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A Thousand Screenplays: The French Imagination in a Time of Crisis
University of Chicago Press, 1999 Cloth: 978-0-226-10068-5 | Paper: 978-0-226-10069-2 Library of Congress Classification PN1992.7.C4813 1999 Dewey Decimal Classification 791.45750944
ABOUT THIS BOOK | TOC
ABOUT THIS BOOK
In 1991, French public television held an amateur screenwriting contest. When Sabine Chalvon-Demersay, a French sociologist, examined the roughly 1,000 entries, she had hoped to analyze their differences. What she found, however, surprised her. Although the entrants covered nearly every social demographic, their screenplays presented similar characters in similar situations confronting similar problems. The time of crisis presented by the amateur writers was not one of war, famine, or disease—it was the millennial dilemma of representation. In a world plagued by alienation, individualization, and a lack of mobility, how can members of a society combat their declining senses of self? Although the contestants wrote about life in France, their concerns and struggles have a distinctly universal ring. A lucid, witty writer, Chalvon-Demersay offers a clear, if still developing, photograph of the contemporary imagination. See other books on: Crisis | Fagan, Teresa Lavender | Guides & Reviews | Television broadcasting | Television programs See other titles from University of Chicago Press |
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Nearby on shelf for Literature (General) / Drama / Broadcasting:
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A Thousand Screenplays: The French Imagination in a Time of Crisis
ABOUT THIS BOOK | TOC
University of Chicago Press, 1999
Cloth: 978-0-226-10068-5
Paper: 978-0-226-10069-2
Cloth: 978-0-226-10068-5
Paper: 978-0-226-10069-2
In 1991, French public television held an amateur screenwriting contest. When Sabine Chalvon-Demersay, a French sociologist, examined the roughly 1,000 entries, she had hoped to analyze their differences. What she found, however, surprised her. Although the entrants covered nearly every social demographic, their screenplays presented similar characters in similar situations confronting similar problems.
The time of crisis presented by the amateur writers was not one of war, famine, or disease—it was the millennial dilemma of representation. In a world plagued by alienation, individualization, and a lack of mobility, how can members of a society combat their declining senses of self?
Although the contestants wrote about life in France, their concerns and struggles have a distinctly universal ring. A lucid, witty writer, Chalvon-Demersay offers a clear, if still developing, photograph of the contemporary imagination.
The time of crisis presented by the amateur writers was not one of war, famine, or disease—it was the millennial dilemma of representation. In a world plagued by alienation, individualization, and a lack of mobility, how can members of a society combat their declining senses of self?
Although the contestants wrote about life in France, their concerns and struggles have a distinctly universal ring. A lucid, witty writer, Chalvon-Demersay offers a clear, if still developing, photograph of the contemporary imagination.
ABOUT THIS BOOK | TOC
