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This title is no longer available from this publisher at this time. To let the publisher know you are interested in the title, please email bv-help@uchicago.edu. |
"Race," Writing, and Difference
University of Chicago Press, 1987 Paper: 978-0-226-28435-4 | Cloth: 978-0-226-28434-7 Library of Congress Classification PN56.R18R3 1986 Dewey Decimal Classification 809.9335203
ABOUT THIS BOOK | TOC
ABOUT THIS BOOK
A classic of cultural criticism, "Race," Writing, and Difference provides a broad introduction to the idea of "race" as a meaningful category in the study of literature and the shaping of critical theory. This collection demonstrates the variety of critical approaches through which one may discuss the complexities of racial "otherness" in various modes of discourse. Now, fifteen years after their first publication, these essays have managed to escape the cliches associated with the race-class-gender trinity of '80s criticism, and remain a provocative overview of the complex interplay between race, writing, and difference. See other books on: Appiah, Kwame Anthony | Difference | Gates, Henry Louis | Racism in literature | Sexism in literature See other titles from University of Chicago Press |
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Nearby on shelf for Literature (General) / Theory. Philosophy. Esthetics:
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![](https://www.bibliovault.org/images/placeholder-thumb.jpg ""Race," Writing, and Difference")
This title is no longer available from this publisher at this time. To let the publisher know you are interested in the title, please email bv-help@uchicago.edu.
"Race," Writing, and Difference
ABOUT THIS BOOK | TOC
University of Chicago Press, 1987
Paper: 978-0-226-28435-4
Cloth: 978-0-226-28434-7
Paper: 978-0-226-28435-4
Cloth: 978-0-226-28434-7
A classic of cultural criticism, "Race," Writing, and Difference provides a broad introduction to the idea of "race" as a meaningful category in the study of literature and the shaping of critical theory. This collection demonstrates the variety of critical approaches through which one may discuss the complexities of racial "otherness" in various modes of discourse. Now, fifteen years after their first publication, these essays have managed to escape the cliches associated with the race-class-gender trinity of '80s criticism, and remain a provocative overview of the complex interplay between race, writing, and difference.
ABOUT THIS BOOK | TOC
