University of Chicago Press, 2003 Paper: 978-0-226-03628-1 Library of Congress Classification N7432.7.B35 2003 Dewey Decimal Classification 701.85
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
From Egyptian wall paintings to the Venetian Renaissance, impressionism to digital images, Philip Ball tells the fascinating story of how art, chemistry, and technology have interacted throughout the ages to render the gorgeous hues we admire on our walls and in our museums.
Finalist for the 2002 National Book Critics Circle Award.
AUTHOR BIOGRAPHY
Philip Ball majored in chemistry at the University of Oxford and received a Ph.D. in physics from the University of Bristol. He is a writer and consulting editor for Nature and a regular contributor to the scientific and popular press, including New Scientist and the New York Times. Ball is the author of six other books, including The Self-Made Tapestry: Pattern Formation in Nature and Life's Matrix: A Biography of Water.
TABLE OF CONTENTS
Preface
1. The Eye of the Beholder
The Scientist in the Studio
2. Plucking the Rainbow
The Physics and Chemistry of Color
3. The Forge of Vulcan
Color Technology in Antiquity
4. Secret Recipes
Alchemy's Artistic Legacy
5. Masters of Light and Shadow
The Glory of the Renaissance
6. Old Gold
The Revival of an Austere Palette
7. The Prismatic Metals
Synthetic Pigments and the Dawn of Color Chemistry
8. The Reign of Light
Impressionism's Bright Impact
9. A Passion for Purple
Dyes and the Industrialization of Color
10. Shades of Midnight
The Problem of Blue
11. Time As Painter
The Ever-Changing Canvas
12. Capturing Color
How Art Appears in Reproduction
13. Mind Over Matter
Color as Form in Modernism
14. Art for Art's Sake
New Materials, New Horizons
Notes
Bibliography
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
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Please have the accessibility coordinator at your school fill out this form.
University of Chicago Press, 2003 Paper: 978-0-226-03628-1
From Egyptian wall paintings to the Venetian Renaissance, impressionism to digital images, Philip Ball tells the fascinating story of how art, chemistry, and technology have interacted throughout the ages to render the gorgeous hues we admire on our walls and in our museums.
Finalist for the 2002 National Book Critics Circle Award.
AUTHOR BIOGRAPHY
Philip Ball majored in chemistry at the University of Oxford and received a Ph.D. in physics from the University of Bristol. He is a writer and consulting editor for Nature and a regular contributor to the scientific and popular press, including New Scientist and the New York Times. Ball is the author of six other books, including The Self-Made Tapestry: Pattern Formation in Nature and Life's Matrix: A Biography of Water.
TABLE OF CONTENTS
Preface
1. The Eye of the Beholder
The Scientist in the Studio
2. Plucking the Rainbow
The Physics and Chemistry of Color
3. The Forge of Vulcan
Color Technology in Antiquity
4. Secret Recipes
Alchemy's Artistic Legacy
5. Masters of Light and Shadow
The Glory of the Renaissance
6. Old Gold
The Revival of an Austere Palette
7. The Prismatic Metals
Synthetic Pigments and the Dawn of Color Chemistry
8. The Reign of Light
Impressionism's Bright Impact
9. A Passion for Purple
Dyes and the Industrialization of Color
10. Shades of Midnight
The Problem of Blue
11. Time As Painter
The Ever-Changing Canvas
12. Capturing Color
How Art Appears in Reproduction
13. Mind Over Matter
Color as Form in Modernism
14. Art for Art's Sake
New Materials, New Horizons
Notes
Bibliography
Index
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC | REQUEST ACCESSIBLE FILE