Self-Portrait in Words: Collected Writings and Statements, 1903-1950
by Max Beckmann edited by Barbara Copeland Buenger
University of Chicago Press, 1997 Paper: 978-0-226-04136-0 | Cloth: 978-0-226-04135-3 Library of Congress Classification N6888.B4A2 1997 Dewey Decimal Classification 760.092
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ABOUT THIS BOOK
One of the most important German artists of the twentieth century, Max Beckmann is known for the depth and sensuous force of his works, but little is known about his personal life. Self-Portrait in Words reveals Beckmann's experience of life from the first years of his career in Berlin and Paris through his final years in the United States. This collection of Beckmann's writings serves as a companion to his art and a testament to the complexities of his life.
"Barbara Copeland Buenger . . . has done an excellent job of editing and annotating Beckmann's voluminous private and public writings."—Andrea Barnet, New York Times Book Review
TABLE OF CONTENTS
Abbreviations
List of Plates
Preface and Acknowledgments
Maps
Introduction
1: Diary, August 14-September 20, 1903
2: Diary, December 6, 1903-January 6, 1904
3: Diary, January 6 or Afterward-March 9, 1904
4: Diary, April 1-May 7, 1904
5: Diary, December 26, 1908-April 4, 1909
6: Response to In Battle for Art: The Answer to the "Protest of German Artists"
7: "Thoughts on Timely and Untimely Art"
8: Diary, December 20, 1912-April 17, 1913
9: Statement for Exhibition at Hamburg Kunstverein, Max Beckmann (Gemalde), Walter Geffcken (Gemalde), Jules Pascin (Zeichnungen)
10: "The New Program"
11: Wartime Letters: East Prussia
12: Wartime Letters: Belgium (Courtrai, Roeselare, Ostende)
13: Wartime Letters: Roeselare, Wervicq, Brussels
14: Catalogue Foreword for Exhibition at I. B. Neumann Graphisches Kabinett, Berlin, Max Beckmann Graphik
15: "Creative Credo"
16: Text for Hell Portfolio
17: Contribution to "On the Value of Criticism: An Inquiry of Artists"
18: Ebbi: A Comedy
19: The Hotel: Drama in Four Acts
20: Letter for the Piper Almanach
21: Autobiography
22: "The Social Stance of the Artist by the Black Tightrope Walker"
23: "The Artist in the State"
24: Statement in the Catalogue of the Mannheim Kunsthalle Retrospective
25: Answer to Frankfurter Zeitung Questionnaire about Politics
26: "On My Painting"
27: Speech Given to His First Class in the United States, Washington University, St. Louis
28: "Letters to a Woman Painter"
29: Speech for Friends and Faculty during Commencement Week Activities, Washington University, St. Louis
30: "Can Painting Be Taught? 1. Beckmann's Answer"
Table of Monetary Equivalents
Notes
Index
REQUEST ACCESSIBLE FILE
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with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
Self-Portrait in Words: Collected Writings and Statements, 1903-1950
by Max Beckmann edited by Barbara Copeland Buenger
University of Chicago Press, 1997 Paper: 978-0-226-04136-0 Cloth: 978-0-226-04135-3
One of the most important German artists of the twentieth century, Max Beckmann is known for the depth and sensuous force of his works, but little is known about his personal life. Self-Portrait in Words reveals Beckmann's experience of life from the first years of his career in Berlin and Paris through his final years in the United States. This collection of Beckmann's writings serves as a companion to his art and a testament to the complexities of his life.
"Barbara Copeland Buenger . . . has done an excellent job of editing and annotating Beckmann's voluminous private and public writings."—Andrea Barnet, New York Times Book Review
TABLE OF CONTENTS
Abbreviations
List of Plates
Preface and Acknowledgments
Maps
Introduction
1: Diary, August 14-September 20, 1903
2: Diary, December 6, 1903-January 6, 1904
3: Diary, January 6 or Afterward-March 9, 1904
4: Diary, April 1-May 7, 1904
5: Diary, December 26, 1908-April 4, 1909
6: Response to In Battle for Art: The Answer to the "Protest of German Artists"
7: "Thoughts on Timely and Untimely Art"
8: Diary, December 20, 1912-April 17, 1913
9: Statement for Exhibition at Hamburg Kunstverein, Max Beckmann (Gemalde), Walter Geffcken (Gemalde), Jules Pascin (Zeichnungen)
10: "The New Program"
11: Wartime Letters: East Prussia
12: Wartime Letters: Belgium (Courtrai, Roeselare, Ostende)
13: Wartime Letters: Roeselare, Wervicq, Brussels
14: Catalogue Foreword for Exhibition at I. B. Neumann Graphisches Kabinett, Berlin, Max Beckmann Graphik
15: "Creative Credo"
16: Text for Hell Portfolio
17: Contribution to "On the Value of Criticism: An Inquiry of Artists"
18: Ebbi: A Comedy
19: The Hotel: Drama in Four Acts
20: Letter for the Piper Almanach
21: Autobiography
22: "The Social Stance of the Artist by the Black Tightrope Walker"
23: "The Artist in the State"
24: Statement in the Catalogue of the Mannheim Kunsthalle Retrospective
25: Answer to Frankfurter Zeitung Questionnaire about Politics
26: "On My Painting"
27: Speech Given to His First Class in the United States, Washington University, St. Louis
28: "Letters to a Woman Painter"
29: Speech for Friends and Faculty during Commencement Week Activities, Washington University, St. Louis
30: "Can Painting Be Taught? 1. Beckmann's Answer"
Table of Monetary Equivalents
Notes
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.