The recent history of cultural exchange between France and the United States would appear to be defined by “freedom fries” and boycotts against Beaujolais—or, on the other side of the Atlantic, by enraged farmers toppling statues of Ronald McDonald. But this dismal state of affairs is a long way from the mutual admiration that followed World War II, epitomized in a 1958 cover of Look magazine that declared “Brigitte Bardot conquers America.” It’s So French! explores the close affinity between the French and American film industries that flourished in the postwar years, breaking down myths of American imperialism and French cultural protectionism while illuminating the vital role that cinema has played in the globalization of culture.

Hollywood was once enamored with everything French and this infatuation blossomed in a wildly popular series of films including An American in Paris, Gigi,and Funny Face. Schwartz here examines the visual appeal of such films, and then broadens her analysis to explore their production and distribution, probing the profitable influences that Hollywood and Paris exerted on each other. This exchange moved beyond individual films with the sensational spectacle of the Cannes Film Festival and the meteoric career of Brigitte Bardot. And in turn, their success led to a new kind of film that celebrated internationalism and cultural hybridity. Ultimately, Schwartz uncovers an intriguing paradox: that the road to globalization was paved with nationalist clichés, and thus, films beloved for being so French were in fact the first signs of a nascent cosmopolitan culture.

Packed with an array of colorful film stills, publicity photographs, paparazzi shots, ads, and never before seen archival images, It’s So French! is an incisive account of the fertile collaboration between France and the United States that expanded the geographic horizons of both filmmaking and filmgoing, forever changing what the world saw and dreamed of when they went to the movies.

Vanessa R. Schwartz lives in Santa Monica and is professor of history, art history, and critical studies at the University of Southern California. She is coeditor of Cinema and the Invention of Modern Life, and the author of Spectacular Realities: Early Mass Culture in Fin-de-Siècle Paris.

“It is difficult to say whether Vanessa Schwartz’s work provides more brilliant analyses and stimulating perspectives to the history of culture or to the history of the cinema. Undoubtedly to both, since the connections she makes between filmmaking and the creation of urban imaginaires are original and convincing. Neither Hollywood, obviously, nor Paris, as well, would exist without films, at least in our thoughts and desires, and Vanessa Schwartz shows this masterfully. ‘So French!’—perhaps, but so well done—absolutely!”

“This is a must-read for anyone interested in movies, the irresistible appeal of things French, or the true history of globalization. Every page sparkles with surprising insights and wonderful stories about classic films, the Cannes film festival, and the making of a global market for cinema. Old Europe turns out to be the partner, not the enemy, of the brash moguls and dreamy-eyed starlets of Hollywood. Schwartz takes readers on her own dazzling tour around the world of making movies and in the process deeply enriches both our sense of cinema’s history and its contribution to modern culture.”

“In a scholarly tour de force, Vanessa Schwartz reveals how a series of Franco-American liaisons created the global film industry. This is one of the most perceptive histories ever written about the making of mass culture—and a pleasure to read.”

“Hers is no sterile school-book approach. . . . Schwartz’s well-researched book expertly documents this profound event in the development of cosmopolitan film culture as we know it today. Recommended.”

"Vanessa R. Schwartz's account of Franco-American relations in the world of cinema is an erudite analysis of the dialogue between the two filmic powers. . . . A lively discussion of a rich subject."—Financial Times

"I highly recommend this book to all who love 'Frenchness films' and all who are interested in reading about a time in the history of film when France and America actively collaborated to create films that expanded our geographic consciousness as well as globalized our minds."

"Schwartz's argument is truly remarkable in its scope and its ability to reconceptualize conventional narratives about Americanization, globalization, Franco-American relations, and the history of film. By reframing the relationship between art, commerce, and celebrity . . . she also challenges us to rethink the early Cold War years."

"Schwartz's book is refreshing and stimulating. . . . The strengths of the book seem to me to lie in its welcome comparative approach, its range of fascinating detail, and its challenge to received wisdom. Schwartz has made an excellent case for film historians to rethink the period, to boldly go beyond their more usual national approach, and to pay more attention to the origins of cosmopolitan/Western filmmaking."

"Thanks to precise analysis, painstaking research and a subtle pen, Vaness R. Schwartz makes cultural history a necessary element for the appreciation of international relations."