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How New York Stole the Idea of Modern Art
University of Chicago Press, 1985 Cloth: 978-0-226-31038-1 | Paper: 978-0-226-31039-8 | eISBN: 978-0-226-79184-5 Library of Congress Classification N6512.5.N4G84 1983 Dewey Decimal Classification 709.7471
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
"A provocative interpretation of the political and cultural history of the early cold war years. . . . By insisting that art, even art of the avant-garde, is part of the general culture, not autonomous or above it, he forces us to think differently not only about art and art history but about society itself."—New York Times Book Review See other books on: Art and society | Avant-garde (Aesthetics) | Goldhammer, Arthur | Idea | Modern Art See other titles from University of Chicago Press |
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Nearby on shelf for Visual arts / History:
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How New York Stole the Idea of Modern Art
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC | REQUEST ACCESSIBLE FILE
University of Chicago Press, 1985
Cloth: 978-0-226-31038-1
Paper: 978-0-226-31039-8
eISBN: 978-0-226-79184-5
Cloth: 978-0-226-31038-1
Paper: 978-0-226-31039-8
eISBN: 978-0-226-79184-5
"A provocative interpretation of the political and cultural history of the early cold war years. . . . By insisting that art, even art of the avant-garde, is part of the general culture, not autonomous or above it, he forces us to think differently not only about art and art history but about society itself."—New York Times Book Review
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC | REQUEST ACCESSIBLE FILE
