delving into period sources such as the highly influential feminist monthly magazine Awakening as well as interviews with feminist leaders, Chang provides a comprehensive historical and cross-cultural analysis of the struggle for gender equality in Taiwan.
AUTHOR BIOGRAPHY Victoria M. Chang is a published poet (Cream City Review, Crab Orchard Review, Florida Review, MacGuffin, Lullwater Review, Hawaitt Review) and the founder and editor of the Asian/Pacific American Women's Journal at the University of Michigan. Marilyn Chin is the author of Rhapsody in Plain Yellow, and Dwarf Bamboo.
REVIEWS
"Some of the freshest, most engaging work being written in the United States."--Pleiades
"The poems in this vibrant, varied collection address so many subjects in such a range of voices that it all but destroys monolithic notions of Asian American identity, culture, and issues."--Guiyou Huang, author of The Columbia Guide to Asian American Literature
"This is a fine selection that portends long literary life and prosperity."--Multicultural Review
TABLE OF CONTENTS
Contents
Foreword by Marilyn Chin
Introduction by Victoria M. Chang
Lisa Asagi
April 15
April 22
Soundtrack for Home Movie no. 3
Rick Barot
Reading Plato
Bird Notes
Bonnard's Garden
Occupations
At Point Reyes
Amy Quan Barry
dy 4x3 + x2 - 12
If __ = _______________, Then
dx 2x2 - 9
Asylum
Richard Nixon's 1972 Christmas Bombing Campaign as Gospel
"If I Don't Meet You in This Life, Let Me Feel the Lack"
Nick Carbô
American Adobo
The Bronze Dove
Ang Tunay Na Lalaki Stalks the Streets of New York
Ang Tunay Na Lalaki is Baffled by Cryptic Messages
Ang Tunay Na Lalaki Visits his Favorite Painting
Jennifer Chang
The Sign Reads:
Swindled, I Left Everything
I Remember her, a Bowl of Water
If There is No Memory, It did not Happen
What the Landscape Works for is What I have Left
I Am in Unction Now
Tina Chang
Origin & Ash
Invention
Fish Story
Versions
Curriculum
Journal of the Diabetic Father
Oliver De La Paz
Manong Jose, While Cleaning His Last Window Before Coffee,
Sees Fidelito and is Pleased Though Wary
When Fidelito is the New Boy at School
Grounding
Carpenter Ants
Nine Secrets the Recto Family Can't Tell the Boy
Marisa De Los Santos
Rite of Passage
October: One Year Later
First Light
Because I Love You,
Woman Reading
4
Brian Komei Demster
Measure
Exposure
The Pink House in Four Variations
The Burning
Linh Dinh
The Fox Hole
The Most Beautiful Word
Earth Cafeteria
Longitudes
Monica Ferrell
Persephone
Cameo: Nightwalking--In the Grips of a Sickness Transmitted
by Wolves
Cameo: Daywalking--In the Binary Alleys of the Lion's Virus
Despair: The Fire of Despair
Antonio Jocson
Lot's Wife
The Hen
Bamiyan
Early Morning Under Persimmon
Crèvecoeur
Vandana Khanna
Train to Agra
Spell
The India of Postcards
Two Women
Alignment
Sue Kwock Kim
The Couple Next Door
Hanji: Notes for a Paper-Maker
Monologue for an Onion
Montage with Neon, Bok Choi, Gasoline, Lovers & Strangers
Mông-Lan
Ravine
Field
Letters
Emerald World
Overhearing Water
Timothy Liu
Coup De Grâce
An Evening Train
The Assignation
Winter
Monologue With The Void
Warren Liu
Li Po Declines
El Niño
"Be You Ever So Lonesome"
Aimee Nezhukumatathil
Fishbone
A Date with a Cherry Farmer
Mouth Stories
What I Learned from the Incredible Hulk
5
Red Ghazal
Rick Noguchi
The Shirt His Father Wore That Day Was Wrinkled, Slightly
From Rooftops, Kenji Takezo Throws Himself
The Ocean Inside Him
With Her at All Times Ethel Nakano Carried a Sledgehammer
A Man Made Himself a Marionette
Cathy Park Hong
All the Aphrodisiacs
Assiduous Rant
During Bath
Not Henry Miller but Mother
Jon Pineda
Shelter
Birthmark
Translation
This Poetry
Losing A Memory
Srikanth Reddy
Burial Practice
Hotel Lullaby
But Waves & I Break
Circle (I)
Circle (VI)
Palinode
Paisley Rekdal
Stupid
Anniversary Song
25% Pressure
Death and the Maiden
Lee Ann Roripaugh
Transplanting
Hope
Dream Carp
Rise
Brenda Shaughnessy
Your One Good Dress
Postfeminism
Panopticon
Interior With Sudden Joy
Adrienne Su
The English Canon
Female Infanticide: A Guide for Mothers
Savannah Crabs
Wedding Gifts
Pimone Triplett
Bird of Paradise Aubade with Bangkok Etching over the Bed
Comings and Goings
To My Cousin in Bangkok, Age 16
Stillborn
Winter Swim
Monica Youn
25th & Dolores
Décor
6
Korean Martyrs
Venice, Unaccompanied
Flatlanders
C. Dale Young
The Philosopher in Florida
Broughtonia
Exile
Moonlight Cocktail
Invective
Acknowledgments
Contributors
Index of Titles
Library of Congress Subject Headings for this publication: American poetry Asian American authors, Asian Americans Poetry
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC