Sophie Taeuber-Arp and the Avant-Garde: A Biography
by Roswitha Mair translated by Damion Searls
University of Chicago Press, 2018 eISBN: 978-0-226-31135-7 | Cloth: 978-0-226-31121-0 Library of Congress Classification N7153.T33M313 2018 Dewey Decimal Classification 700.92
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Sophie Taeuber-Arp was a quiet innovator whose fame has too often been yoked to that of her husband, Jean Arp. Over time, however, she has slowly come to be seen as one of the foremost abstract artists and designers of the twentieth century. The Swiss-born Taeuber-Arp had a front row seat to the first wave of Dadaism and was, along with Mondrian and Malevich, a pioneer of Constructivism. Her singular artwork incorporated painting, sculpture, dance, fiber arts, and architecture, as hers was one of the first oeuvres to successfully bridge the divide between fine and functional art.
Now Roswitha Mair has brought us the first biography of this unique polymath, illuminating not just Tauber-Arp’s own life and work, but also the various milieux and movements in which she traveled. No fan of the Dadaists and their legacy will want to miss this first English-language translation.
AUTHOR BIOGRAPHY
Roswitha Mair is an independent writer, biographer, and curator who lives in Innsbruck, Austria. Damion Searls has translated numerous books from German, Norwegian, French, and Dutch.
REVIEWS
“A biography of Sophie Taeuber is, without question, a necessary project, and Mair answers this need with an engaging and finely crafted book. It will be valuable, not only for historians’ reevaluation of Taeuber’s career but also for a general appreciation of the complexities and contradictions of the fascinating years in which she lived and worked.”
— Megan R. Luke, University of Southern California
"Roswitha Mair’s biography of Sophie Taeuber, first published in German in 2013, delves into a range of unpublished sources, not only those held at the Fondation Arp in Paris, but also those still in the keeping of the Taeuber family, among them her elder sister’s letters and diaries. This trove – it even includes the original plan for the Trogen house – is especially helpful in building a picture of Sophie’s early life."
— London Review of Books
"The writing, in a highly readable translation by Damion Searls, is lucid and direct. The entire story, presented in just under two hundred pages, has an easy, agile pace."
— New York Review of Books
“The biography greatly benefits from Mair’s access to private diaries and letters . . . . Mair’s biographical account effectively exposes the risks and challenges facing European women artists in the early twentieth century.”
— Woman's Art Journal
TABLE OF CONTENTS
Foreword
One 1889–1908
Davos * Trogen * The Taeuber Pension * Schooling and Education
Two 1908–1914
St. Gallen * Munich
Three 1914–1919
Zurich * Hans Arp * Coffeehouse Revolution * Cabaret Voltaire and Dada * Beginning of a Partnership * Monte Verità * Hans Arp’s Capers * Galerie Dada * Dada Heads and Marionettes
Four 1919–1929
After the War * Away from Zurich * Arp-Taeuber, Taeuber-Arp * Summer with Schwitters * The Isms of Art * The Aubette *
Five 1929–1933
Meudon * Surrealists and Others
Six 1933–1940
The Third Reich * Collectors and Collaborations * Schwitters, Mondrian, Laban, and Others * Dualities * The War Approaches
Seven 1940–1943
Grasse * Zurich Once More * Final Constructions
Epilogue
Acknowledgments
Notes
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
Sophie Taeuber-Arp and the Avant-Garde: A Biography
by Roswitha Mair translated by Damion Searls
University of Chicago Press, 2018 eISBN: 978-0-226-31135-7 Cloth: 978-0-226-31121-0
Sophie Taeuber-Arp was a quiet innovator whose fame has too often been yoked to that of her husband, Jean Arp. Over time, however, she has slowly come to be seen as one of the foremost abstract artists and designers of the twentieth century. The Swiss-born Taeuber-Arp had a front row seat to the first wave of Dadaism and was, along with Mondrian and Malevich, a pioneer of Constructivism. Her singular artwork incorporated painting, sculpture, dance, fiber arts, and architecture, as hers was one of the first oeuvres to successfully bridge the divide between fine and functional art.
Now Roswitha Mair has brought us the first biography of this unique polymath, illuminating not just Tauber-Arp’s own life and work, but also the various milieux and movements in which she traveled. No fan of the Dadaists and their legacy will want to miss this first English-language translation.
AUTHOR BIOGRAPHY
Roswitha Mair is an independent writer, biographer, and curator who lives in Innsbruck, Austria. Damion Searls has translated numerous books from German, Norwegian, French, and Dutch.
REVIEWS
“A biography of Sophie Taeuber is, without question, a necessary project, and Mair answers this need with an engaging and finely crafted book. It will be valuable, not only for historians’ reevaluation of Taeuber’s career but also for a general appreciation of the complexities and contradictions of the fascinating years in which she lived and worked.”
— Megan R. Luke, University of Southern California
"Roswitha Mair’s biography of Sophie Taeuber, first published in German in 2013, delves into a range of unpublished sources, not only those held at the Fondation Arp in Paris, but also those still in the keeping of the Taeuber family, among them her elder sister’s letters and diaries. This trove – it even includes the original plan for the Trogen house – is especially helpful in building a picture of Sophie’s early life."
— London Review of Books
"The writing, in a highly readable translation by Damion Searls, is lucid and direct. The entire story, presented in just under two hundred pages, has an easy, agile pace."
— New York Review of Books
“The biography greatly benefits from Mair’s access to private diaries and letters . . . . Mair’s biographical account effectively exposes the risks and challenges facing European women artists in the early twentieth century.”
— Woman's Art Journal
TABLE OF CONTENTS
Foreword
One 1889–1908
Davos * Trogen * The Taeuber Pension * Schooling and Education
Two 1908–1914
St. Gallen * Munich
Three 1914–1919
Zurich * Hans Arp * Coffeehouse Revolution * Cabaret Voltaire and Dada * Beginning of a Partnership * Monte Verità * Hans Arp’s Capers * Galerie Dada * Dada Heads and Marionettes
Four 1919–1929
After the War * Away from Zurich * Arp-Taeuber, Taeuber-Arp * Summer with Schwitters * The Isms of Art * The Aubette *
Five 1929–1933
Meudon * Surrealists and Others
Six 1933–1940
The Third Reich * Collectors and Collaborations * Schwitters, Mondrian, Laban, and Others * Dualities * The War Approaches
Seven 1940–1943
Grasse * Zurich Once More * Final Constructions
Epilogue
Acknowledgments
Notes
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE