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To Destroy Painting
University of Chicago Press, 1994 Cloth: 978-0-226-50534-3 | Paper: 978-0-226-50535-0 Library of Congress Classification ND1140.M3413 1995 Dewey Decimal Classification 750.1
ABOUT THIS BOOK | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
The work of the eminent French cultural critic Louis Marin (1931-92) is becoming increasingly important to English-speaking scholars concerned with issues of representation. To Destroy Painting, first published in France in 1977, marks a milestone in Marin's thought about the aims of painting in Europe in the sixteenth and seventeenth centuries. A meditation on the work of Poussin and Caravaggio and on their milieux, the book explores a number of notions implied by theories of painting and offers insight into the aims and effects of visual representaion. See other books on: 1573-1610 | Hjort, Mette | Painting | Semiotics | Techniques See other titles from University of Chicago Press |
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To Destroy Painting
ABOUT THIS BOOK | TOC | REQUEST ACCESSIBLE FILE
University of Chicago Press, 1994
Cloth: 978-0-226-50534-3
Paper: 978-0-226-50535-0
Cloth: 978-0-226-50534-3
Paper: 978-0-226-50535-0
The work of the eminent French cultural critic Louis Marin (1931-92) is becoming increasingly important to English-speaking scholars concerned with issues of representation. To Destroy Painting, first published in France in 1977, marks a milestone in Marin's thought about the aims of painting in Europe in the sixteenth and seventeenth centuries. A meditation on the work of Poussin and Caravaggio and on their milieux, the book explores a number of notions implied by theories of painting and offers insight into the aims and effects of visual representaion.
ABOUT THIS BOOK | TOC | REQUEST ACCESSIBLE FILE
