University of Chicago Press, 2021 eISBN: 978-0-226-73742-3 | Paper: 978-0-226-73739-3 Library of Congress Classification PS3569.O6532P67 2021 Dewey Decimal Classification 811.54
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK Taking inspiration from medieval sea charts—portulans—the poems in Jason Sommer’s collection bring a fresh variation to the ancient metaphor of life as a journey. Creating a coordinate system charting paths between ports and the dangers that surrounded them, portulans offered webs of routes and images through which sailors could navigate. These maps—both accurate and beautifully illustrated—guided mariners from port to port weaving paths at the threshold of the open sea. Similarly, the course of these poems navigates familiar mysteries and perennial questions through times of unbelief, asking whether consciousness is anchored in the transcendent, if inward travel can descend past the self, and if the universe can be accounted for by physics alone.
Is there more to the story that you remember and hesitate
to say? Your eyes, though, scanning upward in their sockets,
do seem to search memory, but for what may be gone already,
gone to where it goes—wherever it came from—gone as can be imagined,
down into things, in past flesh and bark, marrow and pith, and down,
down into molecule, atom, particle, vanishing into theory.
Through this collection, Sommer takes us to the ocean floor, into the basement, out the front door, through multiverses, and in and out of dreams. Along the way, he considers whether art—the beauty of the map—can provide momentary meaning against a backdrop of oblivion. Drawing on history and myth, the voices in these poems consider what can and cannot be known of the self and the other, of our values, and of what we insist has permanence. These are poems of searching. Like ancient cartographers who lent lavish decoration to their maps, the poems in Portulans illuminate possibilities of beauty in each journey.
AUTHOR BIOGRAPHY Jason Sommer is the author of four previous books of poetry, most recently The Laughter of Adam and Eve, and two in the Phoenix series: Other People’s Troubles and The Man Who Sleeps in My Office. He has also published English versions of Irish language poems and two collaborative book-length translations of contemporary Chinese fiction. His poems have appeared in publications such as the New Republic, Ploughshares, Chicago Review, Agni, River Styx, and TriQuarterly, among others.
REVIEWS
“The beauty of Portulans comes not only from Sommer’s formal gracefulness, but also from his matching that virtuosity with mortal stakes. Poems like ‘Incident at the Mother’s,’ ‘Attention,’ and ‘Billy’s Facts of Life’ reveal narrative skill and unsentimental depth of sympathy that little contemporary fiction can equal, while ‘Multiverse’ and ‘In the Basement Is the Previous Culture’ display Sommer’s sheer capacity of imagination. Open to spontaneity while masterfully carved, these poems are alive to our moment, which they will outlast.”
— Peter Campion, author of One Summer Evening at the Falls
“‘There are no words / beneath the shape of things,’ Sommer concedes, but his poems almost make one believe that there could be. With the care and precision of a navigator trying to discern paths that won’t simply circle back, he bypasses metaphors gone wrong, riding a syntax supple enough to hold the music of the ‘the mind’s buoyant gravities.’ The many kinds of rhymes in this collection are invitations to listen closely to the layers of history and myth that hum beneath thinking. ‘It’s inner space he’s after,’ and he takes us there.”
— Mary Szybist, author of Incarnadine
"Sommer explores the internal depths of consciousness with a sly precision that is unsettling and revelatory. Quietly but restlessly, the poems capture fragile analogies for consciousness only for consciousness then to abrade these braided likenesses, to dissolve them, and so the journey begins again, the detritus of analogy left behind like a recursive trail of ruined monuments, markers in a portulan."
— Public Books
TABLE OF CONTENTS
Acknowledgments
Soul
The Expedition
The Most I Took Back from a Dream
In the Basement Is the Previous Culture
Satori
Changing the Script
Wakened to a Certain Knowledge of a Limited Kind
Multiverse
Incident at the Mother’s
Four Photos and Brief Case Report from the Journal Surgery
In the Moment before the Call Drops
In Their Nature: A Trio of Neighbors in a Sidewalk Chat
Children Wearing My Shoes
He Thinks
To Myself in the Coming Time
Billy’s Facts of Life
At the Friends of the Library Local Authors Event
Lot’s Daughters
The Old Art
Apollo Takes the Trophy of Marsyas
L. Receives Honorable Mention in Late Middle Age
What Men Want
Grudge
Attention
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
University of Chicago Press, 2021 eISBN: 978-0-226-73742-3 Paper: 978-0-226-73739-3
Taking inspiration from medieval sea charts—portulans—the poems in Jason Sommer’s collection bring a fresh variation to the ancient metaphor of life as a journey. Creating a coordinate system charting paths between ports and the dangers that surrounded them, portulans offered webs of routes and images through which sailors could navigate. These maps—both accurate and beautifully illustrated—guided mariners from port to port weaving paths at the threshold of the open sea. Similarly, the course of these poems navigates familiar mysteries and perennial questions through times of unbelief, asking whether consciousness is anchored in the transcendent, if inward travel can descend past the self, and if the universe can be accounted for by physics alone.
Is there more to the story that you remember and hesitate
to say? Your eyes, though, scanning upward in their sockets,
do seem to search memory, but for what may be gone already,
gone to where it goes—wherever it came from—gone as can be imagined,
down into things, in past flesh and bark, marrow and pith, and down,
down into molecule, atom, particle, vanishing into theory.
Through this collection, Sommer takes us to the ocean floor, into the basement, out the front door, through multiverses, and in and out of dreams. Along the way, he considers whether art—the beauty of the map—can provide momentary meaning against a backdrop of oblivion. Drawing on history and myth, the voices in these poems consider what can and cannot be known of the self and the other, of our values, and of what we insist has permanence. These are poems of searching. Like ancient cartographers who lent lavish decoration to their maps, the poems in Portulans illuminate possibilities of beauty in each journey.
AUTHOR BIOGRAPHY Jason Sommer is the author of four previous books of poetry, most recently The Laughter of Adam and Eve, and two in the Phoenix series: Other People’s Troubles and The Man Who Sleeps in My Office. He has also published English versions of Irish language poems and two collaborative book-length translations of contemporary Chinese fiction. His poems have appeared in publications such as the New Republic, Ploughshares, Chicago Review, Agni, River Styx, and TriQuarterly, among others.
REVIEWS
“The beauty of Portulans comes not only from Sommer’s formal gracefulness, but also from his matching that virtuosity with mortal stakes. Poems like ‘Incident at the Mother’s,’ ‘Attention,’ and ‘Billy’s Facts of Life’ reveal narrative skill and unsentimental depth of sympathy that little contemporary fiction can equal, while ‘Multiverse’ and ‘In the Basement Is the Previous Culture’ display Sommer’s sheer capacity of imagination. Open to spontaneity while masterfully carved, these poems are alive to our moment, which they will outlast.”
— Peter Campion, author of One Summer Evening at the Falls
“‘There are no words / beneath the shape of things,’ Sommer concedes, but his poems almost make one believe that there could be. With the care and precision of a navigator trying to discern paths that won’t simply circle back, he bypasses metaphors gone wrong, riding a syntax supple enough to hold the music of the ‘the mind’s buoyant gravities.’ The many kinds of rhymes in this collection are invitations to listen closely to the layers of history and myth that hum beneath thinking. ‘It’s inner space he’s after,’ and he takes us there.”
— Mary Szybist, author of Incarnadine
"Sommer explores the internal depths of consciousness with a sly precision that is unsettling and revelatory. Quietly but restlessly, the poems capture fragile analogies for consciousness only for consciousness then to abrade these braided likenesses, to dissolve them, and so the journey begins again, the detritus of analogy left behind like a recursive trail of ruined monuments, markers in a portulan."
— Public Books
TABLE OF CONTENTS
Acknowledgments
Soul
The Expedition
The Most I Took Back from a Dream
In the Basement Is the Previous Culture
Satori
Changing the Script
Wakened to a Certain Knowledge of a Limited Kind
Multiverse
Incident at the Mother’s
Four Photos and Brief Case Report from the Journal Surgery
In the Moment before the Call Drops
In Their Nature: A Trio of Neighbors in a Sidewalk Chat
Children Wearing My Shoes
He Thinks
To Myself in the Coming Time
Billy’s Facts of Life
At the Friends of the Library Local Authors Event
Lot’s Daughters
The Old Art
Apollo Takes the Trophy of Marsyas
L. Receives Honorable Mention in Late Middle Age
What Men Want
Grudge
Attention
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE