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Music of the First Nations: Tradition and Innovation in Native North America
University of Illinois Press, 2009 eISBN: 978-0-252-09065-3 | Paper: 978-0-252-08700-4 | Cloth: 978-0-252-02221-0 Library of Congress Classification ML3557.M87 2009 Dewey Decimal Classification 781.6297
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
ABOUT THIS BOOK
This unique anthology presents a wide variety of approaches to an ethnomusicology of Inuit and Native North American musical expression. Contributors include Native and non-Native scholars who provide erudite and illuminating perspectives on aboriginal culture, incorporating both traditional practices and contemporary musical influences. Gathering scholarship on a realm of intense interest but little previous publication, this collection promises to revitalize the study of Native music in North America, an area of ethnomusicology that stands to benefit greatly from these scholars' cooperative, community-oriented methods. Contributors are T. Christopher Aplin, Tara Browner, Paula Conlon, David E. Draper, Elaine Keillor, Lucy Lafferty, Franziska von Rosen, David Samuels, Laurel Sercombe, and Judith Vander. See other books on: First Nations | Indian dance | Innovation | Native North America | Tradition See other titles from University of Illinois Press |
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Nearby on shelf for Literature on music / History and criticism / Folk, national, and ethnic music:
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Music of the First Nations: Tradition and Innovation in Native North America
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
University of Illinois Press, 2009
eISBN: 978-0-252-09065-3
Paper: 978-0-252-08700-4
Cloth: 978-0-252-02221-0
eISBN: 978-0-252-09065-3
Paper: 978-0-252-08700-4
Cloth: 978-0-252-02221-0
This unique anthology presents a wide variety of approaches to an ethnomusicology of Inuit and Native North American musical expression. Contributors include Native and non-Native scholars who provide erudite and illuminating perspectives on aboriginal culture, incorporating both traditional practices and contemporary musical influences. Gathering scholarship on a realm of intense interest but little previous publication, this collection promises to revitalize the study of Native music in North America, an area of ethnomusicology that stands to benefit greatly from these scholars' cooperative, community-oriented methods.
Contributors are T. Christopher Aplin, Tara Browner, Paula Conlon, David E. Draper, Elaine Keillor, Lucy Lafferty, Franziska von Rosen, David Samuels, Laurel Sercombe, and Judith Vander.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC
