University of Chicago Press, 2008 Cloth: 978-0-226-03057-9 | eISBN: 978-0-226-03060-9 | Paper: 978-0-226-03059-3 Library of Congress Classification PS3601.T4895M43 2008 Dewey Decimal Classification 811.6
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
In the appropriately titled Mean, Colette LaBouff Atkinson’s speakers confront a series of cruel lovers, estranged ex-husbands and ex-ex-wives, neglectful parents, disrespectful children, menacing drunks, would-be rapists, well-meaning but ineffectual teachers, and that annoying kid in first grade who wouldn’t leave you alone. Managing to “say” what most of us would only think but never dare speak out loud, this stunning debut collection reveals that the horrors and cruelty we experience in everyday life can turn out to be very real indeed. But Atkinson does not merely rake her subjects across the coals: she deftly exposes, instead, how the world mirrors back to us our own meanness, lending it a truth and a history. In forty-three deadpan, often merciless prose poems that are masterpieces of the form, Mean lays bare the darkness within the narrator’s heart as well as in ours.
"Colette Labouff Atkinson’s artful laconicism attains the force of a shout, without ever raising its voice. The intelligent, merciless narrative cool arrays a sad comedy, with an unemphatic but penetrating 'and then . . . and then': accounts of love pursued far more often than it is glimpsed or realized."—Robert Pinsky
AUTHOR BIOGRAPHY
Colette LaBouff Atkinsonis associate director of the International Center for Writing and Translation at the University of California, Irvine.
REVIEWS
"Colette LaBouff Atkinson’s artful laconicism attains the force of a shout, without ever raising its voice. The intelligent, merciless narrative cool arrays a sad comedy, with an unemphatic but penetrating 'and then . . . and then': accounts of love pursued far more often than it is glimpsed or realized."
— Robert Pinsky
“Atkinson has taken charge of her personal history, mapped it out across the rough sides of suburban coastal southern California where she drives to the Pacific to be without force, and to be revealed. Mixing popular movies, songs, and arcade games with thoughts on Milton, Augustine, and Herodotus, and with sympathy for the misunderstood crow and turkey vulture, Mean cracks a whip that cracks back on itself—aware at each step that what is given up, in kindness or cruelty, is never balanced by the reward.”
— Killarney Clary
“The poems in Colette LaBouff Atkinson’s Mean blend high culture, pop culture, and pathos. As a writer of lean prose poems that are technically masterful but never fussy, LaBouff Atkinson is also a storyteller of contemporary America: its influences by both John Milton and The Amityville Horror. Her keen eye for detail entertains and informs the reader while she spins a tale of mixed emotions, family history, love, loss, and solitude: an accurate record of the way we live today.”
— Stephanie Brown
“What I love about the ferociously efficient poems in Colette Atkinson’s Mean is how paradoxically generous they are. Dead-set against sweetness, they seek to make of ‘mean’ a term of hard-won praise. In the stories they tell about our helter-skelter, contradictory wanting, they pursue the mean-streak that keeps us honest, that keeps us going after what we want, even if or especially when it means breaking what we thought we wanted.”
— Jennifer Clarvoe
“Atkinson is as comfortable riffing on pop culture as she is on Cicero, John Milton, and Herodotus, all of whom show up in her poems. But this is not showing off. Rather, these bits and pieces—unexpected, at times half-remembered, only give more weight to her experience, a heady mix of ideas and influences that reverberates like memory in the mind.”
— David Ulin, Los Angeles Times
TABLE OF CONTENTS
Acknowledgments
Space Race Mean Mean, Part Two Medium Intense Red Copper Rocket Loose Heat Wave Hart Crane Slept Here Four London(1987) Wrecking
Three Days of the Condor The Glass Show Lounge Bakasana Deal I’m sorry I was blind Hover Intention (The Dead Leaves) Gain Spring Fling New World Laurel Replacement Monkey Spirit Proximity Juju’s Sister Gun Dog Flower Girl Park Bench Perhaps this verse would please you better—Sue—(2) Prosthetic Garden Variety For God’s Sake, Get Out Route 1652 Graphic Novel Romance (V for Vendetta) Ghost Squad Hips 1971 Portof Los Angeles Taking it like a little soldier, aren’t you? Fortune-Telling GardenaFreeway, California
Notes
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If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
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Please have the accessibility coordinator at your school fill out this form.
University of Chicago Press, 2008 Cloth: 978-0-226-03057-9 eISBN: 978-0-226-03060-9 Paper: 978-0-226-03059-3
In the appropriately titled Mean, Colette LaBouff Atkinson’s speakers confront a series of cruel lovers, estranged ex-husbands and ex-ex-wives, neglectful parents, disrespectful children, menacing drunks, would-be rapists, well-meaning but ineffectual teachers, and that annoying kid in first grade who wouldn’t leave you alone. Managing to “say” what most of us would only think but never dare speak out loud, this stunning debut collection reveals that the horrors and cruelty we experience in everyday life can turn out to be very real indeed. But Atkinson does not merely rake her subjects across the coals: she deftly exposes, instead, how the world mirrors back to us our own meanness, lending it a truth and a history. In forty-three deadpan, often merciless prose poems that are masterpieces of the form, Mean lays bare the darkness within the narrator’s heart as well as in ours.
"Colette Labouff Atkinson’s artful laconicism attains the force of a shout, without ever raising its voice. The intelligent, merciless narrative cool arrays a sad comedy, with an unemphatic but penetrating 'and then . . . and then': accounts of love pursued far more often than it is glimpsed or realized."—Robert Pinsky
AUTHOR BIOGRAPHY
Colette LaBouff Atkinsonis associate director of the International Center for Writing and Translation at the University of California, Irvine.
REVIEWS
"Colette LaBouff Atkinson’s artful laconicism attains the force of a shout, without ever raising its voice. The intelligent, merciless narrative cool arrays a sad comedy, with an unemphatic but penetrating 'and then . . . and then': accounts of love pursued far more often than it is glimpsed or realized."
— Robert Pinsky
“Atkinson has taken charge of her personal history, mapped it out across the rough sides of suburban coastal southern California where she drives to the Pacific to be without force, and to be revealed. Mixing popular movies, songs, and arcade games with thoughts on Milton, Augustine, and Herodotus, and with sympathy for the misunderstood crow and turkey vulture, Mean cracks a whip that cracks back on itself—aware at each step that what is given up, in kindness or cruelty, is never balanced by the reward.”
— Killarney Clary
“The poems in Colette LaBouff Atkinson’s Mean blend high culture, pop culture, and pathos. As a writer of lean prose poems that are technically masterful but never fussy, LaBouff Atkinson is also a storyteller of contemporary America: its influences by both John Milton and The Amityville Horror. Her keen eye for detail entertains and informs the reader while she spins a tale of mixed emotions, family history, love, loss, and solitude: an accurate record of the way we live today.”
— Stephanie Brown
“What I love about the ferociously efficient poems in Colette Atkinson’s Mean is how paradoxically generous they are. Dead-set against sweetness, they seek to make of ‘mean’ a term of hard-won praise. In the stories they tell about our helter-skelter, contradictory wanting, they pursue the mean-streak that keeps us honest, that keeps us going after what we want, even if or especially when it means breaking what we thought we wanted.”
— Jennifer Clarvoe
“Atkinson is as comfortable riffing on pop culture as she is on Cicero, John Milton, and Herodotus, all of whom show up in her poems. But this is not showing off. Rather, these bits and pieces—unexpected, at times half-remembered, only give more weight to her experience, a heady mix of ideas and influences that reverberates like memory in the mind.”
— David Ulin, Los Angeles Times
TABLE OF CONTENTS
Acknowledgments
Space Race Mean Mean, Part Two Medium Intense Red Copper Rocket Loose Heat Wave Hart Crane Slept Here Four London(1987) Wrecking
Three Days of the Condor The Glass Show Lounge Bakasana Deal I’m sorry I was blind Hover Intention (The Dead Leaves) Gain Spring Fling New World Laurel Replacement Monkey Spirit Proximity Juju’s Sister Gun Dog Flower Girl Park Bench Perhaps this verse would please you better—Sue—(2) Prosthetic Garden Variety For God’s Sake, Get Out Route 1652 Graphic Novel Romance (V for Vendetta) Ghost Squad Hips 1971 Portof Los Angeles Taking it like a little soldier, aren’t you? Fortune-Telling GardenaFreeway, California
Notes
REQUEST ACCESSIBLE FILE
If you are a student who cannot use this book in printed form, BiblioVault may be able to supply you
with an electronic file for alternative access.
Please have the accessibility coordinator at your school fill out this form.
It can take 2-3 weeks for requests to be filled.
ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE