The Poetics of Repetition in English and Chinese Lyric Poetry
by Cecile Chu-chin Sun
University of Chicago Press, 2010 eISBN: 978-0-226-78022-1 | Cloth: 978-0-226-78020-7 Library of Congress Classification PR508.R5S86 2011 Dewey Decimal Classification 821.0409
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
For more than half a century, Chinese-Western comparative literature has been recognized as a formal academic discipline, but critics and scholars in the field have done little to develop a viable, common basis for comparison between these disparate literatures. In this pioneering book, Cecile Chu-chin Sun establishes repetition as the ideal perspective from which to compare the poetry and poetics from these two traditions.
Sun contends that repetition is at the heart of all that defines the lyric as a unique art form and, by closely examining its use in Chinese and Western poetry, she demonstrates howone can identify important points of convergence and divergence. Through a representative sampling of poems from both traditions, she illustrates how the irreducible generic nature of the lyric transcends linguistic and cultural barriers but also reveals the fundamental distinctions between the traditions. Most crucially, she dissects the two radically different conceptualizations of reality—mimesis and xing—that serve as underlying principles for the poetic practices of each tradition.
Skillfully integrating theory and practice, The Poetics of Repetition in English and Chinese Lyric Poetryprovides a much-needed model for future study of Chinese and English poetry as well as lucid, succinct interpretations of individual poems.
AUTHOR BIOGRAPHY Cecile Chu-chin Sun teaches in the Department of East Asian Languages and Literatures at the University of Pittsburgh and is the author of Pearl from the Dragon’s Mouth: Evocation of Scene and Feeling in Chinese Poetry.
REVIEWS
“Unquestionably a work of the highest pedigree, The Poetics of Repetition in English and Chinese Lyric Poetry is the product of a lifetime of thought and decades of exhaustive research. Besides taking on board the observations of critics from around the world, Sun develops her own valuable theses, which she extricates from the material she studies rather than imposes them upon it. Sun clearly has experienced poetry profoundly and can speak profoundly of it. Her language is arresting through its strength of conviction and not because of literary flourishes or jargon. This book should be required reading for all readers of and commentators on Chinese and English—perhaps any—lyric poetry.”—David E. Pollard, author of The True Story of Lu Xun
— David E. Pollard, author of T he True Story of Lu Xun
TABLE OF CONTENTS
Preface
Chinese Historical Periods
Prologue. Setting Repetition in Its Larger Context of Culture
1 Repetition as the Common Basis for Comparison
2 The Overt Mode of Repetition: Sound
3 The Covert Mode of Repetition: Sense
4 Mimesis and Xing
Epilogue. The Telosof Poetic Repetition
Appendix: Original Texts of Chinese Poems and Critical Passages
Notes
Glossary
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
The Poetics of Repetition in English and Chinese Lyric Poetry
by Cecile Chu-chin Sun
University of Chicago Press, 2010 eISBN: 978-0-226-78022-1 Cloth: 978-0-226-78020-7
For more than half a century, Chinese-Western comparative literature has been recognized as a formal academic discipline, but critics and scholars in the field have done little to develop a viable, common basis for comparison between these disparate literatures. In this pioneering book, Cecile Chu-chin Sun establishes repetition as the ideal perspective from which to compare the poetry and poetics from these two traditions.
Sun contends that repetition is at the heart of all that defines the lyric as a unique art form and, by closely examining its use in Chinese and Western poetry, she demonstrates howone can identify important points of convergence and divergence. Through a representative sampling of poems from both traditions, she illustrates how the irreducible generic nature of the lyric transcends linguistic and cultural barriers but also reveals the fundamental distinctions between the traditions. Most crucially, she dissects the two radically different conceptualizations of reality—mimesis and xing—that serve as underlying principles for the poetic practices of each tradition.
Skillfully integrating theory and practice, The Poetics of Repetition in English and Chinese Lyric Poetryprovides a much-needed model for future study of Chinese and English poetry as well as lucid, succinct interpretations of individual poems.
AUTHOR BIOGRAPHY Cecile Chu-chin Sun teaches in the Department of East Asian Languages and Literatures at the University of Pittsburgh and is the author of Pearl from the Dragon’s Mouth: Evocation of Scene and Feeling in Chinese Poetry.
REVIEWS
“Unquestionably a work of the highest pedigree, The Poetics of Repetition in English and Chinese Lyric Poetry is the product of a lifetime of thought and decades of exhaustive research. Besides taking on board the observations of critics from around the world, Sun develops her own valuable theses, which she extricates from the material she studies rather than imposes them upon it. Sun clearly has experienced poetry profoundly and can speak profoundly of it. Her language is arresting through its strength of conviction and not because of literary flourishes or jargon. This book should be required reading for all readers of and commentators on Chinese and English—perhaps any—lyric poetry.”—David E. Pollard, author of The True Story of Lu Xun
— David E. Pollard, author of T he True Story of Lu Xun
TABLE OF CONTENTS
Preface
Chinese Historical Periods
Prologue. Setting Repetition in Its Larger Context of Culture
1 Repetition as the Common Basis for Comparison
2 The Overt Mode of Repetition: Sound
3 The Covert Mode of Repetition: Sense
4 Mimesis and Xing
Epilogue. The Telosof Poetic Repetition
Appendix: Original Texts of Chinese Poems and Critical Passages
Notes
Glossary
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE