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Mantegna and Painting as Historical Narrative
University of Chicago Press, 1992 Cloth: 978-0-226-30707-7 Library of Congress Classification ND623.M3G7 1992 Dewey Decimal Classification 759.5
ABOUT THIS BOOK | TOC
ABOUT THIS BOOK
In this extraordinary explication of one of the most enigmatic and influential works of the Renaissance, the Uffizi Circumcision of Christ, Jack M. Greenstein reassesses the nature and goals of high humanist narrative painting. "Greenstein has raised the level of sophistication of the historical criticism of Renaissance painting by at least one whole notch; at the same time, he has written a book for everyone interested in problems of interpretation."—David Summers, University of Virginia See other books on: Criticism and interpretation | Historical Narrative | History in art | Jesus Christ | Painting See other titles from University of Chicago Press |
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Nearby on shelf for Painting / History:
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Mantegna and Painting as Historical Narrative
ABOUT THIS BOOK | TOC
University of Chicago Press, 1992
Cloth: 978-0-226-30707-7
Cloth: 978-0-226-30707-7
In this extraordinary explication of one of the most enigmatic and influential works of the Renaissance, the Uffizi Circumcision of Christ, Jack M. Greenstein reassesses the nature and goals of high humanist narrative painting.
"Greenstein has raised the level of sophistication of the historical criticism of Renaissance painting by at least one whole notch; at the same time, he has written a book for everyone interested in problems of interpretation."—David Summers, University of Virginia
"Greenstein has raised the level of sophistication of the historical criticism of Renaissance painting by at least one whole notch; at the same time, he has written a book for everyone interested in problems of interpretation."—David Summers, University of Virginia
ABOUT THIS BOOK | TOC
