“Art and Truth after Plato is a highly important contribution to the philosophy of art, aesthetics, and the history of philosophy generally. Tom Rockmore successfully explores one of the fundamental problems in the history of philosophy, namely, appearance and reality, mimesis and representation, and their bearing on the question of truth, and he does so in a way that is engaging and highly readable. Indeed, the literary style of Tom Rockmore is exceptionally lucid and clear. His work easily ranks with the best in contemporary philosophy.”

“In Art and Truth after Plato, Tom Rockmore offers a rich and enlightening reconstruction of the history of Western aesthetics in light of Plato’s fundamental thesis that disjoins art from truth. This is a powerful interpretive idea that leads to a highly successful book.”

“Known for his habit of providing a grand sweep of the history and philosophically pertinent literature of (often) poorly grasped, contentious questions—the meaning of Kant’s ‘Copernican revolution,’ Hegel’s ‘circular epistemology,’ the actual relationship between Kant and German Idealism, among his familiar topics—Tom Rockmore now advances a most instructive overview of Plato’s classic charge against the cognitive competence of the fine arts. Quite literally, Rockmore canvasses the entire philosophical tradition in fashioning a fresh, indeed a legible compendium of the essential disputes a responsible reader will want to have in hand to assess the question’s present state of play or to enter the lists effectively.”

“Founded on a broad acquaintance with historical, cultural, and philosophical events and trends, Rockmore’s discussion builds through detailed analyses of central texts in the philosophy of art and aesthetics, such as Plato’s Republic, Aristotle’s Poetics, Kant’s Critique of Judgment, Hegel’s Lectures on Fine Art, and writings by Marx, Engles, and Lukics.”

"Rockmore provides an extraordinarily nuanced and thorough historical account of how, from Plato until the present day, art has been considered as having deep and enduring connections to truth. . . . An outstanding work that should be acclaimed for belonging to those all too rare books that are both accessible to the beginner and thought provoking for the specialist."

"A meticulously researched and finely written work which seeks to trace back and consolidate the various art-theoretical tributaries that originate with Plato, the Platonic critique of the imitative arts,and Plato’s “theory” of Forms."