Dante Alighieri’s Divine Comedy has, despite its enormous popularity and importance, often stymied readers with its multitudinous characters, references, and themes. But until the publication in 2007 of Guy Raffa’s guide to the Inferno, students lacked a suitable resource to help them navigate Dante’s underworld. With this new guide to the entire Divine Comedy, Raffa provides readers—experts in the Middle Ages and Renaissance, Dante neophytes, and everyone in between—with a map of the entire poem, from the lowest circle of Hell to the highest sphere of Paradise.

Based on Raffa’s original research and his many years of teaching the poem to undergraduates, The CompleteDanteworlds charts a simultaneously geographical and textual journey, canto by canto, region by region, adhering closely to the path taken by Dante himself through Hell, Purgatory, and Paradise. This invaluable reference also features study questions, illustrations of the realms, and regional summaries. Interpreting Dante’s poem and his sources, Raffa fashions detailed entries on each character encountered as well as on many significant historical, religious, and cultural allusions.

Guy P. Raffa is associate professor of Italian at the University of Texas at Austin. He is the author of Danteworlds: A Reader’s Guide to the Inferno, also published by the University of Chicago Press.

“In no sense is this just another Cliffs Notes approach to Dante. In my view, this guide to Dante’s poetry is clearly the very best single book available for any student or interested general reader. The commentary and structure of the guide constitute a very impressive work of scholarship in that it admirably fulfills its goal of presenting Dante’s poem in all of its complexity without reductionism. Raffa has managed to hit exactly the right balance between providing information to readers and challenging them to use sources and Dante scholarship to come to grips with the meaning of the poem.”

“Danteworlds—the book and the website—makes the Comedy’s universal message accessible and meaningful to all readers. In his superbly written and always engaging presentation of the three realms of the afterlife Guy Raffa displays the rare ability to see, as it were, both the forest and the trees, capturing the grand outlines and shape of Dante’s poem as well as identifying and providing incisive commentary on its myriad components—people, places, events, themes. Not only will first-time readers of the Comedy appreciate Raffa’s meticulous overview, but seasoned scholars will also profit from his many critical insights. Danteworlds will have a major impact on the ways we read, teach, and study the Comedy.”